Ajouter une intrigue dans votre langueThe ultimate and comprehensive documentary film about the exceptional writer George Orwell.The ultimate and comprehensive documentary film about the exceptional writer George Orwell.The ultimate and comprehensive documentary film about the exceptional writer George Orwell.
- Réalisation
- Scénariste
- Vedettes
- Prix
- 4 victoires et 11 nominations au total
George Orwell
- Self - Novelist
- (archive footage)
U Win Khine
- Self - Lead Immigration Officer, Myanmar
- (archive footage)
Min Aung Hlaing
- Self - Prime Minister of Myanmar
- (archive footage)
- (as General Min Aung Hlaing)
Augusto Pinochet
- Self - Supreme Head of the Nation
- (archive footage)
- (as General Augusto Pinochet)
Ferdinand Marcos
- Self - President of the Philippines
- (archive footage)
Yoweri Museveni
- Self - President of Uganda
- (archive footage)
- (as General Yoweri Museveni)
Vladimir Putin
- Self - President of Russia
- (archive footage)
Viktor Orbán
- Self - Prime Minister of Hungary
- (archive footage)
George W. Bush
- Self - 43rd President of the United States
- (archive footage)
- (as President George W. Bush)
Colin Powell
- Self - Secretary of State
- (archive footage)
Victor Otto
- Self - Father of a Russian Soldier Killed Ukraine
- (archive footage)
Ida Blair
- Self - Orwell's Mother
- (archive footage)
Richard Blair
- Self - Orwell's Father
- (archive footage)
Donald Trump
- Self - 45th President of the United States
- (archive footage)
Sidney Powell
- Self - Attorney and Former Prosecutor
- (archive footage)
Jordan Klepper
- Self - The Daily Show with Trevor Noah Corespondent
- (archive footage)
Lawrence O'Donnell
- Self - Host, The Last Word with Lawrence O'Donnell
- (archive footage)
Joseph Stalin
- Self - Leader of the Soviet Union
- (archive footage)
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Avis en vedette
Hard to Watch
Watched it recently at a film festival. Go see it if you don't mind a tedious preachy clip show of historical footage with frequent bland voiceovers narrating Orwell's words, often with the background of a slow-moving vista of dull dreary Scotland. This sort of work comes off as a naive high school politics student trying to be original and edgy, since the film goes down the same predictable politically one-sided narratives (complete with sentimental instrumental soundtrack). Essentially a sophomoric propaganda piece with stale observations about government power that are already known by anyone familiar with Orwell's main works. Couldn't take it anymore, and we walked out near the end.
Edit: on second thought, I give it 2 stars instead of 1. The part about Orwell's time in Burma was mildly interesting.
Edit: on second thought, I give it 2 stars instead of 1. The part about Orwell's time in Burma was mildly interesting.
Ok but could have been much better
I would have given it a 6.5 if that had been possible. I really appreciated Orwell's works and had high expectations for this film. I consider myself center-left, but I found it too one-sided, underdeveloped, and overly fatalistic. It can feel quite anxiety-inducing... I understand that we shouldn't bury our heads in the sand, but at this point it starts to verge on pure sensationalism. The selected clips are very suggestive for example, they only show the best quotes and moments from people on the left, and then one of the worst moments from someone on the right. I generally disagree with Zuckerberg's main ideas, but he's not some demonic idiot either.. in the film, he's constantly shown at his worst moments.
Picturebook of a Young Democratic Socialist
Had high hopes for this movie to examine Orwell's thoughts on political systems and regimes with in-depth focus on parallels to modern day "newspeak" and breaking of collective willpower, but it does none of that. It's a series of sometimes no context images of death and dictators and Adobe Affect Effects text animations that are played along with snippets from his diary about his life. It does give more context about his writing, but no context for the historical events it shows or why it chooses to focus so heavily on Burma. It doesn't bring in any other historians or political analysts until the end and it's very brief and superficial. It primarily felt like I was watching a collection of movie clips of 1984 versions. Overall, I appreciate the subject matter and the recency of the content (e.g., the inclusion of the Gaza genocide and the MAGA ambivalence towards death for "the other team") but the movie wasn't as thought provoking as I was hoping and felt more like SparkNotes to 1984 for a Gen X audience, nothing groundbreaking if you've already read 1984 and have a basic understanding of politics and injustice.
Always yell with the crowd
If the intention was to present a "shrill trumpet-call" in imitation of an Inner Party-directed Hate Week project, then mission accomplished.
