ÉVALUATION IMDb
6,0/10
11 k
MA NOTE
Ajouter une intrigue dans votre langueAn A&R man working at the height of the Britpop music craze goes to extremes in order to find his next hit.An A&R man working at the height of the Britpop music craze goes to extremes in order to find his next hit.An A&R man working at the height of the Britpop music craze goes to extremes in order to find his next hit.
- Réalisation
- Scénariste
- Vedettes
- Prix
- 2 nominations au total
Thomas Conroy
- Clubber
- (uncredited)
Alex Gillison
- Gunter
- (as Alexander Gillison)
6,010.5K
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Avis en vedette
Great satire on the music industry.
I like Nicholas Hoult enough to check out the movie when I saw the poster at my local theater, plus I became really found of music around the time period the movie takes place in and was a fan of the Britpop thing going on at the time. Also, this is the second time I've seen Hoult do something that was not Superhero or genre (the first being Dark Places, starring Charlize Theron).
Although the title did make it seem like it may be a horror movie. In a way. it is, especially if you seen American Psycho.
Hoult plays a brutally honesty (which makes him very unlikeable) A&R rep for a record label, who's trying to climb to the top of the ladder, at the same time trying to find the next Britpop sensation. He falls under all the clichés of a man trying to reach the top, coping with stress with sex and drugs, all the while trying to be the cool guy in the room. Then we discover how far he will go to climb up that ladder to success, of which the term back stabbing does not fully explain.
It's brilliant as a satire on the music industry as a whole during that time. They go over the bubblegum pop machine that is boy bands and pretentiousness of bands that want to be considered indi, it even pokes fun of the techno scene that was developing and the moment when Hip hop was about to dominate. No stone is left unturn making it a hard hitting poke at whatever category you fit in and really hopes you have a good sense of humor about it.
Holt plays the villainous protagonist that has become popular on TV (like Tony Sprano and Walter White). It's something different than the Awkward but good looking kid he plays in a lot of his movies and he handles that fact that not everyone will fancy his character and keeps it completely true to form.
For everyone who remembers the late 90s and loves stories on the music industry.
Although the title did make it seem like it may be a horror movie. In a way. it is, especially if you seen American Psycho.
Hoult plays a brutally honesty (which makes him very unlikeable) A&R rep for a record label, who's trying to climb to the top of the ladder, at the same time trying to find the next Britpop sensation. He falls under all the clichés of a man trying to reach the top, coping with stress with sex and drugs, all the while trying to be the cool guy in the room. Then we discover how far he will go to climb up that ladder to success, of which the term back stabbing does not fully explain.
It's brilliant as a satire on the music industry as a whole during that time. They go over the bubblegum pop machine that is boy bands and pretentiousness of bands that want to be considered indi, it even pokes fun of the techno scene that was developing and the moment when Hip hop was about to dominate. No stone is left unturn making it a hard hitting poke at whatever category you fit in and really hopes you have a good sense of humor about it.
Holt plays the villainous protagonist that has become popular on TV (like Tony Sprano and Walter White). It's something different than the Awkward but good looking kid he plays in a lot of his movies and he handles that fact that not everyone will fancy his character and keeps it completely true to form.
For everyone who remembers the late 90s and loves stories on the music industry.
Entertaining enough to me
The movie is all about Steven Stefox (played by Nicholas Hoult), a guy working in the music industry, as a guy that is supposed to discover and sign new bands. He's not very good at his job, so he tries other ways to achieve his goals. I'm not sure why it's also categorized as a comedy because you won't laugh one bit. It's more a crime story with a lot of drugs and a narrating voice describing what to do to make it in the music industry. It's entertaining to watch. Steven is a narcissistic person, addicted to fancy drugs, and doing everything it takes to make it to the top. There are no likable characters in the movie but that's not the point. They are all career driven and very egoistic. Since it is about the music industry you have a lot of tunes, some good ones but also bad ones. It's not a bad movie even though I saw better similar ones.
Good but needed more energy
Despite only loosely living up to the title, Kill Your Friends is a darkly funny and very twisted look at the high stakes world of music management that desperately wants to be American Psycho but lacks the energy and darkness to fully achieve those lofty ambitions. It's still able to sustain itself on some good jokes interspersed throughout and the overall cynical nature, culminating in a satisfyingly twisted ending.
Nicholas Hoult doesn't always feel like the best choice for this material however, he is fully committed to this irredeemable character so he can move past those early growing pains. He's ambitious to the point of being ruthless and conceals his true villainy under a false layer of incompetence. Even with a fairly strong supporting cast of characters it's still all resting on his central performance to keep things going.
