Ajouter une intrigue dans votre langueOnce a vibrant part of American culture, drive-ins reached their peak in the late 50s with almost 5,000 dotting the nation. Although drive-ins are experiencing a resurgence, today less than ... Tout lireOnce a vibrant part of American culture, drive-ins reached their peak in the late 50s with almost 5,000 dotting the nation. Although drive-ins are experiencing a resurgence, today less than 400 remain. In a nation that loves cars and movies, why haven't they survived?Once a vibrant part of American culture, drive-ins reached their peak in the late 50s with almost 5,000 dotting the nation. Although drive-ins are experiencing a resurgence, today less than 400 remain. In a nation that loves cars and movies, why haven't they survived?
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The background music was hideously distracting.
With that Corman was good as were a handful of others. The history is close enough in terms of what led to the demise of the drive ins. Like malls. Like minor league baseball. And more
Thought it was a swing and a miss not to visit some of the abandoned lots and get some specific histories.
Was interesting when shared anecdotes about how drive ins started seeking younger audiences with more exploitative movies but it was unclear if that affected the entire industry. And if that hurt attendance why wouldn't they adjust. Today drive ins show the same movies. Way too much time spent on that even including more indecipherable mumblings from Bruss.
Wright interviewed a number of theater owners, scholars and legendary B Movie master Roger Corman during her travels and they provide anecdotes and perspective (even if sometimes they contradict one another). Lots of old footage and hundreds of old photographs are supplemented by Wright's present-day visits of the sites. Wright's Doc was released during a brief blip in the mid-2010s when the number of Drive-Ins actually increased slightly after decades of sharp decline. Even during the course of the making of this movie, one of the examples of a new Drive-In opening up is later revealed to have closed after just one summer. That blip quickly disappeared before a new current one has occurred during the Covid crisis (time will tell how long it will last). The price of land makes a full scale comeback virtually impossible.
GOING ATTRACTIONS is an enjoyable trip through the history of Drive-Ins, still, Wright speeds through the clips and stills so quickly they sometimes barely register. The Wall to Wall song score interferes at times, and, as mentioned, the sheer number of interviewees occasionally results in contradictions: To wit, one moment we're seeing a montage of 50s & 60s families and kids happily playing and enjoying themselves at Drive Ins, the next, we're being told that by the 50s, families were staying home and watching their newfangled TVs leaving Drive-Ins to be 'passion pits' for Teens. 85 minutes simply isn't enough time to capture over 9 decades of history, so a bit more focus would have helped.
Quibbles aside, GOING ATTRACTIONS will appeal to anybody who's ever experienced the lure of the Drive-In. Wright is to be applauded for her efforts in spreading the affection many have for them. May they remain forever.
But, in their heyday (1950-1970) they were about as popular as was hot-buttered popcorn, french fries, chewing gum, and milkshakes.
"Going Attractions" is actually quite an interesting documentary that (through stills, archival footage, and interviews) takes a close-up look at the inevitable rise & fall of the Drive-In movie phenomenon and how this venue helped to shape the course of one's social activities back in the good, old days.
Le saviez-vous
- AnecdotesDirector April Wright visited 49 states (all but Alaska) to make the film and visited almost 500 open, abandoned or former sites of drive-ins.
- ConnexionsFeatured in Cake (2014)
- Bandes originalesMore Than Money
The Stikmen
Written by The Stikmen
Courtesy of Westwood Music Group
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 52 458 $ US
- Brut – à l'échelle mondiale
- 52 458 $ US
- Durée
- 1h 25m(85 min)
- Couleur