The narrated George Orwell excerpts outshine anything assembled by the writer / director whose own political bias and blind spots mirror an Orwell quotation that's cited early in the film: "The opinion that art should have nothing to do with politics is itself a political attitude". IMO, Orwell: 2+2=5 is a political attitude that lacks artistry. Images and video are presented in a "We didn't start the fire" stream; there is no depth, no context and not even a discussion of the title formula, just clips from past portrayals of 1984. Overall, it's clumsily designed to manipulate the hate-filled and uninformed. It will do well in some circles.
Skip this film; better to read Mr. Orwell and a good Orwell biography.
The best I can say about Orwell: 2+2=5 is that the anticipation of seeing it encouraged me to re-read Nineteen Eighty-Four. I did also appreciate the clip from Terry Gilliam's Brazil; isolating the copy room scene made me wonder about the great preparation that was necessary to make the movements so fluid.
The narrated George Orwell excerpts outshine anything assembled by the writer / director whose own political bias and blind spots mirror an Orwell quotation that's cited early in the film: "The opinion that art should have nothing to do with politics is itself a political attitude". IMO, Orwell: 2+2=5 is a political attitude that lacks artistry. Images and video are presented in a "We didn't start the fire" stream; there is no depth, no context and not even a discussion of the title formula, just clips from past portrayals of 1984. Overall, it's clumsily designed to manipulate the hate-filled and uninformed. It will do well in some circles.
Skip this film; better to read Mr. Orwell and a good Orwell biography.
The best I can say about Orwell: 2+2=5 is that the anticipation of seeing it encouraged me to re-read Nineteen Eighty-Four. I did also appreciate the clip from Terry Gilliam's Brazil; isolating the copy room scene made me wonder about the great preparation that was necessary to make the movements so fluid.
Good Examination about the Works of Orwell
Watched at the 2025 Toronto International Film Festival.
Raoul Peck has always been an underrated filmmaker who has made great documentaries in his career. With his latest focusing on the works of George Orwell, Peck goes raw with the portrait of Orwell's work and purpose. Providing a strong and powerful anti-fascist documentary and demonstrating the warnings, meaning and realism of what Orwell has said, and focused on.
Using great colorful presentations, interesting editing choices and presentation, Peck's direction on how information is presented, described and situated feels striking, important and engaging. With narration of the writings Orwell speaking, many of the themes, topics and concepts explored throughout were intriguing, as it reflects on what Orwell viewed about the world, the negative effects of fascism and the warnings about how reality and society can be changed because of politics and the dark humanities of human worlds. Alongside with using archival footage and interesting creative choices on the sound designs, visuals and presentation, it doesn't shy away from being quite loud, and raw. Allowing the views to see the negative effects about totalitarianism and the brutality of it.
I'm honestly quite surprised this movie got made, especially since our current political times is very messy. Overall, Raoul Peck has made his most angry and raw documentary in his entire career. A striking and powerful documentary that does reflect a lot about the current United States of America and the Trump Administration.
Raoul Peck has always been an underrated filmmaker who has made great documentaries in his career. With his latest focusing on the works of George Orwell, Peck goes raw with the portrait of Orwell's work and purpose. Providing a strong and powerful anti-fascist documentary and demonstrating the warnings, meaning and realism of what Orwell has said, and focused on.
Using great colorful presentations, interesting editing choices and presentation, Peck's direction on how information is presented, described and situated feels striking, important and engaging. With narration of the writings Orwell speaking, many of the themes, topics and concepts explored throughout were intriguing, as it reflects on what Orwell viewed about the world, the negative effects of fascism and the warnings about how reality and society can be changed because of politics and the dark humanities of human worlds. Alongside with using archival footage and interesting creative choices on the sound designs, visuals and presentation, it doesn't shy away from being quite loud, and raw. Allowing the views to see the negative effects about totalitarianism and the brutality of it.
I'm honestly quite surprised this movie got made, especially since our current political times is very messy. Overall, Raoul Peck has made his most angry and raw documentary in his entire career. A striking and powerful documentary that does reflect a lot about the current United States of America and the Trump Administration.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
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Le saviez-vous
- ConnexionsEdited from Oliver Twist (1948)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Lieux de tournage
- Jura, Inner Hebrides, Écosse, Royaume-Uni(many locations)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 355 288 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 25 887 $ US
- 5 oct. 2025
- Brut – à l'échelle mondiale
- 355 288 $ US
- Durée
- 1h 59m(119 min)
- Couleur
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