Ajouter une intrigue dans votre langueA young artist gets stranded in an extensive, immaculate forest in western Ireland, where, after finding shelter, she becomes trapped alongside three strangers, stalked by mysterious creatur... Tout lireA young artist gets stranded in an extensive, immaculate forest in western Ireland, where, after finding shelter, she becomes trapped alongside three strangers, stalked by mysterious creatures each night.A young artist gets stranded in an extensive, immaculate forest in western Ireland, where, after finding shelter, she becomes trapped alongside three strangers, stalked by mysterious creatures each night.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 1 victoire et 1 nomination au total
Siobhan Hewlett
- Mina's Mother
- (as Siobhán Hewlett)
Joel Figueroa
- Darwin
- (voice)
Thabile Michelle Hlongwane
- Newscaster
- (as Michelle Hlongwane)
Eabha Connolly
- Little Girl
- (as Éabha Connolly)
5,764.7K
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Sommaire
Reviewers say 'The Watchers' delves into themes of duality, transformation, and folklore, inspired by Slavic mythology and Celtic traditions. The film's atmosphere, set design, and cinematography are lauded for their eerie and tense mood. However, the script, character development, and pacing are criticized for being lacking and predictable. The twist and ending receive mixed reactions, with some finding them surprising and others deeming them poorly executed. Dakota Fanning's performance is noted, though opinions on its effectiveness vary. The adaptation from the novel is often discussed, with many reviewers comparing it unfavorably to the source material. Overall, 'The Watchers' is seen as a mixed bag.
Avis en vedette
Falls apart when it starts explaining everything
The film was at its best early in the middle, introducing the concept of the Watchers and the one-way glass room the protagonists have to stay in at night. The seemingly random plot elements strung together work because of how seemingly random yet intentional they seem.
The concept starts to fall apart once they get deeper and deeper into explaining the meaning behind all these seemingly random plot elements, tying it all together in a way which makes it all come across as rather bland, and likely to prompt a whole lot of questions instead of appreciation for the story and its mystery.
Without spoiling, I can just say that when there doubt, whether with regards to character motivations, the purpose of the Watchers, or how certain supernatural things work, the film was genuinely interesting and fun to watch. Once it started to explain everything, the character motivations, the purpose of the Watchers, and the whole backstory involved, it fell flat.
As an aside, the inclusion of the conure and it learning to talk felt very heavy-handed, like the most obvious of obvious metaphors short of outright explaining the idea upfront.
The concept starts to fall apart once they get deeper and deeper into explaining the meaning behind all these seemingly random plot elements, tying it all together in a way which makes it all come across as rather bland, and likely to prompt a whole lot of questions instead of appreciation for the story and its mystery.
Without spoiling, I can just say that when there doubt, whether with regards to character motivations, the purpose of the Watchers, or how certain supernatural things work, the film was genuinely interesting and fun to watch. Once it started to explain everything, the character motivations, the purpose of the Watchers, and the whole backstory involved, it fell flat.
As an aside, the inclusion of the conure and it learning to talk felt very heavy-handed, like the most obvious of obvious metaphors short of outright explaining the idea upfront.
An Obvious Twist...
I went into this film with fairly high expectations, intrigued by the trailers and the interesting concept. I recognized only one actor, Georgina Campbell, the lead from "The Barbarian," a film I quite enjoyed. I was also eager to see how Ishana Shyamalan's directorial debut would turn out.
To start, I think the film was very well directed, featuring some really cool and creepy shots that effectively conveyed the story without relying heavily on dialogue. The initial concept of the creatures was interesting; I assume they are based on a real mythical creature, which adds a nice element of realism to the horror genre. However, that's where the positives end for me.
The acting felt mediocre. Despite what I've seen online, I had no issues with the accents, being from the UK and accustomed to Irish accents. The acting, however, often felt forced, and I didn't find the relationships or the characters' dread believable. The only scene with commendable acting involved Georgina Campbell.
My main issue with the film is the twist. Without giving away spoilers, I found it incredibly obvious and poorly thought out. It felt like a placeholder from the first draft, something that should have been replaced with a more refined idea.
Overall, it's an okay film. Not something I'll rave about, but if you're looking for a short horror movie to watch over the weekend, it might be worth a try.
To start, I think the film was very well directed, featuring some really cool and creepy shots that effectively conveyed the story without relying heavily on dialogue. The initial concept of the creatures was interesting; I assume they are based on a real mythical creature, which adds a nice element of realism to the horror genre. However, that's where the positives end for me.
The acting felt mediocre. Despite what I've seen online, I had no issues with the accents, being from the UK and accustomed to Irish accents. The acting, however, often felt forced, and I didn't find the relationships or the characters' dread believable. The only scene with commendable acting involved Georgina Campbell.
My main issue with the film is the twist. Without giving away spoilers, I found it incredibly obvious and poorly thought out. It felt like a placeholder from the first draft, something that should have been replaced with a more refined idea.
Overall, it's an okay film. Not something I'll rave about, but if you're looking for a short horror movie to watch over the weekend, it might be worth a try.
