Une linguiste est recrutée par l'armée pour communiquer avec une forme de vie extra-terrestre après que douze vaisseaux spatiaux mystérieux se soient posés aux quatre coins du monde.Une linguiste est recrutée par l'armée pour communiquer avec une forme de vie extra-terrestre après que douze vaisseaux spatiaux mystérieux se soient posés aux quatre coins du monde.Une linguiste est recrutée par l'armée pour communiquer avec une forme de vie extra-terrestre après que douze vaisseaux spatiaux mystérieux se soient posés aux quatre coins du monde.
- Réalisation
- Scénaristes
- Vedettes
- A remporté 1 oscar
- 71 victoires et 268 nominations au total
7,9842.2K
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Avis en vedette
Denis Villeneuve's magnum opus!
Prior to approaching this film, a word of warning that it is what many like to call a "thinking person's sci-fi". If you're going to watch this, I beg that you dedicate your utmost attention to it, as it is truly one rewarding experience, one of the smartest, most well-constructed science fiction marvels of recent years. 'Arrival' is Villeneuve's magnum opus.
Firstly, to put your mind at ease, I won't be analysing the plot, thus avoiding the use of spoilers. This decade, Villeneuve has crafted some fantastic works of art in the form of 'Prisoners', 'Sicario' and now this science fiction gem, and here's hoping his career further develops with more movie masterpieces coming our way. In a world where mysteries remain and the possibility of extraterrestrial life still stands unanswered, 'Arrival' approaches this with it's cliché-free take on the genre.
The relatively unknown Bradford Young provides the film with some of the most stunning cinematography ever conceived, taking advantage of the twilight hour to give the film its somewhat unique look, supported magnificently by Icelandic composer Jóhann Jóhannsson whose score is both haunting and beautiful. If you're someone looking for a science-fiction tale that keeps you guessing and thinking throughout, with fantastic performances, cinematography, music and near-flawless direction, then 'Arrival' is the film for you. The masterpiece of 2016!
Firstly, to put your mind at ease, I won't be analysing the plot, thus avoiding the use of spoilers. This decade, Villeneuve has crafted some fantastic works of art in the form of 'Prisoners', 'Sicario' and now this science fiction gem, and here's hoping his career further develops with more movie masterpieces coming our way. In a world where mysteries remain and the possibility of extraterrestrial life still stands unanswered, 'Arrival' approaches this with it's cliché-free take on the genre.
The relatively unknown Bradford Young provides the film with some of the most stunning cinematography ever conceived, taking advantage of the twilight hour to give the film its somewhat unique look, supported magnificently by Icelandic composer Jóhann Jóhannsson whose score is both haunting and beautiful. If you're someone looking for a science-fiction tale that keeps you guessing and thinking throughout, with fantastic performances, cinematography, music and near-flawless direction, then 'Arrival' is the film for you. The masterpiece of 2016!
Excellent, intelligent, just a terrific film.
This is a very, very well made film, which is thought provoking, measured, engaging, and thoroughly well made.
There is nothing brash, or heavy handed about it, the story is superbly told, with well grounded characters. The story is of course sci fi, and hugely creative, but it's never silly, it is incredibly intelligent.
Awesome special effects, I loved the design of the alien race, and their language, quite incredible.
A story of hope, which I loved. 9/10
There is nothing brash, or heavy handed about it, the story is superbly told, with well grounded characters. The story is of course sci fi, and hugely creative, but it's never silly, it is incredibly intelligent.
Awesome special effects, I loved the design of the alien race, and their language, quite incredible.
A story of hope, which I loved. 9/10
It's a masterpiece. Period.
I will help you choose if you want to watch this one or not. It's easy. If you like, for example Sixth Sense, you will love this one. If you prefer Independence Day, you will hate it.
I think it's a masterpiece. Period. I'm actually a bit shocked it's not closer to 9 and a top 20 all time movie. The script is so intelligent that it feels that you have watched 4 different movies in the end. It's a thrill ride for drama-, thriller-, action- and science fiction fans in one package.
I had to compose myself for 20 minutes before leaving the theatre and it took me and my wife about 3 hours and 3 glasses of wine to talk about it afterwards.
I think it's a masterpiece. Period. I'm actually a bit shocked it's not closer to 9 and a top 20 all time movie. The script is so intelligent that it feels that you have watched 4 different movies in the end. It's a thrill ride for drama-, thriller-, action- and science fiction fans in one package.
I had to compose myself for 20 minutes before leaving the theatre and it took me and my wife about 3 hours and 3 glasses of wine to talk about it afterwards.
If you could see your whole life from start to finish, would you change things?
An intriguing, interesting and original story focussing on Louise Banks (Amy Adams) a preeminent linguistics professor who must lead humanity in communicating with visiting aliens. I think what most caught me surprised that it's so different from all the other scifi alien "attacks" movies - it's not all action all-guns-blazing at the threat - yet, rather a thoughtful humanity driven movie. Amy Adams is amazing as the protagonist demonstrating humanity as well communicating and befriending the aliens' unknown language and the impact it has on her. She carries the movie single-handed. I think it's a very beautiful message about humanity, what's the whole story is about. And tragic, surely, that despite knowing her future and the painful future she will have, she will not change anything. That's a great message. "Despite knowing the journey, and where it leads... I embrace it... and I welcome every moment of it."
A beautiful sci-fi masterpiece.
Arrival is a sci-fi masterpiece. The acting is tonally perfect. The script is very well written and manages to make the complicated sci-fi lingo seem plausible. Denis Villeneuve directs this film with a gripping realism. The score is haunting and otherworldly at the same time, perfect for the subject matter. The story utilizes the concept of time brilliantly, almost like it's another character.
This is a sci-fi drama. It's not an action film. It's an intimate study that shy's away from big theatrics, instead opting for a philosophical discussion that challenges the viewer. The twist is beautiful and heartbreaking. I love that this film makes you think, it's what great sci-fi is suppose to do.
Watch this.
This is a sci-fi drama. It's not an action film. It's an intimate study that shy's away from big theatrics, instead opting for a philosophical discussion that challenges the viewer. The twist is beautiful and heartbreaking. I love that this film makes you think, it's what great sci-fi is suppose to do.
Watch this.
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Blocage sonore
Prévisualisez la bande originale ici et continuez à écouter sur Amazon Music.
Le saviez-vous
- AnecdotesTed Chiang, who wrote the story the film is based upon, approved the film, saying "I think it's that rarest of the rare in that it's both a good movie and a good adaptation... And when you consider the track record of adaptations of written science fiction, that's almost literally a miracle."
- GaffesIn the main landings chart, the Australian contact point seems to be in the Indian Ocean off Geralton in Western Australia. Later, there is a brief shot of an alien spacecraft with central Sydney in the distance across water; Sydney is on Australia's east coast.
- Citations
Ian Donnelly: [reading from a book by Louise Banks] "Language is the foundation of civilization. It is the glue that holds a people together. It is the first weapon drawn in a conflict."
- Générique farfeluDenis Villeneuve's daughter, Salomé Villeneuve, is listed as "Hazmat Suit Specialist".
- Bandes originalesOn the Nature of Daylight
Written and Performed by Max Richter
Courtesy of Deutsche Grammophon GmbH
Under license from Universal Music Enterprises
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Arrival
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 47 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 100 546 139 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 24 074 047 $ US
- 13 nov. 2016
- Brut – à l'échelle mondiale
- 212 758 656 $ US
- Durée
- 1h 56m(116 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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