Ajouter une intrigue dans votre langueA novelist who's fed up with the establishment profiting from Black entertainment uses a pen name to write a book that propels him into the heart of the hypocrisy and madness he claims to di... Tout lireA novelist who's fed up with the establishment profiting from Black entertainment uses a pen name to write a book that propels him into the heart of the hypocrisy and madness he claims to disdain.A novelist who's fed up with the establishment profiting from Black entertainment uses a pen name to write a book that propels him into the heart of the hypocrisy and madness he claims to disdain.
- Director
- Writers
- Stars
- A remporté 1 oscar
- 64 victoires et 174 nominations au total
Avis en vedette
American Fiction is a rightfully angry satire that gets a lot of laughs out of showing how the industry isn't as progressive as it thinks it is. What makes it even better is that it's also a surprisingly investing family drama that is exactly the kind of film it's complaining there aren't enough of.
The only thing that doesn't entirely land is the ending. It's still on point with everything the film has been saying for the past 2 hours and it is gloriously meta but it feels like it comes at the cost of an actually satisfying resolution to the character based drama it's been focusing on. Regardless, it's an interesting swing.
Jeffrey Wright is amazing in an all too rare leading role. It's the constant shock at how gullible everyone is, the glee in writing his parody book (which is visualised in a fun way) and the quieter moments of reflection. It offers further proof of his comedic talents and shows he can command the screen, though that was never in doubt.
With tons of charisma and a restrained sadness, Sterling K. Brown is really good, even if this performance doesn't feel Academy Award worthy. However, that's more of a general complaint with watching films after the nominations are announced since it adds a distracting and unfair disadvantage to any performance nominated.
Cord Jefferson makes an impressive debut with both his screenplay and direction. The writing has so much wit and the direction has the visual staging to back it up for some very clever gags. Laura Karpman's score accomplishes the difficult task of being a constant presence without becoming overbearing thanks to its calm and easygoing nature.
The only thing that doesn't entirely land is the ending. It's still on point with everything the film has been saying for the past 2 hours and it is gloriously meta but it feels like it comes at the cost of an actually satisfying resolution to the character based drama it's been focusing on. Regardless, it's an interesting swing.
Jeffrey Wright is amazing in an all too rare leading role. It's the constant shock at how gullible everyone is, the glee in writing his parody book (which is visualised in a fun way) and the quieter moments of reflection. It offers further proof of his comedic talents and shows he can command the screen, though that was never in doubt.
With tons of charisma and a restrained sadness, Sterling K. Brown is really good, even if this performance doesn't feel Academy Award worthy. However, that's more of a general complaint with watching films after the nominations are announced since it adds a distracting and unfair disadvantage to any performance nominated.
Cord Jefferson makes an impressive debut with both his screenplay and direction. The writing has so much wit and the direction has the visual staging to back it up for some very clever gags. Laura Karpman's score accomplishes the difficult task of being a constant presence without becoming overbearing thanks to its calm and easygoing nature.
For reference, I frequently enjoy dumb-fun, mindless movies and watch basically everything superhero-related. You know... the kinds of movies where the writing is rarely the draw. Then I watch something with great writing and feel metaphorical whiplash. The difference is drastic.
Witty dialogue, intriguing story and clever scenarios elevate everything. The cast all give fantastic performances, especially Jeffrey Wright. But for me personally, by far the best attribute is the comedy. I full-volume laughed throughout. And the humor feels entirely original.
My only dislike is a few subplots, like the love life of his brother or the maid, that don't seem to be related to the main plot. They feel out of place and detract from the main story. Otherwise, I found American Fiction to be highly entertaining.
(1 viewing, opening Thursday 1/4/2024)
Witty dialogue, intriguing story and clever scenarios elevate everything. The cast all give fantastic performances, especially Jeffrey Wright. But for me personally, by far the best attribute is the comedy. I full-volume laughed throughout. And the humor feels entirely original.
My only dislike is a few subplots, like the love life of his brother or the maid, that don't seem to be related to the main plot. They feel out of place and detract from the main story. Otherwise, I found American Fiction to be highly entertaining.
