All the Wilderness

A perfect piece of cinema.

A simple yet beautifully told tale of human tragedy and grievance.

A well acted, complete story that wasn't over told. All of the characters were crafted perfectly to fit the story An excellent balance of story and self-imagination for the intelligent to comprehend the entirety of the plot.

The sublime darkness that follows James Charm was a perfect form to show ones hidden fears, the horror's that can hide deep inside.

How 6 simple words can transform one from the dark to the light, is genus. That one scene, highlights just how transformative this film is.

For those that only appreciate Hollywood block busters.....you won't understand this film.

A definite 'top shelf' film in my estimation.

This is the kind of film for which cinema was invented ! Probably made on a tiny budget, it looks utterly beautiful, tells a simple story in a poetic way and moves deeply. It oozes atmosphere and doesn't take a single wrong step. I can't recommend it highly enough!

Director/writer Michael Johnson has offered a wonderful film about finding the 'self'.

Here we have James Charm with an obsession for dead things like birds, insect, and wilderness dwelling creatures and sketching their dead bodies into his journal. James also visits a therapist, reluctantly. There is something bothering James and we the viewer are kept in the dark until the end of the story as to what he is depressed about.

To find himself he sneaks out at night and goes into the inner city. This is James wilderness. We learn earlier in the story that his father told James about the wonders of the wilderness and that we all have some of that wilderness within us. James is looking for himself and there is one scene with his therapist (Danny DeVito) that is James awakening moment. He discovers he cannot ever know why his father .... He can only know about himself!

This is a sensitive movie wonderfully edited and filmed. I was particularly taken with how director Michael Johnson portrayed James inner demons. The story is about growing up and learning about the world we live in as opposed to the world within us.

I didn't read the summary before watching, but I should have. I was expecting a family adventure about a teen or teens in the wilderness. In fact, it's in a city and the "wilderness" is symbolic.

I get the impression this was a quality production, but just not the sort of thing that would appeal to me. Most of the leading actors do a good job, and Evan Ross in particular stands out as Harmon, and Harmon's music is quite good (if you like that sort of thing). He can even do what sounds like Chopin. I can't say for sure it was, but from what he said, it must have been.

One scene has some creative editing. James and his girlfriend are at the lake and the audio continues throughout the scene even though it doesn't always match the video. A lot of the time we are just seeing them having fun in the water as they continue to talk.

If you like seeing young people rebel against those who only care about their best interests, and you like terrible music that young people enjoyed in the 80s, this might be for you.

James Charm (Kodi Smit-McPhee) gets into a fight with a schoolmate. He's obsessed with death and infuriates others with predictions of their deaths. His frustrated mother Abigail Charm (Virginia Madsen) sends him to psychiatrist Dr. Pembry (Danny DeVito) who wants him to attend a special school. He falls for fellow patient Val (Isabelle Fuhrman). He's in the city at night where he's befriended by Harmon (Evan Ross).

Kodi's gawky weirdness is interesting. Isabelle's darker edge is also pretty interesting. There are some surreal touches that could be interesting but it needs to be more consistent. Harmon and the street kids have potential. It's all potentially great. The main missing ingredient is intensity. Other than the delusions, there is a lethargy to the movie. I guess it's the sense of depression coming from James due to his family issue. Despite the fights, I may need him to scream.