Short Term 12

"You are not their friend, and you are not their therapist," Jack (Frantz Turner) to Grace (Brie Larson)

You can be forgiven if you think Short Term 12 is a documentary, so close it seems to the reality of a foster-care facility, so natural its acting in almost every character. If you see any films this month, makes sure this is one of them

First time helmer Destin Cretton, with two years' experience in a similar care-giving facility (The title refers to the 12 or so group homes for teens in the county), has masterfully relayed the love and sorrow inherent in a place where virtually everyone is displaced from a parent, or abused, even the staff.

The story belongs to Grace (Brie Larson), a caring giver who influences for good many of her charges, not easy cases any one of them. Part of the reason she is so successful is that she knows from abuse by her father, who is in prison for his offenses. She finds a younger Doppelganger of sorts in defiant teen Jadyn (Kaitlyn Dever), whose traumas at the hands of her father are ongoing and call for identifying with Grace's experiences and strong remedy. Watch for an Oscar nomination if this indie is seen by enough of us.

To parallel the challenges of the home, Grace's home with fellow staffer, boyfriend Mason is both loving and stressful because she struggles with becoming pregnant and reconciling her tortured past with her father, who is ready to be released form prison. Mason is the ideal caregiver, loving and competent with the teenagers and her.

Although many moments could be melancholic or downright tear-jerking in other hands, Cretton doesn't allow excessive sorrow to rule; rather, the sadness is mitigated by the small triumphs. Hey, that's just like real life.

This little indie will cure you of any longing for summer blockbusters and their half-billion-dollar entanglements. Short Term 12's situations are enough satisfying drama for ten Lone Rangers.

Short Term 12 is a powerful and moving drama that leaves you with warm feelings on conclusion. It depicts the personal struggles of a group of teenagers in supported care and their carers.

Dramas of this sort can sometimes leave you feeling gloomy and have a depressing feel. It certainly has dark moments of personal struggle, dealing in mental health, domestic abuse, self harm and suicide but the standard of acting and ending of the movie most definitely leave you feeling positive.

What stands out most about this film however is the cast. There are several strong performances even from the supporting cast with minor screen time. Brie Larson in the lead role excels. A breakout performance in a slow moving drama. One particular scene that comes to mind is the scene with Frantz Turner playing Jack. The outburst is a culmination of her protecting Jayden (played very well by Kaitlyn Dever) who she has begun to understand and create a close bond with, along with her own personal life frustrations. It is Jayden and not her boyfriend, despite his attempts, who allow Grace to open up and deal with her own personal struggles and her past. John Gallagher Jnr, who I had not seen much of prior to this movie also puts in an understated performance as the caring and supporting boyfriend and provides a few moments of comedic relief throughout the drama. I should also mention his scene at his foster family birthday celebration. The scene is only short but the emotion he displays in saying thank you to his foster parents was powerful. This is also one of the early roles for Rami Malek, who has now gone on like Brie to much more significant roles. He doesn't have much screen time in this and no particular scenes of note. Other than Brie however I believe Lakeith Stanfield as Marcus puts in the best performance. His backstory doesn't get as much time as Jayden and it is less central to the plot of the film which is mainly the Grace/Jayden/Mason arc, but all of his scenes are very strong and he is very believable.

It's not just the residents in this home that are damaged. To some degree, the staff comes here with their own life experiences that are just as damaging as those they care for. Maybe being damaged is what attracts people to the work - I certainly saw it often in psychology and counseling classes.

Grace (Brie Larson), the supervisor, is certainly dealing with a damaged past. It is probably what makes her good at her job, but it does cause her problems. It's balancing the two that makes one successful.

Cutting, anger, withdrawal, are all things you will see in these children/young adults. They are manifestations of their unnatural upbringing. Marcus (Keith Stanfield) is terrified at the prospect of going out on his own. Jayden (Kaitlyn Dever) guards her secret past, while Grace tries to pry it open.

Every day is a challenge, and the worst part is not ever knowing if you were successful.

One of the few movies in my life I cried at. Due to some of my background I was moved by the subject matter. It is one of the most natural movies I have ever seen. The entire cast seemed like real people and not one of them seemed like an actor. Great movies plunge the viewer into real lives as if they suddenly discovered someone else's life in front of them. The writer/director also had balance in the story, The most emotional scenes had tremendous impact because the timing when they occurred was not suspected. The scenes were gut-wrenching and drove me to emotional experiences as if I was a person in the film. Thus, the tears. This may be a hard film for viewers to be involved with, but it is worth every minute of it. The private lives of the leaders were weaved into the film and gave great understanding to the people who ran the agency. The child acting was without a flaw, and I felt as if I knew them in real life. I urge you to see it, but prepare yourself for an emotional ride with people in dire circumstances. A simply great film!!

It's rare that a film moves you to tears and in the next moment makes you belly laugh, all within a context of a very real, grounded story.

This film has some of the strongest writing, acting, and directing I've seen in American cinema since American Beauty was released. Subtle, incredibly deep, and full of unsentimental heart and compassion. It's about people who have been damaged by the people who are supposed to protect them the most: their parents. And it's not just about that. It's about how the human spirit can, with care and respect, somehow sustain after such darkness. It's about real love.

This film is why I go to the movies. This film is why I've made my livelihood movies. Bravo Mr. Cretton and everyone involved with the film. I wish you nothing but the best.