Perpetrator

Jonny Baptiste (Kiah McKirnan) leaves her troubled father to live with her aunt Hildie Baptiste (Alicia Silverstone). She doesn't know her or her mother. Her 18th birthday is coming up and she starts a new school.

At the end of the day, I don't know what is going on within this movie. This Shudder flick plays its cards really close to its vest. It doesn't tell the audience anything except a lot of questions. That could be interesting for a good while, but eventually, the movie needs to let us into the world building. I'm not asking for a lengthy exposition. I'm just looking for the general layout.

They swung hard, but this movie was a bit of a mess. It was almost impressively convoluted with so little explanation that I'm not fully convinced that they were even positive what they were attempting to convey.

It kept going back-and-forth between awkwardly taking itself too seriously and this weird campiness that didn't feel self aware. The ending, or lack there of, was abrupt and pretty lazy. This felt more akin to the first three episodes of a teen tv series crammed into one that mashed up a confusing euphoria and a not well explained monster high. It generally kept my attention but I feel like it was out of a pure attempt to figure out what was going on.

They didn't really keep up, stick to or follow through with their own plot and it ended up being pretty unfulfilling overall. Not the worst movie ever and had some interesting ideas but overall would not recommend.

Honestly this movie confused me, it basically had a really interesting idea that is unique it could be made into a really good feature film. But the execution lacks in many places.

The movie is competently directed and the acting is fine but the really big problem of the movie is that it leaves more questions than it tries to answer. The movie keeps adding new aspects but doesn't explain them and that leaves the viewer unsatisfied. You have lots of interesting ideas and aspects that the movie is introducing but since they are not explained you forget about them or you stop caring. This left me feel very empty at the end of the movie and I was definitely not satisfied with the end product. [4,5/10]

This film has an incredibly odd vibe.

Mostly, because the acting in it is awkwardly bad.

Though, seemingly purposefully so.

At least...I'd like to hope so.

The plot is particularly bizarre.

Almost hard to follow.

An hour in...and all I could tell...is that it is some sort of coming of age film...about a high school girl getting her period...who might be getting initiated into a coven of witches...that may or may not already be dead...

Either way...in whatever world this is...someone is targeting and killing young women.

Who might be a cop.

That is trying to frame a young player (by going after every chick he gets with).

It's all a pretty odd experience.

That has to be some sort of nightmare, if it is to make any sense.

Eventually...what is actually going on, does come to fruition.

But it doesn't make it any less weird or awkward.

By this point...it has set it's course...and is sticking to it.

Doubling down on the trippiness, if anything.

I can't say for certain that I fully get what's going on in this picture.

But I can safely say that it will leave you thinking "what the hell did I just watch?!".

That being said...it's hard to say whether it's actually good or bad.

As it defies such a dichotomy.

In exchange for it's overt weirdness.

That makes for a super odd/awkward viewing experience.

4 out of 10.

Somewhere in this Cronenberg (father and son!) farrango is a story but it's not developed in any particularly interesting way.

It starts at 80 and goes straight to 100, never developing any characters or plot. Any idea writer/director Jennifer Reeder has just gets thrown into the mix.

Which is a shame as this has lashings of dark humour from Alicia Silverstone's deadpan delivery to the oddness of the high school principal - all played straight despite all the oddness around them.

Its a hugh mash up of Lynch, (aforementioned) Cronenberg but also recently Yorgos Lanthimos which is why I wanted to like it more- but they have a clear narrative structure which allows them to go in any (strange) direction they please.

It contains great photography ,especially at night, and a Carpentersque soundtrack.