Mille et une façons de mourir dans l'Ouest

First of all, I like MacFarlane's work and I am big fan of 'Family Guy', 'American Dad' and his previous live-action feature 'Ted', but 'A Million Ways to Die in the West' was set for being panned from the moment the trailer was unveiled. This is a real shame because the film does have some good aspects to it, at times it is evident that MacFarlane was trying to pay homage to some of the original westerns but at other times he was trying too hard to modernise a genre that didn't need it, and as a result the film was littered with grotesque sex jokes and toilet humour. Now don't get me wrong, I did chuckle a few times, but very few times at that. Liam Neeson's casting as the villain was indeed a good choice and he pulls off the role very well, especially alongside the stunning Charlize Theron in all her glory. I did enjoy the subtle references to 'Back to the Future' and 'Django Unchained', but despite these certain affluences, the film just generally lacked elsewhere and was unfortunately heavily flawed; a disappointing project from MacFarlane.

Since I watched Ted about a year or so ago, I became aware of this Seth McFarlane more and more especially when he hosted the Oscars last year. I found him often clever and funny even with his take on many vulgarities which he continues with this movie. Since he co-wrote, directed, and is the leading player here, he should get credit for not only continuing to provide funny scenes and lines for his players but also some for himself especially when he rants on certain facts or just makes stuff up. There was also a cameo from another movie from the '80s that I was very pleasantly surprised by! So on that note, I recommend A Million Ways to Die in the West.

After finding tremendous success with animated sitcoms Family Guy and American Dad, Seth MacFarlane ventured into the realm of live-action comedy with 2012's smash hit Ted, which featured Mark Wahlberg as a slacker whose best friend is a sex-and-drugs-obsessed teddy bear. While MacFarlane provided the voice and motion capture for the titular stuffed animal, he never actually appeared in the film, but takes center stage in his sophomore effort, A Million Ways to Die in the West.

Set in Arizona in 1882, the film stars MacFarlane as Albert Stark, a mild-mannered sheep farmer living a mundane existence in the rough and tumble town of Old Stump. Stark has just lost his girlfriend (Amanda Seyfried) to a wealthy local businessman (Neil Patrick Harris), and spends his days drinking away his sorrows with his best (and seemingly only) friend Edward (Giovanni Ribisi) and his prostitute fiancée, Ruth (Sarah Silverman).

Meanwhile, notorious outlaw Clinch Leatherwood (Liam Neeson) has dispatched his wife to Old Stump to await his arrival while he and the rest of the gang pull off another stagecoach robbery. After a chance encounter during a bar fight, Anna (Charlize Theron) takes an immediate liking to Stark, and agrees to help him win back the heart of his lost love, but omitting her true identity could have grave consequences when Clinch discovers who she's spending her days with.

While the plot sounds like it could have come from any number of Western films, everything that occurs on screen is through the filter of MacFarlane's unique sense of humor. Simultaneously poking fun at genre tropes while also paying homage to the classics, A Million Ways to Die in the West offers plenty to laugh at, including a hilarious song and dance number about men's facial hair, and an absurd variety of comedic death sequences.

Unfortunately, these moments are overshadowed by the fact that most of the film's humor is derived from the sort of R-rated content that MacFarlane can't get away with on television. There are only so many jokes about semen, diarrhea, and homosexuality that an audience can absorb before these topics stops being funny, but the film continues well past that mark, with Silverman coming across as particularly grating. After years of the exact same schtick, haven't people grown tired of hearing her talk about her vagina?

MacFarlane has proved time and again that he can write intelligent, thought-provoking comedy, but much like his previous film, he seems far too willing to cast that aside in favor of dick jokes and lame attempts to be offensive and shocking, just for the sake of being offensive and shocking. A Million Ways to Die in the West isn't a bad film - indeed, I think it's a vast improvement over Ted - but it's still not the MacFarlane film that I had hoped for. He's better than this, and hopefully we'll see that in his next flick.

-- Brent Hankins, www.nerdrep.com

Don't rely on the reviews you read here! I didn't read the reviews prior to watching the movie, i really enjoyed it, it was fun and light comedy kinda movie and after watching it i took a look on the reviews and i was really shocked to find most of them negative and giving low voting for the movie, which i found so odd! Really, its a good movie and i neither know Seth MacFarlane nor am i a fan of his nor have i seen any of his previous movies but the movie is great and he did his role in a perfect way Watch the movie and judge for your self, i liked it and time passed so fast while watching that i couldn't even feel it! This movie encourage me to watch Seth MacFarlane's Ted and i am expecting it to be as good as this one.

Yeah, yeah; it's getting lacklustre reviews, and I half understand why.

It's not a timeless piece of comedy, but it's got spunk, wonderful production values, inspired comedic acting (even the 'bit' roles), and it has well-turned moments of stunningly genuine romance. Of note: If other comedy films are "better", why did I find more good ol', down-home belly laughs in this one? I think I know why: Sure, MacFarlane can play it blue and scatological, but he also values that other timeless comedic tradition; that which is Truly Funny Because It Is True.

Special Mention for Sarah Silverman. I think she struggles to reach out and touch with her unique and beautiful style, and goes largely unappreciated. MacFarlane gave her a great vehicle, and she lived up to it with the kind of aplomb and vivacity that I've certainly come to expect from her. I sincerely hope moviegoers will recognize this and watch her career with heightened expectations.

One thing I thought a bit odd: The Onion reviewer's main critique was that MacFarlane was "recycling" gags. I was half-expecting to find a tiresome rehashing of a few gags. I started watching, and found it engaging and surprising.

Anyway, it sorta looks like the horse is out of the barn. The flick did sh1t at the box office, and it'll go to DVD and maybe recoup its outlays. Too bad! It deserves better.