The Ballad of Wallis Island

The second I saw the location settings I knew that this film is going to be a great one. A simple story with some great performances especially by Charles and Amanda, they nailed their characters with their unique style of innocence as people cut off from the rest of the world. Adding to that, the soundtrack took it to another level.

If you love movies with minimal characters happening at a remote location and with great soundtrack then you'll definitely love this. You might even cry a little bit if you're an emotional person, I mean I did when Herb saw those paper clippings and found out why Charles was doing what he did. A really heartwarming film with a touch of light humour, I definitely recommend you guys to watch this.

I had the absolute pleasure of seeing this recently at the Phoenix Film Festival. As a film enthusiast, I can confidently say that "The Ballad of Wallis Island" is an absolute gem that transcends the typical boundaries of romance and musical drama. Directed by the visionary filmmaker James Griffiths, this film invites us into a world where nostalgia meets whimsy, and love is as complex as the harmonies of the songs that resonate throughout the story.

The script is rich with witty banter and heartfelt moments that will have you laughing one minute and reaching for the tissues the next.

The supporting cast adds depth to the story as well. The eccentric millionaire, played brilliantly by a Tim Key, provides both comic relief and a touch of unpredictability, while the quirky island locals bring an authentic charm that enhances the film's atmosphere.

Set against the breathtaking backdrop of a secluded island owned by a delightfully eccentric millionaire, who brings two former bandmates and lovers to reunite for a one-off performance.

The script is rich with witty banter and heartfelt moments that will have you laughing one minute and reaching for the tissues the next.

In a world where most love stories feel cliched and predictable, "The Ballad of Wallis Island" stands out as a refreshing reminder of the beauty of second chances and the intricate dance of love and art. It's a movie that lingers in your mind long after the credits roll, leaving you humming snippets of its enchanting soundtrack.

This is a gem.

It's not done good box office but may find its place on streaming channels. It won the audience award at Sundance and I can see why because it's the very essence of laugh out loud funny, coupled with truly British feel good.

Executive-produced by most of its cast including stars and writers Tim Key, and Tom Basden, who also wrote and performed the music - a critical role because its about an old Folk Rock duo - Carey Mulligan and director James Griffiths (Bad Sisters).

It's based on a 2007 short (by the same team) and tells the full story of how the aforementioned duo (Mulligan and Baden - called McGwyer and Mortimer) find themselves on a remote Welsh Island playing a gig for a reclusive Lottery winner - Tim Key as Charles.

Key has a ball as the slightly eccentric loner who simply worships McGwyer and Mortimer who had split up a decade earlier because the relationship stepped beyond the music itself.

He's got money to burn and nothing to do so he can fancily fund a one night only reunion. Needless to say not all goes to plan.

The chemistry between the three principal characters is superb: Kooky Charles, curmudgeonly McGwyer and wistful Morrison. Each riff off the other in unexpected ways and the whole is most certainly greater even than its excellent sum of parts.

In essence it's a movie about loneliness. Charles is single and lost in his life. McGwyer, too, is lost in his career and aggressively trying to feed his ego, having essentially 'sold-out'.

Only Morrison (Mulligan) has a sense of balance in her life and carries off her part beautifully and sympathetically.

It's genuinely uproariously funny in places and genuinely touching in others and adds up to a glorious 90 minutes in the cinema that we shared with 6 others. Shame.

This was on my radar, as the leads have been on various podcasts that I listen to promoting it. I had to travel to Sheffield though, as it's still a bit too "independent", despite Universal distributing it, for my local Cineworld. It was worth the extra travel money.

Lottery winner Charles Heath (Tim Key) uses some of his money to pay for his favourite folk duo McGwyer Mortimer to reform for a small gig on the island he lives on. When he arrives, Herb McGwyer (Tom Basden) is unaware just how small the gig's audience will be, or that Nell Mortimer (Carey Mulligan) will also be coming. The pair were a romantic couple, as well as bandmates, but haven't seen in each other in a decade since McGwyer's decision to record a solo album.

"The Ballad of Wallis Island" is absolutely one of my favourite films of the year so far. It's genuinely funny, touching and warm. Much of the humour comes from Key who, in all fairness, is playing the sort of character that Key usually plays. Bumbling is too strong a term, but certainly a man who never knows when to let a moment sit. You do really have to like that character for the film to work, but I do. Whilst Key is probably the reason you'll enjoy the film, it doesn't work without the Basden's performance as McGwyer. He has to keep him likeable enough, whilst he makes mistakes and meets frustrations but he threads the needle well. Mulligan isn't in the film for as long as the other two, but she, of course, nails it when she arrives also.

The film becomes increasingly touching as it reaches the end, and I did wipe away a tear in the concert scene.

Excellent stuff.

The Ballad of Wallis Island is a quiet gem that blends dry humor with deep emotion. At its heart, it's a romantic film - not just in the traditional sense, but in its celebration of love, loyalty, and human connection. The characters may start from very different places, but their arcs are believable and rewarding, unfolding with care and subtlety.

The film handles grief and pride with nuance, and never feels manipulative or forced. It's slow-paced in the best way: giving space to linger, to feel, and to reflect. Poignant, charming, and at times laugh-out-loud funny, this is one of those rare films that stays with you long after the credits roll.

Highly recommended for those who appreciate sincere, character-driven storytelling.