Marc Maron: From Bleak to Dark
- Téléfilm
- 2023
- 1h 5m
ÉVALUATION IMDb
7,1/10
1,5 k
MA NOTE
Ajouter une intrigue dans votre langueFollows the funny and fearless Marc Maron over the course of an exhilarating and deeply personal hour, exploring universal topics such as old age, antisemitism, faith.Follows the funny and fearless Marc Maron over the course of an exhilarating and deeply personal hour, exploring universal topics such as old age, antisemitism, faith.Follows the funny and fearless Marc Maron over the course of an exhilarating and deeply personal hour, exploring universal topics such as old age, antisemitism, faith.
- Director
- Writer
- Star
- Prix
- 1 nomination au total
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I saw Marc Maron perform at a comedy club way back in the late 80s. I liked him, but didn't follow his career, listen to his podcast, or know much about him. I tuned into his HBO special From Bleak to Dark because I read that in this show he talks about the death of his girlfriend Lynn Shelton from leukemia in 2020 during the pandemic. Having experienced devastating losses in my own life, I had a sense this show would speak to me, and I was right; I found it deeply moving, honest, and relatable. In fact, I thought it was so perceptive and masterful that I watched it twice.
Maron opens the show pacing the stage proclaiming, "I don't want to be negative but... I don't think anything is ever going to get better ever again. I don't want to bum anybody out, but I think this is pretty much the way it's going to be for however long it takes us to polish this planet off. And don't misunderstand me, I have no hope. I think if you have hope, what are you f---ing seven?." Right away I sensed that this is a man who has come through a terrible tragedy and has the courage to now take it to the stage. I trusted him as a storyteller from his first line.
While talking about Lynn's death he said, "I realized no one really talks about grief. No one talks about PTSD. No one knows how to process this stuff. Everybody has it. It's just, you know, locked into us. And there's not really a cultural conversation about it." While being incredibly funny, he explains that it doesn't take much to show up for someone in grief. Ask "how are you doing," wait till they stop crying, and say "okay." He met his neighbor while he was grieving during Covid. His neighbor stood across the street, distancing, while Marc cried. This mattered.
The Joan Didion book and mystical hummingbird bits are brilliant. One of my favorite lines, "When you're f---ing sad, you'll go mystical." He riffs off this in such a real way. Marc nailed so many topics from the experience of grief, loss, loneliness and the need for contact and kindness, to anti-Jewish sentiments, the softenng of vulnerable, elderly parents, and having or not having children.
The piece on children is remarkably funny and spot on. Basically, if you have love in your heart to share, go for it, but don't pass on your void. "You can now track your void on 23andMe. My void started in the chest of a tailor's wife in Belarus in the 1850s in the Pale of Settlement." Well, some of my ancestors were Jewish tailors from Belarus during that time too, so after the show ended, I immediately looked up the surname Maron, location Belarus, on my Ancestry and found dozens of DNA cousins with that name, so hmm... cousin? Probably. We're all related.
It takes a seasoned, sensitive performer and writer to create a comedy show that makes me laugh, cry, and continue thinking about it afterwards. Excellent job by Marc.
Maron opens the show pacing the stage proclaiming, "I don't want to be negative but... I don't think anything is ever going to get better ever again. I don't want to bum anybody out, but I think this is pretty much the way it's going to be for however long it takes us to polish this planet off. And don't misunderstand me, I have no hope. I think if you have hope, what are you f---ing seven?." Right away I sensed that this is a man who has come through a terrible tragedy and has the courage to now take it to the stage. I trusted him as a storyteller from his first line.
While talking about Lynn's death he said, "I realized no one really talks about grief. No one talks about PTSD. No one knows how to process this stuff. Everybody has it. It's just, you know, locked into us. And there's not really a cultural conversation about it." While being incredibly funny, he explains that it doesn't take much to show up for someone in grief. Ask "how are you doing," wait till they stop crying, and say "okay." He met his neighbor while he was grieving during Covid. His neighbor stood across the street, distancing, while Marc cried. This mattered.
The Joan Didion book and mystical hummingbird bits are brilliant. One of my favorite lines, "When you're f---ing sad, you'll go mystical." He riffs off this in such a real way. Marc nailed so many topics from the experience of grief, loss, loneliness and the need for contact and kindness, to anti-Jewish sentiments, the softenng of vulnerable, elderly parents, and having or not having children.
The piece on children is remarkably funny and spot on. Basically, if you have love in your heart to share, go for it, but don't pass on your void. "You can now track your void on 23andMe. My void started in the chest of a tailor's wife in Belarus in the 1850s in the Pale of Settlement." Well, some of my ancestors were Jewish tailors from Belarus during that time too, so after the show ended, I immediately looked up the surname Maron, location Belarus, on my Ancestry and found dozens of DNA cousins with that name, so hmm... cousin? Probably. We're all related.