Owen Harris' competent yet bland direction weirdly lacks the necessary manic energy outside of some brief glimpses into Hoult's darkest thoughts. For a film that spends so much time in clubs and drug fueled parties, its lowered visual energy becomes kinda distracting, counterbalanced by the tone never wavering. On the opposite end of the spectrum, Tom Holkenborg's score and the soundtrack really understood the assignment.
Nicholas Hoult doesn't always feel like the best choice for this material however, he is fully committed to this irredeemable character so he can move past those early growing pains. He's ambitious to the point of being ruthless and conceals his true villainy under a false layer of incompetence. Even with a fairly strong supporting cast of characters it's still all resting on his central performance to keep things going.
Owen Harris' competent yet bland direction weirdly lacks the necessary manic energy outside of some brief glimpses into Hoult's darkest thoughts. For a film that spends so much time in clubs and drug fueled parties, its lowered visual energy becomes kinda distracting, counterbalanced by the tone never wavering. On the opposite end of the spectrum, Tom Holkenborg's score and the soundtrack really understood the assignment.
London psycho
This Film tells the story of a record industry talent scout in the 1990's London, who stops at nothing when it comes to career advancement.
Firstly, the music in the film is great because those songs are the songs I grew listening to. Hearing relatively non hit tracks such as "The Private Psychedelic Wheel", or other big hits like "Encore Une Fois" brings back memories of those great years!
Nicholas Hoult is insanely handsome in this film. He's charming and likable even though his character is reminiscent of "American Psycho". That's what make the film very interesting and engaging. I really enjoyed it.
Firstly, the music in the film is great because those songs are the songs I grew listening to. Hearing relatively non hit tracks such as "The Private Psychedelic Wheel", or other big hits like "Encore Une Fois" brings back memories of those great years!
Nicholas Hoult is insanely handsome in this film. He's charming and likable even though his character is reminiscent of "American Psycho". That's what make the film very interesting and engaging. I really enjoyed it.
Not as black as the book
People who have written bad, simple minded reviews have no idea what they are talking about.
The book is the one book I couldn't take reading, it's a lot more cynical and black, but the style is very cool, as all books by Nivel. They are fast, they are black, they are pop literature. So, that this movie is based on a contemporary bestseller known for it's incredible dark style should be a clue.
Second - the actors are such a cool choice, not only the lead character, but also Moritz Bleitreu, e. g. and others. Look them up, if you don't know any European actors.
Third - music choices were great! Partly a kind of parody on that British happy-happy-jump-jump Techno _from the 90ies_ but also very fitting: The Prodigy and others from that time. Lots and lots of other very funny parodies, loved the girl band with the strings.
4. Worcaholism and Drug use in London, career pressure, etc. are not unrealistic at all, nothing unusual shown, people kicking others out, going through their things, etc. (well I hope the murders are not normal).
Finally - British Pop Culture, and British Black Comedy. This should have given the final clue. Don't watch it if you don't like the genre.
The book is the one book I couldn't take reading, it's a lot more cynical and black, but the style is very cool, as all books by Nivel. They are fast, they are black, they are pop literature. So, that this movie is based on a contemporary bestseller known for it's incredible dark style should be a clue.
Second - the actors are such a cool choice, not only the lead character, but also Moritz Bleitreu, e. g. and others. Look them up, if you don't know any European actors.
Third - music choices were great! Partly a kind of parody on that British happy-happy-jump-jump Techno _from the 90ies_ but also very fitting: The Prodigy and others from that time. Lots and lots of other very funny parodies, loved the girl band with the strings.
4. Worcaholism and Drug use in London, career pressure, etc. are not unrealistic at all, nothing unusual shown, people kicking others out, going through their things, etc. (well I hope the murders are not normal).
Finally - British Pop Culture, and British Black Comedy. This should have given the final clue. Don't watch it if you don't like the genre.
Le saviez-vous
- GaffesThe film is set in 1997. Stelfox is standing outside the 'Eventim Apollo' (A.K.A. The Hammersmith Odeon). A sign on the building can be seen saying Eventim Apollo, when this film is set the venue was called 'Hammersmith Apollo' it has changed hands several times and did not become the Eventim Apollo until 7th of September 2013.
- Citations
[last lines]
James Trellick: What is the meaning of life?
Darren: [as Steven is about to answer] To drive your enemies before you and hear the lamentations of their women.
- Générique farfeluIn the fine print at the end of the credits, it says "No animals or A&R persons were harmed in the making of this film."
- ConnexionsFeatured in Film '72: Episode #44.8 (2015)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Убий своїх друзів
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 533 147 $ US
- Durée
- 1h 43m(103 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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