Downtown Owl

In quirky but enjoyable 1983-based small-town dramedy "Downtown Owl" Lily Rabe (terrific) escapes her troubled marriage by taking a short-term teaching assignment (under Hamish Linklater) in the titular tiny Dakota town where she goes thru something of a drink fuelled breakdown while interacting with local characters like Ed Harris (still a class act), love interest (or not?) Henry Golding, and colleagues Vanessa Hudgens & Finn Wittrock. Linklater (on his movie writing debut) adapted the screenplay from Chuck Klosterman's novel, and also co-directed with actual gf (and fellow first-time director) Rabe - props to both of them for such an original & likeable film.

Why Ed Harris its in this thing? He didn't deserve this after his extraordinary carrer, i feel so sad for him to be honest. The directorial debut of the American horror storyline girl is a very mediocre one and kinda sad, the movie is just a big mess and that's disappointing because she is a good actress and the cast it's very big and experimented, but the script and history its a mess i didn't understand anything and i am a pretty smart guy to be honest so that's weird, overall this is a mess and please dint lose your time trying to understand this thing please ok, just awful movie overall ok bay.

It's 1983. New teacher Julia Rabia (Lily Rabe) arrives in the tiny town of Owl, North Dakota. She is befriended by talkative fellow teacher Naomi (Vanessa Hudgens) who brings her to the local bar. She falls for bison farmer Vance Druid (Henry Golding). She is befriended by longtime resident Horace Jones (Ed Harris). There is an inappropriate teacher-student relationship and a surprise snowstorm.

I really like Lily Rabe. More and more, she reminds me of her mother. They have the same style and comedic tones. I like almost everybody here although a couple of them are trying too hard. It's quirky middle America. The story is too scattered. The main plot should be the underaged student affair. Julia should have more time with the quarterback and get more involved with that subplot. As for the snowstorm, it seems rather anti-climatic and a bit of a fake-out. I like this cast but the story needs work.

In my opinion, this film exhibited a unique and well-conceived narrative. It authentically captured the mindset and societal norms of a bygone era. Notably, the absence of cell phones and the prevalence of pay phones in bars, as well as the prominence of social interactions in physical spaces rather than online, were accurately portrayed. The film effectively highlighted the distinct values and priorities of that time, such as the significance of outdoor activities and face-to-face encounters, in contrast to the contemporary reliance on technology and digital communication. These are all things that I feel like we take for granted now especially children in millennials.

Downtown Owl is a film that struggles to leave an impression. Despite its intriguing premise, the execution feels lackluster, with a disjointed narrative and uneven pacing that make it difficult to fully invest in the story or its characters. The film fails to find a consistent tone, leaving it feeling scattered and incomplete.

However, amidst the chaos, Lily Rabe manages to shine. Her performance is heartfelt and genuine, a testament to her incredible talent. Lily is one of the most underrated actresses of all time, and even in a film like this, she proves her ability to bring depth and nuance to any role. Her presence is a rare bright spot in an otherwise disappointing movie.

Unfortunately, the film's overall shortcomings overshadow its few positive elements. The story lacks direction, and the characters, aside from Lily's, are underdeveloped. It's frustrating to see such a talented actress attached to a project that doesn't match her capabilities.