Onlyfangs

"OnlyFangs" is a refreshingly original indie horror-comedy that sinks its teeth into modern culture with equal parts wit, blood, and brilliance. The story follows a wannabe monster hunter who unexpectedly teams up with a group of unapologetically fierce vampire women to create an app that turns potential victims into loyal customers - a premise that's as outrageous as it is clever.

From start to finish, the film balances campy fun with sharp satire, poking fun at influencer culture, tech startups, and our obsession with monetizing everything - even the supernatural. It's a bold concept, and the execution delivers on every level. The humor lands, the pacing keeps you hooked, and the dialogue is full of clever, quotable moments.

The cast deserves major praise for bringing so much charisma and energy to the screen. Every actor feels perfectly cast, but Meredith Mohler's performance as Zooey stands out as especially magnetic - playful, fearless, and full of personality. You can tell she's having a blast in the role, and that energy radiates through the entire film.

Visually, "OnlyFangs" looks incredible for an indie production. The neon-soaked nightlife, gritty cityscapes, and sharp cinematography give it a modern gothic flair, while the soundtrack ties everything together with bite.

Overall, "OnlyFangs" is a wickedly fun ride - fresh, fearless, and stylish from start to finish. Huge congratulations to the entire cast and crew for creating something so unique, smart, and wildly entertaining.

... You do know this is just a two hour ad for the actual Onlyfans. I mean... I subscribed to at least 3 of the Actors accounts after this so that's not a complaint by any means. Also one guy in that movie looks like Ted Cruz if he was homeless. Also there's a scene where one lady gets her breast sucked on by another woman... I threw my money at the screen when that happened.

I wanted to love this film. The crew's last film, Murdercise was amazing. OnlyFangs suffered mostly from too many remote role scenes. The film is 45 minutes too long, it would be great to see a cut where all, or most, of the remote roles were chopped.

The other big problem with this film is it's supposed to be a mashup of OnlyFans and Vampires. But only 1 of the (main cast) Vampires actually gets naked. For a while I thought maybe the director was trying to go more mainstream by toning down the nudity and silliness. But then the only nude scene with the main cast appears and... well you'll see.

On the plus side, some of the practical effects were pretty good. Kansas Bowling did a great job and continues to be an underappreciated actress in this genre - lending acting talent that far exceeds the rest of the cast.

This is an exciting film; it has got it all, hot vampiric women to satisfy the male fans, and a love story for the females. Not only is this filled with vicious murderous scenes of carnage, but it also has an effective storyline that is easy to grasp what is taking place, along with a well thought out and solid plot. The erotic scenes elevated this to a whole different level. The introduction is a great hook, and where we are introduced to Scarlet (played by Nina Lanee Kent) who is a beautiful but terrifying protagonist. The film starts at a photo shoot, and where we meet the timid and innocent looking girl Reese (played by Kansas Bowling.) Harvey (played by Nick Zagone) who created the vampires meets a deadly fate at the hands of Scarlet. The vampires we follow throughout the film are Scarlet, Selena (played by Adriana Uchishiba,) and Zooey (played by Meredith Mohler.)

We are then moved into a scene where we are introduced to The Monster Boys, who consists of Quentin (played by Shane Meyers,) and siblings Wes (played by Drew Marvick,) and Gwen (played by Jessa Jupiter Flux) who are a team of hunters that track down cryptids for their internet channel. I like this as it adds flesh to the story arc. Then we go from the vampires seductively dancing on the bar top in a bar while the male patrons drool over them, not realising what is about to take place, but when the vampires do what vampires are meant to do, kill their unsuspecting victims in the bar, I enjoyed the contrast from the dancing to atrocious scenes of annihilation. Meanwhile, Reese is at the park on a date, and Wes so happens to capture what Reese does to the man who deserved it anyway because he is a predator to women. Wes takes the footage of Reese to show his team, but fortunately for the vampires, the footage is too grainy to substantiate his claims of finding a monster. He then takes it to an expert in monster hunting, Wilhelm Johanssen (played by Bryan Hurd) who can't make sense of the video Wes is trying to show him. I like this added dilemma of The Monster Boys trying to track down the vampires, because it gives them a challenge to overcome.