Weird and eerie storytelling about an isolated location stalked by mysterious creatures.
Mina (Dakota Fanning) is a twenty-something girl, then her car is broken down at a treeline, being stranded in a forest in the west of Ireland. When she finds shelter, she unwittingly becomes trapped with three strangers, all of whom are watched and stalked by mysterious creatures every night. Now Mina is trapped inside a decaying woodland shelter with three perfect strangers: Ciara (Georgina Campbell), Madeline (Olwen Fouéré) and Daniel (Oliver Finnegan). Then some strange creatures emerge to observe their captive humans and terrible things happen to anyone who doesn't reach the bunker in time. Mina finds herself in a room with a wall of glass, and an electric light that activates at nightfall, when the Watchers come above ground. They are watching!. You can't see them, but they see everything !.
Dakota Fanning (Crazy in Albama) stars in this creepy "Folk Horror" directed by Ishana Shyamalan who shares his love of the terror genre like his father, the famous M. Night Shyamalan, director of ¨The Sixth Sense¨ and other successes in the field of horror and fantasy, such as ¨Signs¨ , ¨The village¨ , ¨Lady in water¨ , ¨Knock at the cabin¨, ¨Old¨, ¨The Incident¨, "Unbreakable" , ¨Multiple¨and "Glass" . It is important to name these films because some of them influenced on this ¨The Watchers¨which was also produced by M. Night Shyamalan.
This eerie and mysterious movie depicts the tale of an isolated place confronting the surprising truth that lies just outside its limits, they live under the control of a few 'Watchers' until a revelatory twist at the end. Ishana toys with terrifying ideas and in Irish fairy tales , but at times , she buries them under an illogical and rather unpredictable tale. Writer/director Shyamalan got a good feel for the time period with sinister images, threatening set pieces and tension enough . Stars Dakota Fanning who gives an acceptable acting as a young artist gets stranded in an extensive, immaculate forest in western Ireland, along with other decent players, such as: Georgina Campbell, Olwen Fouéré, Oliver Finnegan, Alistair Brammer and special apperance from John Lynch.
It contains a suspenseful and intriguing musical score by composer Abel Korzeniowski. As well as colorful and evocative cinematography by cameraman Eli Arenson, shot on location in Ireland. The motion picture was professionally written and directed by Ishana Shyamalan , although not too original, because she copies ideas and the peculiar cinematographic style of her father M. Night. And it was directorial debut in a feature movie, she also made some episodes of the series ¨Servant¨. Rating: 6/10. The flick will please horror enthusiasts and fans of the director's father's films.
Dakota Fanning (Crazy in Albama) stars in this creepy "Folk Horror" directed by Ishana Shyamalan who shares his love of the terror genre like his father, the famous M. Night Shyamalan, director of ¨The Sixth Sense¨ and other successes in the field of horror and fantasy, such as ¨Signs¨ , ¨The village¨ , ¨Lady in water¨ , ¨Knock at the cabin¨, ¨Old¨, ¨The Incident¨, "Unbreakable" , ¨Multiple¨and "Glass" . It is important to name these films because some of them influenced on this ¨The Watchers¨which was also produced by M. Night Shyamalan.
This eerie and mysterious movie depicts the tale of an isolated place confronting the surprising truth that lies just outside its limits, they live under the control of a few 'Watchers' until a revelatory twist at the end. Ishana toys with terrifying ideas and in Irish fairy tales , but at times , she buries them under an illogical and rather unpredictable tale. Writer/director Shyamalan got a good feel for the time period with sinister images, threatening set pieces and tension enough . Stars Dakota Fanning who gives an acceptable acting as a young artist gets stranded in an extensive, immaculate forest in western Ireland, along with other decent players, such as: Georgina Campbell, Olwen Fouéré, Oliver Finnegan, Alistair Brammer and special apperance from John Lynch.
It contains a suspenseful and intriguing musical score by composer Abel Korzeniowski. As well as colorful and evocative cinematography by cameraman Eli Arenson, shot on location in Ireland. The motion picture was professionally written and directed by Ishana Shyamalan , although not too original, because she copies ideas and the peculiar cinematographic style of her father M. Night. And it was directorial debut in a feature movie, she also made some episodes of the series ¨Servant¨. Rating: 6/10. The flick will please horror enthusiasts and fans of the director's father's films.
A Frustrating Waste of an Intriguing Set Up
While Ishana Night Shyamalan absolutely is her own filmmaker, and should her films judged on their own merits, The Watchers reminded me a lot of her fathers works in the ways that I usually find his films frustrating. I'm going to try my best not to keep comparing this to M. Night's movies but in particular The Watchers reminded me a lot of The Village and the issues I have with that film and I think I'd still feel that way with or without the familial connection.
Because like The Village, The Watchers has a very intriguing hook that presents a lot of interesting story possibilities very early on but it never capitalises on them in any satisfying way. The dialogue is really weak here and it's frequently delivered in extremely wooden ways which most rears its head in the exposition. Because Shyamalan clearly doesn't believe in the less-is-more approach in that she feels the need to over explain everything and as a result the mystery never really feels that intriguing. Most of the reveals come across as very flat that feel like they lack sufficient build up to be satisfying.
