Launched in the winter of 2022 to rather disappointing ratings, I was alerted to 'The Traitors' by how many viewers were describing it with words like 'addictive' and 'absorbing'. After viewing the first episode, it was obvious that the show would be a sure fire massive hit. The series has continued to be startlingly fascinating, entertaining viewing and unquestionably my favourite newly launched show of the year.
On the face of it, the premise sounds relatively straightforward. Twenty two strangers perform tasks together to earn a prize fund of up to £120,000. However, covertly hidden amongst the twenty two are the Traitors, who strategically 'murder' the other contestants (Faithfuls). The Faithfuls' job is to root out the Traitors and remove them from the game. Eventually any remaining players take home the prize kitty.
Despite its apparent simplicity, the show has produced some of the most compelling TV exchanges and moments one could wish to see. Psychologists could surely hold conferences studying the group dynamics. It shows how clever manipulation can produce a full on herd, 'Lord of the Flies' mentality as innocent Faithfuls are suddenly turned on and evicted without a shred of evidence against them. The innocent victims become understandably distraught leading to high octane and intense scenes at the 'round table', where each player explains who they wish to get rid of, and why. We are also privy to the machinations of the Traitors.
The devious producers also regularly introduce ingenious twists to keep the viewing guessing, and to ratchet up the tension even more. Compliments also go to the researchers, who cast the 2022 contestants. Refreshingly, the competitors encompass a broad spectrum of ages, temperament and social backgrounds. Many of the contestants view themselves as mind control experts or being able to spot liars. The fact that they have been so inept at either, has given the viewer great schadenfreude.
Claudia Winkleman has played the role of the string pulling games controller with obvious relish. One of British TV's safest pair of hands, she has performed her part with consummate skill.
Add in high production values, the picturesque and atmospheric Scottish castle location and clever use of incidental music, and you have an outstanding piece of television. The show loses one mark, because the actual tasks to raise the prize fund, are far less compelling. However, they do allow the viewer some respite from the sheer intensity of the rest of the each episode.
It's so rare that a new formula bursts on to the TV scene with such an impact. Congratulations to all involved and roll on the next series, when I suspect things may become even more thrilling!
