Coup!
- 2023
- 1h 38m
ÉVALUATION IMDb
6,1/10
2,9 k
MA NOTE
Ajouter une intrigue dans votre langueDuring the Spanish Flu of 1918, a mischievous cook leads a revolt against his wealthy employer.During the Spanish Flu of 1918, a mischievous cook leads a revolt against his wealthy employer.During the Spanish Flu of 1918, a mischievous cook leads a revolt against his wealthy employer.
- Réalisation
- Scénaristes
- Vedettes
Robert John Gallagher
- Police Officer
- (uncredited)
Roy William Gardner
- Mr. Monk
- (uncredited)
6,12.9K
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Avis en vedette
A Clever Satire, With a Deeper Message: 'Coup!' Spoiler-Free Review - ScreenHub Entertainment
What if the class structures of the early 1900s, which aren't really that much different than they are today, were isolated and broken down bit by bit? The movie Coup! Attempts to do just that, taking its eccentric cast of characters on an adventure through anarchy, madness, and self-discovery. Can it successfully blend this heavy message with its wit and charm?
Whether you enjoy the humor in this film or not, Coup! Is certainly an interesting look at class structure and how that structure can break down, given the right circumstances. It is a film with a lot to say and is able to say it rather well, mostly due to the talent of the cast. Clocking in at a crisp 90 minutes, and assuming you beheaded my warning about the humor and tone, you will not regret spending an hour and a half with these colorful characters.
Whether you enjoy the humor in this film or not, Coup! Is certainly an interesting look at class structure and how that structure can break down, given the right circumstances. It is a film with a lot to say and is able to say it rather well, mostly due to the talent of the cast. Clocking in at a crisp 90 minutes, and assuming you beheaded my warning about the humor and tone, you will not regret spending an hour and a half with these colorful characters.
And now for something completely different
Weird, dark, and fun is how I'd describe this one. It shows a microcosm of society using a family and their servants holed up during the Spanish Flu. It's satirization of performative activists and limousine liberals feels on point. Peter Sarsgaard makes interesting choices in all of his films, and he does it again playing a charming scumbag of a cook. Billy Magnussen, while not given the same juicy role, does a great job as well playing a writer / aspiring politician, who feels very familiar in the Covid-era where we all had to suffer through the "Imagine" celebs. Overall, it's a fun watch, not a broad comedy, but I did find myself laughing a number of times.
The better "triangle of sadness"
The film takes advantage of a century-old event to deal with a subject that could not be more relevant today.
This film shows in a casual and clever way the class society and at the same time presents an alternative, which only emerges through a social crisis.
It is structured like a thriller and manages to maintain a constant tension, but includes various aspects of living together as a society, without falling into a black and white thinking.
Instead of showing that the rich can't help exploiting their power and giving them some kind of legitimacy, as in films like "Triangle of Sadness", the film finds a much more clever solution without being cautionary.
This film shows in a casual and clever way the class society and at the same time presents an alternative, which only emerges through a social crisis.
It is structured like a thriller and manages to maintain a constant tension, but includes various aspects of living together as a society, without falling into a black and white thinking.
Instead of showing that the rich can't help exploiting their power and giving them some kind of legitimacy, as in films like "Triangle of Sadness", the film finds a much more clever solution without being cautionary.
A different perspective
Generally invited in the shadow of the epidemic changing standards and criteria in society, the film did not participate in anything except the concept of imbalance.
So I think the parallelism of the societal imbalance with the imbalance of some events in the film is justified.
There is light comedy and from there it moves to dark drama to remind people of the events of Covid and what happened in the minds while taking into account the time period. This is all that is good.
Cons: The ending isn't perfect. Some of the character motivations and transformation were rushed.
-Slow paced and small world I love this atmosphere.
So I think the parallelism of the societal imbalance with the imbalance of some events in the film is justified.
There is light comedy and from there it moves to dark drama to remind people of the events of Covid and what happened in the minds while taking into account the time period. This is all that is good.
Cons: The ending isn't perfect. Some of the character motivations and transformation were rushed.
-Slow paced and small world I love this atmosphere.
The Admirable Chrichton, but without the charm
And not ship wrecked on a tropical island, but stranded on a city island in an ocean of the Spanish flu. Instead of a steadfastly loyal, upstanding butler, we have a roguish, scheming cook, wheedling his way into an upper class family. Of course the comparisons only go so far, Coup is a far darker more sinister affair than the 1957 classic comedy. The social commentary presented here is apparent from the start, there is little in the way of a gentle progression as circumstances worsen.
The master to servant relationship on which the plot is hung is effective enough, but both characters have such unlikeable traits, that it may be hard to whole heartedly root for either in this war of the classes.
It's entertaining enough, but the 98 minutes runtime seemed to drag at times, the ending was well done, and satisfying, depending on your social justice standpoint I guess?
The master to servant relationship on which the plot is hung is effective enough, but both characters have such unlikeable traits, that it may be hard to whole heartedly root for either in this war of the classes.
It's entertaining enough, but the 98 minutes runtime seemed to drag at times, the ending was well done, and satisfying, depending on your social justice standpoint I guess?
Le saviez-vous
- Citations
Floyd Monk: Why don't you kiss my ass, nancy boy?
- Bandes originalesSonata no. 4 in G for Violin and Basso Continuo 2 - Allegro
Written by Jean-Baptiste Barrière
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Великий маніпулятор
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 166 559 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 73 385 $ US
- 4 août 2024
- Brut – à l'échelle mondiale
- 275 138 $ US
- Durée
- 1h 38m(98 min)
- Couleur
- Rapport de forme
- 2.39 : 1
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