Malayalee from India

This movie is actually a good movie,I won't say it's great but it's premises the way it discusses politics, Strong dialogues and also the degradation shows how the msg has actually got through these specific people... The movie is mostly centralised on the character by Nivin known as Aalparambil Gopi... And he does deliver a stellar performance as the character and uplifts the movie.. Dhyan sreenivasan was also good but he was not having that much of a role along with anaswara... Overall the movie discusses the poltics related to religion and the indo-pak problems in a satirical way... I won't say it's the perfect movie out there...There are flaws in screenplay and script...But it as a whole is a very good movie and doesn't deserve the degradation that it has been receiving... Also the Pakistani guy was really good and his daughter too.. They all performed well.. It is a nice movie to spend time in theatres and it won't disappoint you if you are a neutral movie viewer... I would give it a 8/10.. Also don't expect something like Jana gana Mana cuz the way that things are handled are in a different manner... The music by Jakes Bejoy was also nice especially the background musics which uplifted various scenes..

Malayali from India became India vs Pakistan in a short while. It seemed to tell us so many stories and tranfer so many morals but ends up making the audience so much confused about where they were getting with all this. Be it political riots (Shine Tom Chacko brought some excitement), the reach of cricket, slavery in Arab countries, desert farming, educating girls, IS, COVID in remote areas. Not one theme could milk substantial emotions although each one has potential when explored properly, with depth and dedication.

Nivin Pauly acting in some areas were good and the bromance between him and Dhyan brought about few but fleeting moments of laughter. However, the audience couldn't escape from the lag. After some exceptional movies from mollywood in the past few months, this one certainly falls flat, in all areas. None of the songs nor the visuals seemed to have lasting, especially in contrast to aadujeevitham which had a similar setting, although it is an unfair comparison. In some areas, the background score, especially chenda melam use seemed to hit the right chords. Otherwise the movie had very less going for itself.

It's a below average movie. The jokes are far below standard. The story is weak and some scenes will make the audience think of the overall purpose the movie is built for. The bonding between characters is also questionable. First half is irritating and second half is boring.

A movie like this which is made for just fans should at least have some element of likeability of the characters. The cast done by Dhyan Sreenivasan is the biggest example (of failure) of casting done in this film. There are many songs which does not have much music element in them, just they have some keywords which supports the situation.

The first half was very weak. Nothing can be said good in it. But the second half has a lot of humourous stuff. Towards the climax the film goes controversial. The climax didn't really work for me as well. But the humour worked for me. It doesn't have clear plot that is the main issue. I felt the movie doesn't justify the name too. It has nothing to do with it. Ultimately it's a Dijo Jose Antony film, his plots are mainly based on the social issues. I just loved his films, he was the main reason that I watched this movie. I would say if he just removed the unwanted discussion of some social issues from this film and made it as a comedy film it would have been a lot better.

The first half of the movie is filled with combination scenes between Dhyan and Nivin, along with a lot of unnecessary political content that left me frustrated. I don't get what Anaswara Rajan's role significance the movie. When it comes to the second half, the movie deal with the a malayali outside india. Try to include a lot of emotional connect between an indian and pakistani. A sentimental drama they have tried to portray in the second half eventually made the audience numb with their feelings. It's surprising that the same writer and director of "Jana-Gana-Mana" created this movie. Personally, I found myself eagerly awaiting the interval during the first half and wishing for the movie to end during the interval. I wouldn't recommend watching this in theaters, but ultimately, the choice is yours.