(1 viewing, opening Thursday 1/4/2024)
An author, dejected by the state of society and what readers consider black literature, decides to give the people what they want: a stereotypical black story. What was supposed to be a satirical commentary turns into something more than he ever expected.
This film is an adaptation of the novel Erasure by Percival Everett. The film is a good mix of drama and comedy. One storyline makes fun of how, even though society is becoming more accepting of minorities, it unintentionally marginalizes them by continuing to perpetuate stereotypes. At the same time, another storyline shows an individual struggling with the hardships of life. The film's display of irony makes it an intriguing watch and reflects our current state as a society. This is a great film to watch with friends and discuss afterward.
This film is an adaptation of the novel Erasure by Percival Everett. The film is a good mix of drama and comedy. One storyline makes fun of how, even though society is becoming more accepting of minorities, it unintentionally marginalizes them by continuing to perpetuate stereotypes. At the same time, another storyline shows an individual struggling with the hardships of life. The film's display of irony makes it an intriguing watch and reflects our current state as a society. This is a great film to watch with friends and discuss afterward.
The part of the movie that concerns liberal white guilt driving forcing black voices into a box is funny and right on point. I live in the same area as this movie takes place and know many black people who express the same sentiments as the main character here... (Monk). But ironically it seems that the story that wanted to be told was likely interfered with by corporate suits and perhaps the screenplay didn't have a great ending.
Most of the movie is wonderful but the main character's LGBT brother is very likely not needed and was put in there to satisfy an agenda. Ironically... this movie itself is a vehicle for the message while also critiquing it. And at the end of the story it looks like it is going to go with a very Tootsie like ending but they do a few zigs and zags that I wonder if was just to extend the run time.
Overall though, very entertaining.
Most of the movie is wonderful but the main character's LGBT brother is very likely not needed and was put in there to satisfy an agenda. Ironically... this movie itself is a vehicle for the message while also critiquing it. And at the end of the story it looks like it is going to go with a very Tootsie like ending but they do a few zigs and zags that I wonder if was just to extend the run time.
Overall though, very entertaining.
A movie about a black author tired of the simple and unidimensional exposure of the African-American culture and white people regarding it as holy work. As a protest, he fed them with a fiction of his own about the poverty and the hardships that come with being black. The book is so void of anything to him and his PhD in literature that he sends it to publishers as a joke, but little did he know that it was the demise of his morale. As some might find the end disappointing, it is very highlighting the whole speech of the movie. Because by the end, the audience is treated as the movie's white people; when it could have stopped on a question mark, it proposes an alternative ending that would please the masses.
Le saviez-vous
- AnecdotesIn a 2023 interview with Esquire, Cord Jefferson explained his approach to a key scene in the film and how the actors elevated it in unexpected ways: "We've all seen that scene of the writer pounding the keyboard frantically, then taking a big sip of coffee and getting back to it. That's how you depict somebody intensely writing. But I thought, 'We can't have that. It's tropey and silly, and it doesn't get the audience's minds going.' So why not have these characters manifest in front of him? When I wrote that scene, I wrote the language to be very silly. It had to be ridiculous so that everybody could see how stupid this book is and what a sham it is. Then we got Keith David and Okieriete Onaodowan, who are both such tremendous actors. All of the sudden, it wasn't silly anymore. They made it seem like the book might be good. I love what the scene became in their hands: suddenly you're questioning whether or not the book is good, which is evidence that something as ridiculous as this book could become a hit."
- GaffesAt the movie's beginning, Monk walks out of a building while being on the phone and holding a coffee cup with a vertical print of Dunkin Donuts, and with a lid on it. Seconds later, when he gets into a car, the logo on the cup is horizontally printed and it has no lid, while he is still holding the phone to his head with the other hand.
- Citations
Sintara Golden: Potential is what people see when they think what's in front of them isn't good enough.
- ConnexionsFeatured in 2024 EE BAFTA Film Awards (2024)
- Bandes originalesWithout You
Written by Aubrey Johnson
Performed by Ace Spectrum
Published by Ace Spec Music
Courtesy of Mojo Music and Media
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- American Fiction
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 21 098 470 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 224 469 $ US
- 17 déc. 2023
- Brut – à l'échelle mondiale
- 22 483 370 $ US
- Durée
- 1h 57m(117 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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