Kalahari

A briefly captivating and partially thrilling story about a motley crew stalked and threatened by giant killer lions. A young couple (Ryan Philippe, Mena Suvari) have to flee from a paramilitary group in an African nation after traveling there to introduce the Christian religion. But the plane driven by Grun (Emile Hirsch) crashes and the group of travelers (Ryan Philippe, Mena Suvari, Jeremy Tardy, Dylan Flashner, Tristan Thompson) find themselves besieged by huge lions and confined almost entirely to the dangerous savannah, resulting in fateful consequences. And to make matters worse, the killer beasts continue to kill and they are attacked by soldiers while are in the wrecked plane where they have taken refuge. Fight for life!. Not an ordinary animal!. Prey to survive!. !. Sometimes the rustling in the bushes is actually a monster!. Human emotion laid bare!

This is a tragedy-adventure-drama film that took a few weeks to shoot in California, although I think it's more of a horror drama than an adventure film, as it deals with huge, hungry lions that have seemingly mythical and vengeful qualities, in order to relentlessly kill people. After their plane crashes, they must fight for their lives against beasts and bloodthirsty soldiers; the pilot is played in a mediocre way by Emile Hirsch and the young couple forced to abandon their Christian missionary station in the Kalahari Desert after being threatened with death by an extremist militant gang is played by Ryan Phillippe and Mena Suvari, although the latter has a secondary appearance.

This is an uneven survival drama with not too much appeal and minimal quality in which the actors give all the value to a heart-stopping script, concerning a group of fearful people who find themselves pursued by huge lions who try to prove that the savannah has only one apex predator, themselves. The film is average and nothing special, it overuses computerized images of lions; in fact, the animals that appear in the film are generated in 3D; finally, the director to give more authenticity to the images, decided to bring a real one to the set one day. It contains some passable scenes, brilliant cinematography by cameraman Farhad Ahmed Dehlvi, an undistinguishing soundtrack, complemented by spectacular highlights when the ferocious lions attack here and there and adding other additional attractions. The cast is acceptable but not remarkable, such as: Ryan Phillippe as the stubborn husband who will stop at nothing to protect his wife Suvari, a role that sits easily on his shoulders and Emilie Hirsch as the tough pilot. There is also a brief description of the terrorist organization Boko Haram that mercilessly hunts and kills Christians, it is an Islamist jihadist terrorist organization based in northeastern Nigeria, which is also active in Chad, Niger, northern Cameroon and Mali. In 2016, the group split, leading to the emergence of a hostile faction known as the West African Province of the Islamic State.

The film turns out to be very average, tending towards the low, there are other much better films about people besieged by the African dangers and the wildlife of the savannah, such as: ¨Sands of the Kalahari¨ (1965) by Cy Endfield with Stanley Baker, Stuart Whitman, Susannah York; ¨A Far Off Place¨ (1993) by Mikael Salomon with Reese Witherspoon, Ethan Embry, Jack Thompson; ¨Prey¨ (2007) by Darrell Root with Bridget Moynahan, Peter Weller and ¨Beast¨ (2022) by Baltasar Kormákur with Idris Elba.

The feature film was directed in an irregular manner by Mukunda Michael Dewil, being supposedly based on real events. But it was not filmed in Africa but at Vasquez Rocks Natural Area Park, Escondido Canyon Rd., Agua Dulce, California. Mukunda is a craftsman who has made a few films without much success and usually on a low budget, although on occasions he has managed to gather well-known actors: Emile Hirsch, Paul Walker, Kate Bosworth, Ashley Greene, Ryan Philippe, Mena Suvari for his cheap productions, which include the following films: Vehicle 19 (2013), Retribution (2011), Collide (2022), The Immaculate Room (2022) and Kalahari (2024). Score: 4/10. A short-budget and below-average ordinary film dealing with African survival.

Not a good movie. Im glad it was only an hour and a half and not longer... but it could have been better if it was shorter. Felt extremely low budget. The characters had no depth and there was absolutely no character development. Honestly it had the deel of a fan fiction film. Evert time the suspense started to build it fizzled out. Ryan Phillipe acted like he didn't want to be there and Emile Hirsch tried but with a paper thin plot had no opportunity to develop. The survival aspect was non existent, the poachers never played out and the revels were embarrassing. Overall poorly done. I would only recommend this to my ex-mother-in-law and the politician I want out of office.

I wanted to love this movie. It has a fantastic cast and going into it I had really high hopes. What you get is a movie that could have been really great, but in the end was poorly executed. What will likely be the draw for most is the animal attack aspect. Survival horror... man vs nature. It's present, but they decided to take the Jaws approach here. A few people fall prey to the wildlife but the events are completely left to your imagination. I felt like they fell flat in that department in a big way. I wasn't looking for a gore fest, but you have almost ZERO animal human interaction here. The initial attack was a shock to me, but not in a good way... the way it was done. Very ambiguous. You see the characters and they are fine. When we're brought back to the scene after a cut to other characters, the attack has already taken place seemingly some time ago. I just wasn't a fan of how it all went down. Some characters do absolutely ridiculous things that make no sense. There's at least one huge continuity issue. Then there's an almost ridiculous spiritual undertone to this that I also felt was poorly executed. One of the main characters is dealing with a crisis of faith and he makes what I feel are some ridiculous choices that are supposed to be faith based. I feel like the writer or director has the notion that having faith negates the ability to reason. Indeed I've known some people like this, but it's not the rule. The kind of people who don't lock their door because God's looking out for them. Inevitably they're burglarized or worse. God gave you the ability to reason and a lock to keep people out 🤷‍♂️ I digress... This could have been a good film especially with the main cast. Unfortunately it wasn't, and for numerous reasons.

Believe the 1* reviews, the 9*s and 10*s are plants, this film has terrible acting, awful editing, atrocious continuity, watch the teroorists gun when hes asleep for one instance, leant against the plane then in his lap, ridiculous storyline, they do thing even in their state of panic you couldn't imagine doing, in fact there's not one redeeming quality I can think of, the actors in it have created something that they'd prob do at the end of their career when they revieved a massive tax bill and knew they were about to be evicted, even then an actor with any conscience would turn it down due to embarrassment, I will return to this review to see if its true score gets to around 2 or 3.

Hm. It's a tricky one, is this. How do I be polite yet be honest about this film. Firstly, what ever happened to the jeep? Secondly, I've seen turds dry up quicker under a solar lamp. Thirdly, how did they get the make up on the lion? Then between scenes it must have had a wash, for now it's 'sans' blood, so there must be water nearby to quench their thirst? I mean what the hell is going on? It's like The Grey made into a PG version, made suitable for children who don't have a clue what the hell is going on, but are happy to be entertained by the charming clown you're mother's petrified of. It's not a beast of a film, it's watchable just to see how bad it can get. And why the buggery didn't they use the jeep?