ÉVALUATION IMDb
7,4/10
27 k
MA NOTE
Ajouter une intrigue dans votre langueWhen one of her students is suspected of theft, teacher Carla Nowak decides to get to the bottom of the matter. Caught between her ideals and the school system, the consequences of her actio... Tout lireWhen one of her students is suspected of theft, teacher Carla Nowak decides to get to the bottom of the matter. Caught between her ideals and the school system, the consequences of her actions threaten to break her.When one of her students is suspected of theft, teacher Carla Nowak decides to get to the bottom of the matter. Caught between her ideals and the school system, the consequences of her actions threaten to break her.
- Director
- Writers
- Stars
- Nommé pour 1 oscar
- 13 victoires et 25 nominations au total
Oskar Zickur
- Lukas
- (as Oscar Mats Zickur)
Avis en vedette
I am teacher. I saw this admirable film only from this perspective, admiring its high realism, recognizing ordinary, almost every day crisis, understanding the power , bigger and bigger , decade by decade, of students , their cruelty - not different by the characters of William Golding in The Lord of Flies.
I real loved the performance of Leonie Benesch. I appreciated the fair crafted tension. And the end , I believe, is pure great.
The story - chains of a clash. A terrible one because it is between values, truths, the victim being the honesty, noble intentions, the spirit of dedication and justice of a young teacher, devouted, maybe in too high measure, to her job.
The young actors are just fantastic.
At the end, the hope than the Oscar for Best International Feature Film goes to Das Lehrerzimmer.
I real loved the performance of Leonie Benesch. I appreciated the fair crafted tension. And the end , I believe, is pure great.
The story - chains of a clash. A terrible one because it is between values, truths, the victim being the honesty, noble intentions, the spirit of dedication and justice of a young teacher, devouted, maybe in too high measure, to her job.
The young actors are just fantastic.
At the end, the hope than the Oscar for Best International Feature Film goes to Das Lehrerzimmer.
It was never easy to be a good teacher, but it's even harder today with virtually everyone having a political agenda. A young teacher has a series of thefts in her class. She reports it to the administration, but they only make things worse. She discreetly tries to get to the bottom of it herself, only to make things still worse. Lots of fingers are pointed in a lot of different directions. Anyone who has ever been falsely accused will find this a very disturbing movie. It is so well acted that it seems like a documentary, rather than fiction. This film and AMERICAN FICTION both show what horrible little prigs today's young people have been turned into. They are basically good and want to do the right thing, but they know in their heart of hearts that they are morally superior. This movie made me glad that I am not a teacher today. This is a rivetingly suspenseful movie that is quite harrowing at times. It asks some disturbing questions and doesn't provide easy answers. This is easily one of the year's best films in a year of strong contenders. This is a German film in the German language, but it could just as easily take place anywhere in the Western world. This is a movie that thinking people can appreciate.
I am a high school teacher, and this movie made me reflect on the educator's place in school. The film takes me to Plato's Republic, where it presents the dilemma "it is better to be than to appear virtuous." The protagonist leads us to moments of anguish with her quest for justice, honesty, and virtue in an environment governed by conflicting and often cruel moral issues. Actress Leonie Benesch's performance is confident, brilliantly conveying the emotions experienced by the character. For now, I consider "Das Lehrerzimmer" a real contender to win the award for Best Foreign Film in 2024; it's my choice.
Well, I watched this movie last week on theathre and first of all I really really hate open ending stories! I want some answers but I don't want my own. You know the story and I will not give spoiler. Main character teacher Carla was wonderful. Really good characterizations in the movie. Actually everybody was perfect. When I was watching movie, I thought a little politics and governments, also my country problems ( and others) because this movie was like small version of that too. For me, who has power of manipulation, always win. Story was all about that. It is a good movie and highly recommend to watch. In my opinion no need to go for cinema, kind of movie that suitable watch at home.
Being German, i actually really dislike most of my nation's dramas, mostly for their bleak depiction of nearly everything. An unrewarding depression mood, intertwined with bursts of out-of-place screams and violence. But this movie hit different - in the most frustatingly positive ways possible.