It takes a seasoned, sensitive performer and writer to create a comedy show that makes me laugh, cry, and continue thinking about it afterwards. Excellent job by Marc.
Well. I didn't like his last special and I am not thrilled with this one. Seems that Maron YELLS his punch line to make sure when I should think that he's being funny.
The fact is, I know he's funny, when he's just sitting around interviewing people for his pod cast. He's not funny when he's trying to be - on a stage with a bunch of people in front of him - who have paid a lot of money to see him!
He had a couple good points that caught my attention and made me smile in spite of myself, but ....
I like Maron as an actor. I know that when he has a part in a movie, no matter how small, we're going to get the best of him.
Too bad it doesn't translate to his stand up.
The fact is, I know he's funny, when he's just sitting around interviewing people for his pod cast. He's not funny when he's trying to be - on a stage with a bunch of people in front of him - who have paid a lot of money to see him!
He had a couple good points that caught my attention and made me smile in spite of myself, but ....
I like Maron as an actor. I know that when he has a part in a movie, no matter how small, we're going to get the best of him.
Too bad it doesn't translate to his stand up.
Maron hates himself. He tries to be self-deprecating, but it comes off as condescending, Lucky for him, his self loathing is overcome by his narcissism. He takes to the stage to begin his rant of things he hates more than himself. The only thing he hates more than himself - anything "right wing". Anyone who is right wing is antisemitic, unfunny, talent less and deserving of contempt. He is too cowardly to name the right wing comedians, who only have the same 3 jokes, but then proceeds to continue with his one note joke - hate. I think he is jealous of comedian who sellout theaters, when he is lucky to sell out tiny rooms. I used to enjoy his podcasts, and his standup, but his derangement since the bad orange man was elected has turned his observational comedy into a hate filled bigoted rant.
Maron was early to the podcast space and lauded by many I trust, but those just did not connect with me.
And that's sort of how this special felt, a bit of a disconnection.
One thing I cannot quite tell if it's coming from me or Maron, is a sort of George Carlin replacement wish. Carlin as he got older definitely leaned hard into the Bleak and Dark. His observations for outrage and set-ups for human failure just resonated more with me. Oh well, all "art" (and Dave Chappelle is right, stand up is an art) is going to be subjective.
That said, boosting my review up from 5 to 6 based on some of the negative reviewers here wearing their preconceptions on their sleeves. Instead of reacting when he pushes your obvious button, maybe explore why you have that button. I definitely have a button both for a) alzheimers - ouch isn't aging enough of an indignity b) people who "still" blame their parents
He addresses these and I get where he's coming from. His takes didn't move me much from my positions, but I liked being challenge on my presuppositions.
Ultimately, this special made me appreciate not just Carlin (the lengthy Apatow documentary on George is worth it for fellow fans of his), but also Kate Berlant's recent stand-up special "Cinnamon in the Wind" which sort of nails the confessional/therapy/teachable formula for many such specials.
Maron's quick one-man show vignettes were pretty funny, and the discussion of grief over his wife's death was definitely moving, and uniquely him.
In the end, I felt like the neighbor across the Covid street.
And that's sort of how this special felt, a bit of a disconnection.
One thing I cannot quite tell if it's coming from me or Maron, is a sort of George Carlin replacement wish. Carlin as he got older definitely leaned hard into the Bleak and Dark. His observations for outrage and set-ups for human failure just resonated more with me. Oh well, all "art" (and Dave Chappelle is right, stand up is an art) is going to be subjective.
That said, boosting my review up from 5 to 6 based on some of the negative reviewers here wearing their preconceptions on their sleeves. Instead of reacting when he pushes your obvious button, maybe explore why you have that button. I definitely have a button both for a) alzheimers - ouch isn't aging enough of an indignity b) people who "still" blame their parents
He addresses these and I get where he's coming from. His takes didn't move me much from my positions, but I liked being challenge on my presuppositions.
Ultimately, this special made me appreciate not just Carlin (the lengthy Apatow documentary on George is worth it for fellow fans of his), but also Kate Berlant's recent stand-up special "Cinnamon in the Wind" which sort of nails the confessional/therapy/teachable formula for many such specials.
Maron's quick one-man show vignettes were pretty funny, and the discussion of grief over his wife's death was definitely moving, and uniquely him.
In the end, I felt like the neighbor across the Covid street.
I laughed and laughed and laughed. Its so sad and true and genius. I love this guy. I would love to meet him. He really has a sense of humor. He is a god of comedy. What else can i say. Number one, he is the best. Very funny. We need more jewish comedians. Omg, i need more characters. What can i say about him. He is a couragous, fearless example of a good human being. Bless him.i have to say more... i wish i was as funny as him. Its truely an art. He is a brilliant genius. Maybe not, but i have to say more. I will watch all his specials and wait for more. Marc, i am on your side, and i wish i could help you in whatever you need. God bless you.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Marc Maron: De mal en peor
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 5 minutes
- Couleur
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