It's also very repetitive for most of the first 2 acts with it essentially following the same stricture of leaving this house and returning to it before night fall and it just came across as tiring rather tension-building. The reveals don't really feel earned and they're the one thing I wanted the film to explore more but the script really feels like it strikes the worst balance with what it chooses to focus on. The 3rd act was also a pretty big disappointment. The main action that's being built up for the entire film is achieved in a fairly standard way that doesn't feel fitting for what was being set up and it makes the mistake of feeling like it's getting ready to end only to go on for what felt like another 30 minutes.
Thankfully what saves the film from being a complete waste of time is the truly impressive filmmaking on display. It's gorgeously shot and visually ambitious in a way that feels like it could only come from a first-time director. I thought the score was phenomenal as was the cinematography in a way that didn't feel like it was drawing too much attention to itself. There are some very effective scares and genuine scenes of tension, unfortunately it was just never sustained enough to keep my interest. It's the script that ultimately sunk this movie for me but it's very clear that Ishana Night Shyamalan has real talent behind the camera.
The Watchers was frustrating waste of potential for me and something that never really felt like it capitalised on its intriguing set up. It's just reeks of a script that doesn't trust the intelligence of it's audience and I was just so consistently irritated at how the film kept going out of it's way to explain things in the most clunky and unimaginative ways possible. I can see what Shyamalan was going for, and if anything it makes more interested to read the novel, but her very clear talents just end up being wasted on a really poor script.
Because like The Village, The Watchers has a very intriguing hook that presents a lot of interesting story possibilities very early on but it never capitalises on them in any satisfying way. The dialogue is really weak here and it's frequently delivered in extremely wooden ways which most rears its head in the exposition. Because Shyamalan clearly doesn't believe in the less-is-more approach in that she feels the need to over explain everything and as a result the mystery never really feels that intriguing. Most of the reveals come across as very flat that feel like they lack sufficient build up to be satisfying.
It's also very repetitive for most of the first 2 acts with it essentially following the same stricture of leaving this house and returning to it before night fall and it just came across as tiring rather tension-building. The reveals don't really feel earned and they're the one thing I wanted the film to explore more but the script really feels like it strikes the worst balance with what it chooses to focus on. The 3rd act was also a pretty big disappointment. The main action that's being built up for the entire film is achieved in a fairly standard way that doesn't feel fitting for what was being set up and it makes the mistake of feeling like it's getting ready to end only to go on for what felt like another 30 minutes.
Thankfully what saves the film from being a complete waste of time is the truly impressive filmmaking on display. It's gorgeously shot and visually ambitious in a way that feels like it could only come from a first-time director. I thought the score was phenomenal as was the cinematography in a way that didn't feel like it was drawing too much attention to itself. There are some very effective scares and genuine scenes of tension, unfortunately it was just never sustained enough to keep my interest. It's the script that ultimately sunk this movie for me but it's very clear that Ishana Night Shyamalan has real talent behind the camera.
The Watchers was frustrating waste of potential for me and something that never really felt like it capitalised on its intriguing set up. It's just reeks of a script that doesn't trust the intelligence of it's audience and I was just so consistently irritated at how the film kept going out of it's way to explain things in the most clunky and unimaginative ways possible. I can see what Shyamalan was going for, and if anything it makes more interested to read the novel, but her very clear talents just end up being wasted on a really poor script.
It's not a bad movie, I actually liked it
I enjoy movies with a good story and rich world-building. Although I'd rate this movie a 6/10, I still liked and enjoyed watching it. It's a thriller and mystery that kept me hooked as I wanted to uncover each mystery. The creatures were terrifying, I wouldn't want to come across one of those.
I do agree with some of the reviews that I found some of the characters odd, and no one normal would act the way they did if they were in such a situation.
One thing that could have made a big impact is adding a bit of romance at the end-you'll understand when you watch it. Overall, it's not a mind-blowing story, but I enjoyed it.
I do agree with some of the reviews that I found some of the characters odd, and no one normal would act the way they did if they were in such a situation.
One thing that could have made a big impact is adding a bit of romance at the end-you'll understand when you watch it. Overall, it's not a mind-blowing story, but I enjoyed it.
Blocage sonore
Prévisualisez la bande originale ici et continuez à écouter sur Amazon Music.
Le saviez-vous
- AnecdotesThe title was changed to "The Watched" in the UK and Ireland to avoid confusion with the Netflix series The Watcher (2022).
- GaffesAt around 5:10, the newscaster says: "It is a dreary day in Wicklow County." Unlike in the US, it is customary in Ireland to put the word 'county' first, then say the county name. An Irish newscaster would therefore have said: "It is a dreary day in County Wicklow."
- ConnexionsFeatured in The 7PM Project: Episode dated 21 June 2024 (2024)
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Détails
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 19 071 404 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 7 003 537 $ US
- 9 juin 2024
- Brut – à l'échelle mondiale
- 33 371 404 $ US
- Durée
- 1h 42m(102 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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