Metalhead

Films about family dramas are already common in the movie theater, but the choice of the Icelandic writer-director Ragnar Bragason (known for Bjarnfreðarson - 2009) to put the heavy metal in the foreground was an innovation, so Málmhaus (original title) or Metalhead (English title) stands out compared to other similar narratives. The story shows how the loss of a child in a tragic accident can affect the life of a family and also of a whole small community in rural Iceland. The protagonist of the plot is Hera, played by Þorbjörg Helga Þorgilsdóttir (known for Djúpið - The Deep - 2012), who witnessed the death of her older brother by a tractor when she was only 12 year old, in 1983. Traumatized, disillusioned with life and with her faith completely shaken, she decides to seek comfort in the heavy metal musical style that her brother loved so much.

After this initial introduction, Bragason transports us to the early 90s, addressing the main character already in adulthood. With gloomy and melancholy appearance, always wearing a leather jacket and black clothes, Hera is now quite adept of the black metal way of life. She isolated herself from the outside world and is disconnected from the small community in which she lives. Her only moments of balance seem to be next to her guitar, with which she risks to compose her own musics, or when she listens to her cassette tapes or reads magazines in her room.

The presence of Hera is disruptive to her parents. Unable to break free emotionally and psychologically from the memories of the tragedy, she lives committing petty crimes in self-destructive acts and causing confusion in the neighborhood. Her dressing style and her personality are also a painful form of her parents remember their dead child. This is reflected in the depression of her mother, Droplaug, played by Halldora Geirharðsdóttir (known for Englar alheimsins - Angels of the Universe - 2000 and Hross í oss - Of Horses and Men - 2013), and in the hidden suffering of her father, Karl, interpreted by Ingvar Eggert Sigurðsson (he acted in Englar alheimsins - Angels of the Universe - 2000, Myrin - Jar City - 2006, Hross í oss - Of Horses and Men - 2013 and Everest - 2015). Thus, each one experiences the grief and the pain in their own way, but it is clear that that accident compromised the family's harmony.

With a peculiar intimate view of heavy metal and black metal movements, Bragason does in Metalhead a production with quite personal characteristics, printing throughout the script references carefully cited and associated with the soundtrack. It is through music that the director expresses and exposes the psychological and emotional state of the protagonist, from her feelings to her internal conflicts. Fans of the genre, besides the recognition of the songs, will delight in with Victim of Changes (Judas Priest), Heartless World (Teaze), Run For Your Life (Riot), Strange Wings (Savatage), Me Against the World (Lizzy Borden), Am I Evil? (Diamond Head), Symphony of Destruction (Megadeth), Í Helli Loka (Sólstafir) and Svarthamar (Pétur Ben & Þorbjörg Helga Þorgilsdóttir - Málmhaus).

The symbolism is present throughout the film. The clothes, the music, the melancholy or obscurity, the corpse paint (face paint in black and white), death, religion, in scenarios such as the church or the cemetery, in the bitter cold of winter, and even in Norwegian characters, a reference to Øystein Aarseth (Euronymous) and Per Yngve Ohlin (Dead), founding members of the Norwegian black metal band Mayhem, land that created the subculture of the Norwegian black metal. Some documentaries address and depict this time, as Den Svarte Alvor - The Black Seriousness (1994), Satan Rir Media - Satan Rides the Media (1998), Once Upon a Time in Norway (2007) and Until the Light Takes Us (2008).

Clinging to period details is another strong point of the film, giving it a certain nostalgia of the 80s and 90s. We have the record player and vinyl records, cassette tapes and walkman, household appliances, such as microwaves, cathode ray tube TV and VHS video tapes and cars, all faithfully depicting the period in question. The beautiful shots of Iceland and the moments of black humor soften the delicate issue addressed in the narrative, contrasting with the inner desolation of the protagonist. The performance of Þorbjörg Helga Þorgilsdóttir is one of the highlights of the movie, giving veracity to the story of the main character.

Metalhead is a film that is based on a universal theme, music, employing it to show how people deal with pain, loss and suffering. The story shows the search for an identity and for oneself, an attempt to find meaning for life that goes beyond music.

Originally posted in: https://vikingbyheart.blogspot.com.br

It's not often I see Icelandic movies available let alone ones that peak my interest so I rushed to see Metalhead first opportunity I got.

Initially I wasn't sure what to make of it but it didn't take me long to get engrossed into this fascinating little tale.

Essentially a tale of grief and one girls way of handling a great pain in her life this is a story that many will empathise with (Though maybe not to some of the same extremes)

With strong performances from the outset, a gripping highly original unique storyline & great soundtrack this is a piece of world cinema well worth anyone's time.

A throwback in time. To some to a better time (and music) and to a smaller village that is center stage here. We do have a girl who's different and is not really liked for that reason. The story has a lot of good songs (again only if you like the music of course) and a character development that might be predictable but still works, especially because of the acting.

It stays true to its nature most of the time, not going for an easy way out (no pun intended), but might have jumped the shark a bit at the ending (depending on your view of what's happening). Still good strong characters and a nice story.

There is not much Black metal in the movie, if you were expecting this. :-) HOWEVER, the film is more than worth watching. More or less benign in nature, it deal with humanity of people that are mostly alone. Just they themselves, their work and their pain.

The movie is set about the time Mayhem started forming Black Metal scene; the main protagonist in a way "invented" her version of black metal as a way to cope with death of her brother. Interestingly, the black metal track from the movie (unfortunately just one song) actually sounds really good! It actually does sound like it was made in that time, making the movie only more believable.

While Burzum is not specifically mentioned in the movie (sadly), it was very important for the plot itself.

Slow "studio" version of the song is also really good. (It is called Svarthamar, and there are two versions- studio and demo on YouTube - artist is Petur Bien - the rest of the album is so-so, instrumental ambient music). I don't remember when was the last time I got shivers down my spine listening to something. The track is really good, especially if you understand the words / read the translation. It goes phenomenally with the movie itself.

There's something about northern hemisphere foreign-language movies that I love. Anything from Denmark or Sweden, and this is from Iceland, I think?

I do have my doubts about this film though. The acting isn't always great and I had a problem with the believability of the main character as a hard rocker, but it didn't spoil my enjoyment of Metalhead much.

It doesn't matter if a movie has little content as long as you enjoy what it gives. Perhaps a bleak statement of art, or just someone working through their grief through mismatched relationships and the love of music, whatever the genre might be: it could be country or gospel, it doesn't really matter. Ultimately things work out well if you stick to your principles and follow your dreams, listening to your heart, instead of taking easy comfort, which is what I got from this movie.

Málmhaus could have been better and a bit more sordid and harrowing, but the ending credits with Symphony of Destruction by Megadeth nailed it for me.