Kneecap

I went to the Cineworld Secret Screening last night which turned out to be "Kneecap". I'd seen the trailer, so was aware of the film, though I was wholly unaware that Kneecap are a real band, nor that the actors in it were playing themselves.

As one of a small number of Irish speakers in Belfast, JJ O Dochartaigh is called into a police meeting as an interpreter, where he meets Liam Og O Hannaidh who is pretending that he only speaks Irish to annoy Detective Ellis (Josie Walker). JJ sees a book of hip-hop lyrics, written in Irish, by Liam and his friend Naoise O Cairaellain. A music teacher, and in a relationship with an advocate for the Irish language, JJ sees the potential for using music to increase awareness. When the trio start to perform, they quickly gain a following, but the content of their lyrics makes them enemies in both the police, and with a dissident republican organisation that are against the promotion of drug use in the city.

"Kneecap" is quite the film to show to a group that aren't expecting it. Approximately a quarter of the audience in my screening left within the first 25 minutes, driven away by the explicit drug use, swearing and sex scenes as well as - let's face it - the most egregious problem for some people, subtitles. They missed a film I quite enjoyed (largely because of all those reasons I've just mentioned) but also because, despite the idea of people playing themselves in films being fraught with disaster (15:17 to Paris) the boys here actually do really well. So much so I couldn't believe that they were the actual guys and not full-time actors. There are professional actors in the other roles though, none more high profile than Michael Fassbender, who plays Naoise's father.

It's a genuinely funny film, that treats its subject matter with a light touch and tells a complete story. Comfortably the best of the musical biopics I've seen this year.

I had the pleasure of watching this movie at a film festival in Poland. I felt compelled to recover my IMDb account credentials just to share my thoughts because I believe the current reviews do not do it justice.

No other film at the festival evoked as much laughter from the audience during the screening. While there were many remarkable films, this one stood out as my favorite. From what I've heard, the audience reaction at Sundance was similarly enthusiastic.

If you're considering watching this movie, disregard the reviews below. True, it isn't an arthouse film, and it does advocate drug use, strong language, and police brutality. However, it is an absolute joy to watch. It conveys profound messages about the quest for freedom, self-expression, and defiance.

Most importantly, this movie is authentic. The main characters are played by the musicians themselves (and they do a fantastic job). It may not be factually accurate, but it excels at conveying the feeling and authenticity without being phony or pretentious.

This movie is pure punk, wrapped in a colorful and sweet package. I higly recommend it.

I saw this movie tonight as AMC's Screen Unseen mystery movie, so I knew less than nothing about what I was walking into. Whether you like rap or not, see this movie for the incredible cinematography. Ryan Kernaghan deserves awards for this movie. I've never thought to look up a cinematographer UNTIL seeing this movie. Spectacular.

The story itself is very powerful and makes you truly respect Irish people and their love for their country, while making a lot of laughs and not taking itself too seriously. It delivers a powerful message of the importance of heritage. If you're a proud Brit, might be best to sit this one out.

Ireland's official submission for Best International Film. Sex, Drugs & Rap - and Revolution. Rich Peppiatt's cheeky movie is based on the true story of a trio of Northern Irish rappers collectively known as Kneecap. They distinguish themselves from other UK musicians by singing their lyrics in Irish. Unwittingly at first, they become a rebellious symbol in their land in West Belfast in the "post-war" period after The Troubles.

The movie stars the actual members of the group as themselves- Naoise Ó Cairealláin, Liam Óg Ó Hannaidh and JJ Ó Dochartaigh. Peppiatt's screenplay (with input from the band) is pretty loose story-wise by design. The Director uses mixed media and plays with the film form in enjoyable ways. The Kneecap members are natural performers which brings a scruffy authenticity while also being impudent and refreshingly self-mocking. There are professionals in the cast including Josie Ellis, Jessica Reynolds (as Liam's spiky British girlfriend) and a very good Michael Fassbender as Naoise's dad who was an Irish revolutionary.

What gives the movie its spark is that this all took place during a period when there was a movement to force the British government to recognize Irish as an official language of Northern Ireland. Kneecap's rude and crude lyrics took on a whole new meaning and importance. Merely singing those songs in public became an act of civil disobedience. The main story-line is strong enough that some of the more obvious "scripted" movie moments stick out as being unnecessary. Fortunately, the anarchic energy makes up for those missteps. KNEECAP is an out and out banger.

I saw Kneecap today in one of the best multiplexes in the UK. Interestingly, the entire audience (all 10 of us) were in our sixties and seventies and there was total engagement and no-one left before the lights went up. I spoke to one group of about 5 and they were all in agreement about how strong the film was. I lived and travelled in NI and Eire (as was) during the early 80s so truly appreciated the quality of the script. The acting was exceptional and the dark humour was right up my street. I'm not a big hip-hop fan and you certainly don't need to be to appreciate the film, but I've always rated Eminem and Die Antwoord very highly, and it's clear to me that the the latter were clearly an influence on the sound and style of Kneecap as an outfit. I will get this on Blu ray in due course, but I think I will be the only person in the household who 'gets it'. Hopefully my children will get at least some of the cultural references and enjoy the kick-ass soundtrack. If you get the opportunity, do give it a go as this film illustrates just how well a piece of art can be created using a very limited budget and authentic actors. Based on a true story.