Get on Up - La vie de James Brown

Two viewings in three days, to fully appreciate the magnificent achievement that's on screen. Not one extraneous word, scene, shot or sequence. The whole is as tight as James Brown's hits - or his pants.

The underlying construction of these snapshots of James Brown's life is flawless. Far from being haphazard or out-of-sequence for mere "effect," this non- linear storytelling technique has rarely been used with greater impact. Thankfully, Tate Tayler, Mick Jagger, the other producers and writers, decided AGAINST the boring born-in-a-shack and then this happened, and next that happened, and finally he died structure.

Result? The film has unexpected rhythms that never let go and build to the astonishing, electrifying re-creation of Brown's Paris concert that - even on second viewing - had me jumping out of my seat, fist-pumping the air and screaming, "YES!"

I wasn't alone.

Chadwick Boseman may be the black male Meryl Streep. His technical achievements alone are remarkable: Brown's moves, speech rhythms and timbre - but mainly his lip-syncing to Brown's vocals: flawless!

Even in the final moments, as the aged Brown silences his band, then begins the haunting "Try Me" a capella - in a closeup so tight you practically see Boseman's tonsils, his mouth, tongue placement, breathing and facial emotions are so perfectly and intensely aligned with Brown's voice you'd swear Boseman were doing his own signing.

But Boseman is equally true portraying Brown at any age, any stage, from any distance. You can't fake that level of acting proficiency. Whether he wins best actor, he is certain to (deservedly) be nominated.

Boseman'surrounded by an equally perfect cast, not one of whom rings false: ultimately a tribute to the director - stunningly supported by the script, cinematography and editing.

By comparison, Clint Eastwood's "Jersey Boys" looks exactly like what it is: a tired, clichéd jukebox Broadway musical with great old safe, whitebread hits (distinguished mainly by Frankie Valli's falsetto) and nothing else to write home about.

James Brown, on the other hand, was always in your face. So were (are) Mick Jagger and the Stones. And so, rightly, is "Get On Up" as a rousing cinematic experience that has to be seen to be believed.

Chadwick Boseman is James Brown as he recreates his evolution as a performer in exhaustive dimension and magnitude. The raw and charismatic excitement of Brown's presence are all here. This shows dedication and natural ability as Boseman reminds us of a heritage that music cannot deny and a story that needs to be told again and again as Brown's influence continues to mesmerize us when we hear him. The entire cast were soulful and talented. Viola Davis was very moving as Brown's mother who had abandoned him as a young child and we sense the deep sorrow and loss that Brown must have endured and helps us understand his determination and inner fire as he himself catches hold of his spiritual connection to source and allows his musical genius to take hold of him and us. The words and messages in the songs that Brown wrote may at times seem simplistic but true as he sings them with such knowing, a man who has experienced life in all its dimensions.

I know folks have been talking about a James Brown biopic for years and I secretly hoped that it would not come to pass. I feared that it would be butchered in an attempt to "butts in the seats". I know folks need to make money but don't kill something wonderful in the process. This movie was WAY better than I had hoped. Kudos to Mick Jagger and a standing ovation for Mr. Chadwick Boseman.

I did not see "42" but the brotha knocked this one clean out of the park. Loved seeing Voila Davis, Octavia Spencer and my girl Jill Scott as well. Of course, the music was amazing! I couldn't get over how Boseman captured James Brown's pattern of speech, walk, dance moves, etc. This performance was electric. Now I have to go read, "The One" to find out how much was fact and how much was fiction.

If you have any interest whatsoever in JB music, catch this one!

I feel like there really was an interesting film somewhere in here, somewhere buried deep inside here though. The performances here are solid, if not a little too over-the-top that venture on caricatures from the supporting roles. The lead performance, though, really is fantastic, and it's such a shame that the film drags him down so much. The editing here is pretty atrocious, although much of it could be attributed to the screenplay's problems and wanting to go through his whole life in little segments that really feel way too erratic. The set deigns are good as is the music segments, but James deserved a much better film, and the lead as well.

"You can't make everybody happy and still stay on top." What do you get when you take a young black man growing up in the segregated south abandoned by his mother and raised by his grandmother in a brothel add in a desire to succeed at all costs and toss in more soul and funk than you can handle. The answer…you get the Godfather of Soul…James Brown. I love true story movies and ones that I know a little about are my favorite. Like most people my age my first introduction to James Brown was in Rocky 4. I have liked his music but knew very little about his life. I can't speak to how accurate the movie is but what I can say is the Chadwick Boseman did an amazing job. The best part of the music bio-pics hasn't been the actual movie itself but the acting. Jamie Foxx, Joaquin Phoenix and now Chadwick Boseman. They all inhabit the characters and that is the most exciting and interesting aspect of the movie. You feel like your watching the actual events and not a recreation. Overall, an OK movie that James Brown fans will love but the reason to watch is for Boseman's portrayal. I give this a B.