Mediha

Mediha manages to leave you with a sense of awareness and powerlessness towards a girl and, more generally, towards the living conditions of some minority groups who constantly seek peace and justice. Mediha confronts you with an obvious reality that we don't always remember: not everyone has the privilege of living a "normal" life, as we in the Western world perceive it.

Mediha is a teenager who has experienced a life that no ordinary human being should ever dream of living. The right to be a girl, the right to live with her family, the right to live her own identity are some things that Mediha has had to sacrifice due to the situation she has experienced since she was little. But these absences are filled by a willpower and courage that are nothing short of admirable.

"Mediha" is a powerful documentary directed by Hasan Oswald that offers a candid glimpse into the life of a 15-year-old Iraqi girl named Mediha, who, along with her brothers, Ghazwan and Adnan, navigates the challenges of living in a refugee camp after being rescued from ISIS captivity. Through a blend of first-person camerawork by Mediha herself and Oswald's aerial shots, the film sheds light on the atrocities faced by the Yazidi community, where men are executed, women are sold into slavery, and children are indoctrinated into the Islamic State.

Oswald's sensitive storytelling approach allows Mediha to share her experiences at her own pace, respecting her boundaries while still highlighting the resilience and strength she embodies. The documentary not only serves as a poignant reminder of the ongoing humanitarian crisis but also celebrates the power of resilience and the hope for healing in the face of unimaginable trauma.

"Mediha" is a compelling and thought-provoking film that demands attention and empathy from viewers, offering a unique perspective on the human spirit's ability to endure and overcome adversity.

I recently had the honor of watching Mediha at a festival and it is one of the most impactful documentaries I have seen. Oswald manages to potray the humanity of Mediha, and brings light to a topic that is never discussed in mainstream media. This documentary proves the struggles many women particuarly living under ISIS rule must endure. This documentary respectfully brings light to such a difficult topic. I could not stop watching or looking at the screen, even with the distressing contents at hand because of how brillant Mediha is. I think this documentary should be shown to lawmakers and activists around the world as it shows the true reality of the daily life of women under Islamic rule. Highly recommend watching when you can.

Saw this at the Movies That Matter 2024 filmfestival in The Hague. Lots of issues pass by in this story. Women who return after having lived years under ISIS are not always accepted by their original society, for two reasons. (1) They are generally converted (forcefully, but still) to Islam, something in their (Yazidi) beliefs you cannot simply shake off. (2) Children who came forth from their life within ISIS, are separated from their natural mother and she cannot keep them with her. Such obstacles result in alienating these women from their hometown and their own people, depriving them from a useful future. What are these women to do??

Apart from that, when trying to get these women back, it proves very difficult to find them. They usually receive new names, thereby destroying all traces back to their original life. Also, they are often sold more than once, so following their tracks is far from trivial. So-called rescuers are needed as an intermediary. We see part of this demonstrated when searching for Mediha's lost brother. Eventually they find him in Turkey, where his current "parents" are willing to give him away when granted amnesty for their ISIS misdeeds. His return is not easy for him, however, as he seriously misses his "mother". He weeps all day long while suffering homesickness. For him, this homecoming, albeit happy for the family wanting him back, works out as a stressful event. Understandably, he cannot see the big picture and cannot realize this new family is his actual natural family. Moreover, he must unlearn Turkish too, an extra complication in communicating with him.

Another angle is prosecuting the ISIS-men who stole these women from their home in the first place, forcing them into slavery, and even selling them to other men within ISIS. Some numbers were reported about cases where it was possible to identify the men in question. Alas, it was a disappointingly low number (say a handful in total). In other words, another avenue without success.

Finally, the women in question usually don't talk freely about their experiences, mostly due to commonly untreated and ignored PTSS. The main protagonist in this movie was relatively unique, being able to speak about what happened, in fact a rare example. She was able to pinpoint her captor within a long series of photos shown to her, a tedious session but it had to be done as starting point for the search. Not all women can endure this, without getting overwhelmed by emotions or PTSS.

All in all, a solid and multi-facetted overview to demonstrate the difficulties in this field. Undoing the wrongs involved, is met with very many obstacles, not alone for practical reasons but also because of cultural and religious principles. The movie's urgent message shows clearly that solutions are far away.

If a week ago my future-self told me I would have one of the most profound experiences of my life during the debut of the Indie Street Film Festival in Red Bank NJ, watching a foreign language subtitled film, I wouldn't have believed it. Director Hasan Oswald's documentary, Mediha, opened the festival in a way that we the viewers will never forget. Mediha is the story of a young Yazidi girl who at 10 years old was captured from her home in northern Iraq and sold into slavery. She was sold and resold as a slave to ISIS fighters multiple times, yet survived and found strength and determination to tell/share her story through her own lens. I had the honor of meeting the Director and receiving the warmest hug from Mediha at the end of the night. After enduring unimaginable horror, Mediha glows with kindness, energy and light that radiates from her heart into ours. This film is a must see, her story is a must share and the cause is a must support. A million Thank You's to @hasanohhh @medihaalhamad @medhiafilm @indiestfilmfest for touching our hearts. Mediha, you are an amazing, powerful woman and it is my prayer that this film provides you with every opportunity you need to heal and succeed. #liftingwomenup #medihaisaboss #filmsthatmatter. I'm.