This Town

This just hits the spot. There was such edginess at that time in the 70's/80's, inequality, racism, skinheads, the awful troubles in Ireland, industrial strife and the general failing of society to look after people that needed help. 'This Town' picks bits of that and melts it together in a glorious understanding of it all, with a great core story, fabulous tunes and poetry from the lead actor. He stood so tall he made me feel proud to be British. Please give us more of this raw, untamed, shout out feel good of life. There are stories still to be told. A wonderful TV show. Rock on BBC, you can make great drama.

Wowee. This show is pure class. Loads of authenticacy on the area and its period. Proper working-class boozers promoting the peried tunes of punk and ska and new wave.

A dodgy gangsta club boss which was reminiscent of the time from the Krays as well. Proper nuts stuff which compliments what I read about in their reports from the period but providing a unique twist of its own from the genius mind of Stephen Knight.

It also shows total capitalism and stark poverty; the Tory age was well and truely alive in 1980's Coventry and Birmingham! People being unemploed and people ripping-off the state in disgust and illegal gross capitalism as well.

The record store is just amazing. The sets are perfect. Council estate and the pub is just wow. The attention-to-detail is staggering.

Then there's the script. Oh yes! A really epic drama and incredibly well-written with a LOT of dialogue; fighting and dancing and merriment.

I loved it. It's one of the best dramas the BBC have had in a long time and it has real Shane Meadows' style vibes from the exceptional 'This Is England' series.

I'm astounded by the excellent acting involved and the realistic approach of scripts used for the IRA and the serviceman giving a huge dilemma from the UK Government.

Clothes are great. The set team and art team have done amazing with the the props. I love all the vintage Fred Perry and Sergio Tacchini are on display and proudly-worn!

The Zulus were a notorious Birmingham football gang in the 1980's yet they were from in the late 1980's and I am wondering if this series is a quiet homage to them?!?

Let's talk about the acting! Wow. Lots of talent here. Incredible stuff. Please just watch it and sit-back and enjoy. A sensational series!

Beautifully shot, great music, good actors, amazing locations and wardrobe. But it just doesn't come together.

Some parts are rushed while others are lingered on for too long without any real impact, emotional or artistic.

The characters speak like they're in a play - too dramatic, forever reciting someone else's words. You can tell there is a lot of talent on the screen, but it goes to waste. The characters aren't developed in an interesting way, or aren't developed at all. Their arc are murky, not intentionally (which can be interesting) but in a lackluster, clumsy sort of way.

Even the way the songs were edited in felt like they were always missing the punchline, and there were some GREAT songs in this show. It's like the scenes and the music are disjointed, not well-suited.

Dante felt, to me, a very difficult main character. He is so disconnected from anything that doesn't directly involve him (and some things that DO involve him) that it kept making me disconnect and pull away from the show. There were good moments with the other characters that got drowned in lots of scenes of cardboard cutouts of people talking to each other in predictable, wooden dialouge.

It's an entertaining show but could have been so much more.

As another reviewer said, they tried to do too much and failed to do anything. They could have done so much more with the music of the time and they failed. But most of all the original music is terrible. The band as such would never have been popular.

Then they tried to shoehorn the IRA into the show. Great, do an IRA show or do a Two Tone show. Not both. Then they tried to add M Thatchers in to the mix. Add a dollop of soap opera and you end up with an uneven pile of crap.

I did enjoy quite a few parts of this but I would have to be convinced about a second series. More Ska/Two Tone and less IRA.

From the creator of Peaky Blinders Steven Knight.

There are moments when it has a similar feel with some of the dialogue.

Like Peaky Blinders it has a great soundtrack. Once I got into the second and third episodes I started to really like it, and invested into the characters a lot more. Felt like I was waiting a long time for the development of the band, but plenty of other stories to keep you going until that point. Felt like The Commitments at one point as the band were coming together. A few very good performances from the lead characters, especially Levi Brown & Michelle Dockery, who couldn't have been any further away from the character she played in Downton Abbey.