Films of this category are often a complete hit or miss with me. They can be so saccharine and cheesy that the work is unwatchable. On the other hand, if handled with actual understanding, the film can be something truly different--if, of course, cinematography, soundtrack, and acting hold up as well. Most, however, fall into the middle ground: we know how it will end, we can guess the romantic subplot a mile away, and we know the trials and tribulations of these characters will eventually pay off. You read the description and know exactly what you're about to watch. Not necessarily bad, but doesn't give you much to appreciate.
Personally, I think Camp falls into that middle ground. The kid has flaws, a nice change from the syrupy sweet orphan trope. But it's not exactly new either. We've see the guy whose mind is on money (and often women) bond with a troubled kid. It's a concept that has a great amount of potential, but there should be a couple added layers to tell it apart from the bunch. This film just doesn't have that.
Its soundtrack is generic, the acting swivels between awkward and sincere, and the script is a bit lacking. It was difficult to become fully immersed. The camp site is actually very pretty, and I think the film would have benefited from more nature shots.
Lastly, I started this not knowing it had a tinge of Christianity. Strangely, it doesn't feel like it belongs. There is very little focus on it throughout the film. It pops up from time to time, usually in a one-on-one conservation, but feels very distant from the plot. Clip it away and nothing changes. Mostly it induced an eye roll. On a brighter side, it never goes full-on "God is joyous and miraculous!" on the viewer (though is dangerously close) if only because another character is skeptical about it.
