Das finstere Tal

To begin with, one should emphasize how great the cinematography was in this movie. Filled with the beautiful imagery of the Alps and an isolated town covered in snow along with the unique Western-Alp type of harsh reality, it truly amazes and captivates the viewer by the heart. The plot was smooth and gripping. Sam Riley, with all his western-style cowboy boots and spurs, was absolutely great in the movie, and he did his best at delivering a very solid performance of a very 'cool' stranger. For me he was a bit too cool, his character could surely be more interactive and talkative but nevertheless it was indubitably more than satisfying. He says that not talking to much, owing to the fact that his German is not that perfect, adds to the coolness of his Eastwood type of cowboy. I should say that some of the songs that are chosen for certain parts of the movie made movie look a bit strange for an Western-Alp flick, if such genre exists. Overall it was beautiful and thus definitely worth watching. If you are looking for something unique, just see this movie, you won't be disappointed.

Another reviewer mentioned "The Great Silence" - exactly, that's the best comparison. It's a very condensed western without any frills, using little dialogue and less colour and relying on the character faces (congratulations, good casting and make-up here). In fact, the reduced colour palette gets a bit grating after a while; during the whole winter sequence (about 90% of the movie) there's not a single spot of green on the screen; everything is black, blueish-white and sepia tones. Even the shootout was shot in this muted palette - come on, blood on snow makes for such a nice contrast! And we never see a blue sky. I liked how they went for "different" when shooting those landscapes; it's rare that the mountains look that dreary, cold and inhibiting on the screen - but some scenes really could have used some colour.

Besides the dull palette, there were also some questionable (read: ridiculous) choices for music/soundtrack. And, really, there was not much tension since the story unfolds along well-trodden lines with not a single surprise anywhere. Otherwise, I can recommend this to anyone who likes a tight western. In Germany/Austria's world of streamlined TV-coproductions, this is a nice exception with its uncompromising look and story and the use of local idioms and dialect.

This is one hard revenge film. My gosh.

The characters are stolid. As the town's secret unravels, and they push it in your view very closely, the energy builds to the culmination.

I will say I really like this film and it is reminiscent of old Eastwood flicks or even newer ones like Django, which are really throwbacks too. Tarantino is a bit more garish but Prochaska keeps it pretty vivid too.

Honestly, the film appears a bit too edited down and my guess is with the language difference it'd been nice if there were more scenes to explain things in certain sections. I noted a lot of other reviews include speculation of why this or that occurred because the story wasn't quite clear in a couple of spots.

IF you like old westerns, you don't mind a bit of graphic violence, this film is probably for you.

Who would've thought that two of the best movies released in 2014 were westerns? After seeing My Sweet Pepper Land I was surprised by how much I enjoyed this modern western, a genre that normally doesn't appeal to me that much. The Austrian movie Das finstere Tal (aka. The Dark Valley) again pushes the boundaries of the western genre. Not the American frontier, but the Austrian Alps at the end of the 19th century are its setting. Aesthetically this is one of the most beautiful movies of the year, especially because of its winter landscapes in the Alps and the almost desaturated blue-grey color palette. Storywise it seems like something Tarantino could've made, if he got off the coke and took some tranquilizers: a story of vengeance and raw characters but with a slow burn effect. At the same time this movie strikes an emotional nerve and provokes a melancholic atmosphere by constantly maintaining a dreary and ominous effect. With its use of an anachronistic soundtrack it never gets too heavy though. This should've been nominated for the Academy Award for Best Foreign Language Film. Seriously.

There isn't much to say about this movie. I was pretty thrilled to hear that Das Finstere Tal was chosen to be among the Oscar candidates. So I simply had to give it a shot, after all it's an Austrian movie. So what I've come to find is that, as you watch the film, it gets more and more awe-inspiring. Sam Riley's performance is simply impeccable. The cinematography stunningly created, the shots simply gorgeous and even the soundtrack is genuinely amazing. Andreas Prohaska has created something I haven't seen in a while. Bottom line, I'd highly recommend the movie to everyone interested in something refreshingly original, an alps-western (even if I never thought this genre would even exist).