A deal is made with the vamps and Wes, who is asked to go to their lair to set up a photo shoot for Onlyfangs, which was an idea formulated by Wes. All the while, outside, Eli (played by Derek Johns) a member of the monster team who watched the footage, meets up with one of the vampires and it does not end well for him. Later on in the film, Wes finds Harvey, takes a video of him secreted in a wooden trunk and he takes this new evidence to Wilhelm. This sets them off on a pathway to find the monster who created the vampires. There is a grotesque scene of the vampires biting and eating the men who have paid to be bitten. It's a slow-moving scene which adds a sinister element to the vamps characterisation. What I liked was the contrast from the ladies dancing in a provocative way as they perform in a synchronised movement of beauty, then to their savage display of destroying the men, is quite profound. It's also appalling for Gwen to see this display who is supposed to be transformed later that night. I see regret pass over her features, that perhaps becoming a vampire is not as romantic as she initially thought.

Wes finds himself in a predicament with congresswoman Penelope Lynch (played by Ellie Church,) Wilhelm, and Ridley, who does everything Penelope says. A massive twist occurs that I did not anticipate, when it is discovered that Penelope has her own hidden talents and agenda. The ending sequence is marvellous, in that some good resolutions take place. The vampires are in peril, their master is about to be located for nefarious reasons, and Wes is in trouble. It is interesting to see how this all plays out. Gwen, Quentin and Wes end the film with a massive battle against deadly forces. Who will come out alive? The film wraps up with an interesting cliffhanger, so, I wouldn't be surprised to see a sequel to this in the future.

I especially enjoyed the cameo appearances from people I recognise. Siren (played by August Kyss.) Ivana (played by Simona Rose) and Preslav (played by Miroslav Petkov) and it can't be a film without the news reporter (played by Rudy Ledbetter.) The voice of DJ Degenerate (played by Andrew Pierson.) The Canadian footage was directed by Mark Kiazyk.

Overall, this is a typical vampire troupe that had me hysterically laughing in places because the satire is so good. The lore of vampires is mostly there, with a master and his beautiful harem of women. The acting is excellently executed and you can tell everyone gave themselves over for their roles, even those who acted remotely. I have to commend the special effects team for producing realistic scenes of gore, and the costumes and makeup teams who were also exceptional at what they do. The graphic depictions of horror kept me watching, and the characters, who even though they are lethal villains, I became invested in them. I highly recommend this one to watch, if you enjoy vampire horror with a flair of comedic flavour, then give this one a go. I hope you will enjoy this film as much as I did.

Reviewed by Del Gibson from HORROR CENTRAL.

Film Review - Only Fangs (Dir. Angelica De Alba & Paul Ragsdale) Angelica De Alba and Paul Ragsdale have delivered the vampire film genre fans have been waiting for - a raw, stylish, unapologetically feral celebration of everything that made '80s vampire cinema legendary, while forging a bold, modern identity of its own.

From the moment Only Fangs begins, you can feel the DNA of cult masterpieces like Near Dark, The Lost Boys, and Fright Night. But make no mistake - this isn't imitation. De Alba channels those influences like a summoning ritual, fusing the outlaw romance of Near Dark, the youthful rebellion of The Lost Boys, and the suburbia-meets-nightmare tension of Fright Night... then injects it with her own deadly-poetic sense of danger and elegance.

The result? Pure, electrifying vampire cinema. Alive. Sensual. Visceral. Real.

De Alba's direction is fearless - every frame feels composed with intent, dripping with attitude and neon-drenched atmosphere. The vampires here aren't glamorous aristocrats - they're savage, chaotic, magnetic forces of nature. You don't just watch them. You feel them. The performances are as dangerous as they are seductive, the cinematography gorgeous yet grimy, and the film's pulse beats with the energy of true underground cinema.

This isn't nostalgia - it's resurrection. It's reclamation.

Only Fangs isn't just paying homage to the past. It's picking up the torch and tearing forward.

Angelica De Alba and Paul Ragsdale have crafted a vampire film with teeth - the kind we thought Hollywood had forgotten how to make.

This is the vampire film we've been waiting for.