The Den

The movie is an interesting commentary on the internet being a distraction of stupidity.

It leads people to their deaths, but people are addicted to watching others demise that it creates a sort of circle of dysfunction...

Ultimately, I was engrossed as a sort of VHS style found footage genre offering, but it did have a few interesting things to say on the entitled society we live in today, of easy gratification, replacement of impersonal and fear based living behind a screen for the beauty of the natural world.

It's available on demand, which is apropos to the plot point of the story.

Released in 2013, when found footage films were still in vogue and cyber thrillers were in their infancy - 3 years before, for example Friend Request (2016) - this film has all the trappings of the genre: incessant filming, ambiguous origin of POV, apparent real-time editing, etc.

The movie starts out innocuously as do movies of this type, yet remains in this tedium for perhaps the entire first third of the movie before you get some hint where things are going.

Then when our female lead is hacked, in all likelihood from a Den user, inexplicably she takes little measure to clear the root of the hack. On top of that, even after her research is cancelled, she inexplicably continues to visit the unsafe site and moreover leaves her laptop camera on 24/7 spying over her bedroom.

How many friends have to go missing or be terrorized before you just leave this website altogether?

There's a lot to unpack in final 10-15 minutes are so, and thankfully for us there always seems to be at least one designated bad guy studiously filming everything.

You can't help but watch to the end - like watching for example Hostel, to see what the big secret is, yet the revelations weren't enough for me to really like the movie.

I'll keep this brief but the film was very well executed! Definitely a unique and tasteful take on "found footage" even though this is no where near. The film tells the story from a first person narrative and delivers beautifully! The unfolding of events happens in a timely manner and is the farthest thing from predictable. The set design was phenomenal as well as the acting. I feel like these films have the potential to flop with even the slightest mistakes yet this gem managed to pull through with daring concepts and tie all all ends together nicely. I would recommend this to all horror connoisseur's and am fairly confident you will enjoy the ride. My one and only complaint is the gore. A couple shots were decent but for the most part it was lacking in believability.

This movie is very fresh and modern. I've never seen a horror movie done like this before (webcam style). I honestly don't understand all the negative reviews here. This movie was very fun to watch, made me jump a few times, and the story unwound perfectly. Don't be asking yourself "why is she filming this" - that totally defeats the purpose of storytelling. I feel like too many people might be going into this movie with high expectations? Sure there are some logical errors, but what horror movie is completely devoid of those?

Actually, don't take my review into consideration. Only consider all the other negative reviews and just give this movie a try. Then perhaps you'll like it a bit more.

I feel like the build up was great, the storytelling was fresh, and the ending was clever. The overall plot and ending might be a bit too sick and twisted for some (probably not for the average horror movie goer), but this is actually real life. There are some sick people out there and I feel like this movie made a great commentary about it.

Here's one of those things that sound stupid if you just describe it, a horror film in the found footage mode entirely assembled via web and phone cams and mostly taking place on a laptop. No it isn't scary, the acting is below par, there's no cinematic craft, the horror plot and climax are atrociously bad, in the end it's no more than a gimmick, but for a while you can see them probing something interesting.

Part of the reason why I think it's so darn clever is in how it threads the practical limitations of what they could do on a tiny budget, around narrative limitations of how much story they could deliver within the former, around broader meta- limitations of how much is possible for a viewer to know as true, going from meagre means to the broad, perplexing questions.

Inspiration after all is nourished and energized by limits, self-imposed or from necessity like a painter has to puzzle about how he can enliven and give depth to a twodimensional surface. It's easy to think of so many things to do with a budget in the millions, which is why unconstrained imagination fizzles out, but how much can you do with just a camera?

Here it's about a viewer in the midst of images, a girl doing a behavioral study over online chat services, who like us is looking to surmise possible pattern and truth; the constraint is that we can only watch.

A lot of the time we stare into a computer environment. Jarring to see in a film but still the groundwork through which we know so many other things these days. We see through a webcam at the girl in her apartment so we acquire a sense of real time. But then things are shifted around. Videos that we were parsing as taking place now are suddenly paused. We connect to random chatters, but have no way of knowing how much is real even within the small confines of the screen. Some of them are pulling pranks, there's a startling Russian roulette scene that ends with bloodshed and everyone laughing.

Among all this is footage of a possible murder.

So this could have been great, about our inability to be grounded in a horizon of shifting images and context; a Blowup for the tumblr age. We could swim far deeper into the videos, form more ambiguous connections, play and replay edges and details, tune in and out of a far stranger parade of the visual strangeness that is taking place out there, some of it feigned, some bizarre or exciting, even stupidity or crass sex would have its place, some strangely poetic in spite of all else.

So they constrained themselves in a powerful way, but halfway through they axe all that and fall back to the convenient limits of tradition: Halloween, Scream 2, Saw and Hostel. It's a throwaway thing by the end which is a shame.