Bhimaa

To start with, i really don't understand what going on with Telugu Film Industry. I don't like violent Fights / Mass Songs. Why the need of elevation when Hero gets introduced for the first time. Please learn from Malayalam movies. These are very natural; there is lot of nativity. Kudos to the Directors who make such kind of good movies. We also have, but some movies are real spoilers.

Whenever Fights / Songs comes up, we are ending up in forwarding making the movie reduced to almost 45 minutes to 1 Hour. Most of us really don't like. Common man started appreciating the Malayalam movies, unfortunately these movies even though they are dubbed in Telugu, they don't make much good revenue in Theaters but these are blockbusters in OTT.

People saying objectification of women is shown in the movie, I want to ask that any of you will not get attracted to a woman you like as shown in the film. Yes, it could have been considered objectification if the hero had treated all the women like that in the film. Hence, You are wrong and here is the saying that as you are yourself so you see the other. The main point most reviewers saw and were focused on that but not the graphics they showed. It felt better than Bollywood where is your praise for that, where is your praise for such wonderful acting of all the stars of the movie? From my heart, I would recommend this movie to all my friends and I assure you that it is more entertaining than you would have thought it to be.

Disappointment is the lingering sentiment as the credits roll, and one can't help but feel a sense of loss for what might have been-a cinematic gem that instead turned into a broken promise.

The film starts promisingly enough, with a premise that intrigues and characters that seem layered. The cinematography is breathtaking, capturing the essence of the setting with a vivid palette of colors. The score, too, begins as a symphony that promises to carry the audience through a spectrum of emotions.

The performances, while earnest, are hampered by a script that feels both overwrought and underdeveloped. Talented actors struggle to breathe life into dialogue that ranges from the melodramatic to the mundane. Moments meant to be poignant feel forced, leaving the audience disconnected and disengaged.

The film starts off extremely cringe and a couple of scenes later, objectification of women takes place. The Lead actress in this movie is objectified to the most severe extent. This movie degrades police officials as well as Women in the educational field. Every scene where the actress walks away, the cameras' focus on her (back and down from there I hope you understood) the women is objectified to such an extent that it feels wrong to watch this movie. The Lead police actor makes disgusting faces and remarks while looking at the female lead. The film is full of overaction and cringeworthy dialogues. My heart goes out to whoever liked this film may God give you good sense because clearly he didn't when you watched this film. Please ban and boycott this as it disregards the entire police force and shows them as a bunch of people who are nothing but dons and this film also portrays them as mentioned who always fall behind woman based on their looks. This movie is a disappointment and should be removed and banned from the face of earth.

Oh, what a delight, a film where the plot flirts with the idea of being interesting only to take a nosedive into the sea of cliché and cringe. It's like stepping back into an era where boredom was the norm, with a narrative that's as fresh as last week's leftovers. Dialogues so cheesy, you'd think they were competing in a dairy product fair. Our leading lights in the acting department seem to think they're at a shouting match, turning every scene into a test of patience. Priya might be somewhat tolerable, hovering around the realm of just okay, while Malavika proves that stunning looks don't translate to acting prowess. As for the ensemble, they simply meander along the path of least resistance, presumably following the uninspired direction they were given. The cinematography and production values wave a little flag of decency in this desert of mediocrity, and while the songs might have you reaching for the mute button, the background score mercifully doesn't exacerbate the situation. Recommending this film? I'd say you'd have a more enriching experience watching water boil.