The central character is the overambitious teacher Carla Novak who began to teach at a German highschool, being silently confronted and appalled by the zero tolerance politics of the institution. The plot revolves around the dark grey areas of such a strict set of rules, as a series of thefts begin to disturb the carefully constructed but fragile peace. Racial profiling. Anauthorized searches. Between all of this stands our protagonist. And then she seemingly finds the culprit... with even more consequences she herself could not have imagined.
First of all - nearly every character can be seen as unlikeable in a certain way at the end of the movie, even Carla. Students. Teachers. Parents. Everyone hits different. Everybody get's the chance to shine in a negative light. And different ideals and opinions clash. That's a strange achievement. And it's strangely a good one.
The actors are playing their parts so well and natural. Especially the dynamic between lead Leonie Benesch's character and Leonards Stettnisch's Oskar is a stand-out. At some points there are not even words needed - just some uncomfortable staring contests.
The movie sticks close to the people but is cold trough its use of muted blue-white colors and beautifully captured through a claustrophobic 4:3 lens. The music is simple and effective with a minimalistic silence, a dissonance for an overly stressful confrontation and pompous score for the outro.
Ambition, failings and social dynamics are going hand in hand. They substitute the topic of theft quite fast through the mid point of the movie. Who does support the other one's believes and who is there to challenge them? Is everything well-meant actually good?
And we get an open end. Maybe to open. No big scale thriumph over the other. No real culprit and no real solution. Just an empty school. An empty microcosm that was inhabited by themes of communicational misteps, distrust, mobbing, fake personalities, moral ambiguity, ... you name it.
You may be leaving the cinema with different opinions and ideas. And that's the best thing a movie can achieve. Even if it isn't going to satisfy all movie goers
Prepare for school. Watch it. Be frustrated.
The central character is the overambitious teacher Carla Novak who began to teach at a German highschool, being silently confronted and appalled by the zero tolerance politics of the institution. The plot revolves around the dark grey areas of such a strict set of rules, as a series of thefts begin to disturb the carefully constructed but fragile peace. Racial profiling. Anauthorized searches. Between all of this stands our protagonist. And then she seemingly finds the culprit... with even more consequences she herself could not have imagined.
First of all - nearly every character can be seen as unlikeable in a certain way at the end of the movie, even Carla. Students. Teachers. Parents. Everyone hits different. Everybody get's the chance to shine in a negative light. And different ideals and opinions clash. That's a strange achievement. And it's strangely a good one.
The actors are playing their parts so well and natural. Especially the dynamic between lead Leonie Benesch's character and Leonards Stettnisch's Oskar is a stand-out. At some points there are not even words needed - just some uncomfortable staring contests.
The movie sticks close to the people but is cold trough its use of muted blue-white colors and beautifully captured through a claustrophobic 4:3 lens. The music is simple and effective with a minimalistic silence, a dissonance for an overly stressful confrontation and pompous score for the outro.
Ambition, failings and social dynamics are going hand in hand. They substitute the topic of theft quite fast through the mid point of the movie. Who does support the other one's believes and who is there to challenge them? Is everything well-meant actually good?
And we get an open end. Maybe to open. No big scale thriumph over the other. No real culprit and no real solution. Just an empty school. An empty microcosm that was inhabited by themes of communicational misteps, distrust, mobbing, fake personalities, moral ambiguity, ... you name it.
You may be leaving the cinema with different opinions and ideas. And that's the best thing a movie can achieve. Even if it isn't going to satisfy all movie goers
Prepare for school. Watch it. Be frustrated.
Le saviez-vous
- AnecdotesOfficial submission of Germany for the 'Best International Feature Film' category of the 96th Academy Awards in 2024.
- Bandes originalesOuvertüre - Ein Sommernachtstraum, op. 21
Composed by Felix Mendelssohn Bartholdy
Performed by Royal Philharmonic Orchestra
Conducted by Sir Thomas Beecham
BMG Production Music
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Teachers' Lounge
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 628 218 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 14 611 $ US
- 31 déc. 2023
- Brut – à l'échelle mondiale
- 5 707 442 $ US
- Durée1 heure 38 minutes
- Couleur
- Rapport de forme
- 1.33 : 1
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