ÉVALUATION IMDb
5,9/10
1,7 k
MA NOTE
Dans ce préquel de "Furie", trois féroces justicières sont réunies pour faire tomber le syndicat du crime qui contrôle les sombres rues de Saïgon dans les années 90.Dans ce préquel de "Furie", trois féroces justicières sont réunies pour faire tomber le syndicat du crime qui contrôle les sombres rues de Saïgon dans les années 90.Dans ce préquel de "Furie", trois féroces justicières sont réunies pour faire tomber le syndicat du crime qui contrôle les sombres rues de Saïgon dans les années 90.
Avis en vedette
Well, its above the average netflix production. Does not say that much tho..
Acting is ok, story is fairly intresting, you do care for the characters. Action scenes are lackning sadly enough, could have gotten one or two stars more if they were good. Only one of the main characters that really pulls it of. But I absolutly love the dirty 90's neon city center, full of the fumes from cars, industry and cigaretts (Yeah, smoking is bad, but it adds to the atmosphere). Really well made that.
Mixed feelings about the strong women approach, I do very much approve of it, and some elements are very good (wont elaborate that one because of spoilers). But you cant really shake the feeling that somone in the production has a thing for young skinny girls.
Worth two hours of your time, but you probaly wont remember it in a few days.
Mixed feelings about the strong women approach, I do very much approve of it, and some elements are very good (wont elaborate that one because of spoilers). But you cant really shake the feeling that somone in the production has a thing for young skinny girls.
Worth two hours of your time, but you probaly wont remember it in a few days.
This is an impressive "prequel" to Vietnam's martial arts thriller, Fury-although it could easily be a stand alone project. It is a violent, female driven martial arts thriller about a group of young women in Vietnam looking to equalize the sex trafficking violence of a controlling gang. There is more to the story's in any martial arts movie, revenge plays a major role. Not many Vietnamese martial arts, action movies get air time in the west so it is cool and exciting that this one has. It is deserved. It is crafted in filmmaking styler of The Raid and other Indonesian martial arts films. The fight choreography and violence are fun to watch. The use of color and cinematography make this watchable. The heart of it is the underdog nature of the leading characters.
I really enjoyed this film a lot, even from the smaller details like cinematography of the bold colours throughout the film, and the 90s music. The main character is the quiet type, but I loved how the voice over of her inner thoughts got some of the plot and her emotions across.
The story is really cool, I did love the female empowerment of girls bonding, and literally fighting the patriarchy because of the men who are putting girls like them through awful situations. There are forced sex scenes in this film, but they actually are plot relevant, because there's a lot of revenge in this film.
The action is very good, everyone looked comfortable with the martial arts, and fighting. The pacing seemed good, and the balance between action and plot seemed nice. Overall very enjoyable film.
The story is really cool, I did love the female empowerment of girls bonding, and literally fighting the patriarchy because of the men who are putting girls like them through awful situations. There are forced sex scenes in this film, but they actually are plot relevant, because there's a lot of revenge in this film.
The action is very good, everyone looked comfortable with the martial arts, and fighting. The pacing seemed good, and the balance between action and plot seemed nice. Overall very enjoyable film.
There have been many action flicks with kick-ass females at the center. On the wholesome glitzy side, Charlie's Angels. Andy Sedaris cluttered the 80s landscape with a slew of soft-core pornish outings for Dona Speir and a bevy of hunks and silicone-enhanced babes as super government agents. (James Bondage, anyone?) Others from here and abroad - especially several East Asian countries - have ranged from the serious to moderately sexy to outright spoofs. This one lands at the grittiest end of the spectrum, and does so with an above-average plot and cast.
A Saigon woman rescues three young women and trains them to take down Saigon's biggest psycho gang leader, who deals drugs, runs casinos and clubs, and - worst of all - abuses and traffics young women. The trio have their own traumas and find both sisterhood and purpose in their mission.
The three are quite attractive and often shown in skimpy, yet still PG-13ish, outfits. But they're at their peak in the training and fighting sequences. No idea if any of them are real martial artists, but they look very convincing in combat.
Nothing gets soft-pedaled here. There's no nudity, and most of the sex is forced, not romantic. It's also as gory as any contemporary male-dominated productions.
Veronica Ngo stars, directs and co-wrote. Her real co-star is fight choreographer Kefi Abrikh. He'd done the same with Ngo as the star of 2019's Furie, for which this is a prequel. No need to have seen that to enjoy this one. When you're looking for this type of guilty-pleasure flick, Furies delivers on all counts.
A Saigon woman rescues three young women and trains them to take down Saigon's biggest psycho gang leader, who deals drugs, runs casinos and clubs, and - worst of all - abuses and traffics young women. The trio have their own traumas and find both sisterhood and purpose in their mission.
The three are quite attractive and often shown in skimpy, yet still PG-13ish, outfits. But they're at their peak in the training and fighting sequences. No idea if any of them are real martial artists, but they look very convincing in combat.
Nothing gets soft-pedaled here. There's no nudity, and most of the sex is forced, not romantic. It's also as gory as any contemporary male-dominated productions.
Veronica Ngo stars, directs and co-wrote. Her real co-star is fight choreographer Kefi Abrikh. He'd done the same with Ngo as the star of 2019's Furie, for which this is a prequel. No need to have seen that to enjoy this one. When you're looking for this type of guilty-pleasure flick, Furies delivers on all counts.
Another female-driven action film and a lot better than the ones Hollywood has been putting out recently (I can't even remember the title of the lame offering with Karen Gillan). This one is spearheaded by Veronica Ngo, who appeared in the earlier FURIE, which is only loosely linked to this movie. I thought the earlier film was fine but hampered by a low budget, and the good news is that things have been ramped up a lot here. There are multiple heroines and lavish fight scenes featuring them tackling huge rooms and long corridors full of marauding gangsters. The plot is workable, the emotion heartfelt, and there are even some good surprise twists along the way.
Le saviez-vous
- AnecdotesThis is the first Netflix original film from the Vietnam.
- Citations
Bi's mother: We are all born equal. What makes us different is the choices we make.
- ConnexionsFollows Furie (2019)
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Détails
Box-office
- Brut – à l'échelle mondiale
- 977 950 $ US
- Durée1 heure 49 minutes
- Couleur
- Mixage
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What was the official certification given to Furies/Thanh Soi: Cuc Dai Trong Dem (2022) in Mexico?
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