Wrath of Dracula

Many fans of Gothic horror will welcome this low budget adaptation of Bram Stoker's tale. The film's strengths lie in atmospheric cinematography and strong acting performances by the main protagonists, especially that of Hannaj Bang Bendz as Mina, who almost succeed in overcoming an overly wordy script which weakens the otherwise prevailing sense of menace. The director attempts the Shakespearean ploy of introducing scenes of light relief through visual gags during action scenes but these largely misfire in my humble opinion. Dracula's brides are beautiful and chilling in equal measure with Ayvianna Snow's Maria a stand out performance. More, please!

Jonathan Harker has been a guest of Count Dracula at his Castle in Transylvania, tearing that something isn't quite right, he sends for his wife, who arrives and instantly neets up with Professor van Helsing.

So, the film has a relatively low score, and justifiably so I hear you say, but it's actually not all bad.

So, it looks a little amateur, and feels a little cheap, but late night on Christmas eve, after a few gins, waiting for Santa, I rather enjoyed it. It is very talky, and at times it looks rough around the edges, but there's definitely some creativity behind it.

Considering this was made on a shoestring budget, if actually looks decent at times, some of the sets and costumes are nice, and Castle Dracula looks awesome. There's some interesting mythology surrounding The Count, I liked the ideas about his origins.

It's still better than the third part of Moffatt's BBC series from a few years ago.

Sean Cronin makes for an interesting Count Dracula, he's quite a fishy vampire.

Nonsense, but fun.

6/10.

Mark Topping plays a hesitantly spoken chauvinistic Van Helsing, and Hannaj Bang Bendz is a resilient, modern-looking Mina Harker in this wordy adaption of Bram Stoker's most famous story. The project is helmed by prolific writer/director Steve Lawson, the man behind the equally dialogue-driven 'Jekyll and Hyde', 'Ripper Untold' and 'Mummy Resurrection' among others, all released over the last few years. He specialises in modestly budgeted productions, alongside Creativ Studios who maintain that the limited number of sets and locations look good.

Films like this are an acquired taste. Some reviewers seem offended by the static style of such productions, but they are obviously successful enough to continue. I rather like them - they are invariably well-acted and the stories are interestingly told. This is an adaption that creates an even bigger enemy than Sean Cronin's bullet-headed Count - sexism against women. Mina, always glamorous and confident, interrupts her vampire hunting, where she's hoping to rescue Dean Marshall's wet hubby Harker, to explain how able women generally are, and how the world seems designed to undermine them, often with a raised eyebrow; Van Helsing can only bow his head in quiet agreement.

Some of the action sequences don't work, but other than that, this is up to the usual standard of Steve Lawson's productions. It won't appeal to everyone. But what it does, it does well. The performances are very good (there's a real sense of menace and power from Cronin's Dracula) and the adaption is thoughtfully told. Interestingly, a series of out-takes play under the end credits. My score is 7 out of 10.

I recently watched "The Wrath of Dracula," and it took me a good 40 minutes to realize it was not your typical horror flick but rather at time's a black comedy. The film presents a unique take on the well-trodden Dracula story, blending humor into the narrative. I hope it was intended

The performances were decent, with the cast embracing the film's comedic elements. However, I found myself questioning the necessity of adapting this familiar story into another film. While the twist towards comedy was unexpected, it didn't necessarily enhance the overall viewing experience for me.

Despite my reservations about the film's choice of direction, I appreciate the attempt to bring something new to the Dracula narrative. "The Wrath of Dracula" might not be everyone's cup of tea, but if you're open to a comedic spin on classic horror, it could be an interesting watch.

Overall, the film leaves an impression with its unexpected genre shift, but whether it successfully revitalizes the well-known Dracula story is up for debate.

Another indie horror flick from Steve Lawson, who seems to have cornered the market in such fare. He has a ready business model: shoot a film on an enclosed set with a couple of actors, release it on Prime and follow that with fake 10/10 reviews to make a bit of cash. Sadly, the end product is inevitably useless, as is the case here. The story is very loosely adapted from the Stoker novel, reducing the character list to Mina and Jonathan Harker, Dracula, Van Helsing and a few brides. Mina learns kung fu at one point, which reveals how silly this all is, and the skinhead Dracula doesn't help much either.