Diablo

Diablo, starring Scott Adkins, feels like one of those movies you stumble upon when you've run out of options - and honestly, that's when it's best watched. The storyline is thin and predictable, with little emotional depth or originality. It leans heavily on clichés, and the script doesn't do much to keep you engaged beyond the basics.

However, as expected from a Scott Adkins film, the fight choreography delivers some solid moments. A few well-executed action sequences stand out and showcase Adkins' martial arts skills, giving the film a bit of pulse. But even the action feels a bit underused, with pacing issues and underwhelming direction holding it back.

In short, Diablo is far from memorable, but if you're in the mood for some casual fight scenes and don't care much about story or dialogue, it might serve as a decent time-killer.

For awhile Scott Adkins had quite a few good movies in a row, then something went wrong and he was starring in one dog after another, movies I would never re-watch. With Diablo, Adkins has returned to his days of well made, action packed movies. While the story is somewhat predictable, it's still a good , moving story and the 3 leads in this, Adkins, Allana De La Rossa and Marko Zaror are all excellent. Zaror is quite a commanding presence on screen. It's a fast paced film, never boring, loads of fighting, mayhem, guns, knives and loads of suspense. It's also well filmed and looks fantastic. I was expecting to be disappointed again, but Adkins is back with a vengeance.

Diablo is the latest collaboration from three dynamic martial arts, action genre craftsmen; Scott Adkins, Marko Zaror, and, Director, Ernesto Díaz Espinoza. The synergy of these three artists has resulted in a martial arts action film that is significantly great than the sum of its parts. This is one of the best action films released in years.

The story involves a recently released prisoner, played by Adkins, looking to seek revenge against his former crime partner and reveal long kept secrets that have the power to upend that partner's privileged life. The mission is complicated by the tenacity and resistance of Adkins' teenage kidnap victim, his partner's daughter. The addition of El Corvo, played by Zaror, a psychotic and deadly killer places Adkins' mission, and everyone's lives in mortal danger.

Diablo does what all successful, sustaining action and martial arts films do; that is, it doesn't rely solely on the action and fight choreography to carry the film. Diablo is a solid film. The script is good and plays out in a well told and tightly edited way. The filmmakers start this 91 minute rollercoaster ride by jumping immediately into the story and the action; however, the artful execution never leaves the viewer confused about what is happening, or how we got here. This is good storytelling.

There are four (4) central characters in this film. They are all well played and all carry their weight in service of the story. The film's main character, Kris Chaney, is player by Scott Adkins. Adkins is not only a solid martial arts action star whose action film credits are plentiful; he is also an adept actor, stunt man, writer, Director, and fight choreographer. He plays the role of aggrieved man on a mission well in this film. His greatest strength is in not overplaying the role. That is a sign, to me, that he has come into his own as a screen actor that transcends the genre.

Mark Zaror's chilling portrayal of El Corvo is nothing short of masterful. He strikes the right balance between No Country For Old Men's Anton Chigurth and Enter the Dragon's Mr Han, in Diablo, for a truly memorable villain. While Zaror's acumen in screen fighting has always been well established, this film makes it clear that he is also a really good movie actor, as well. I think viewers will be truly haunted by his performance in Diablo. While Adkins is, perhaps, the most recognizable member of the cast to US audiences, it is Zaror's character for whom the film is named.

As for the two additional, central characters played by Alana De La Rossa and Lucho Velasquez, their performances evidence a thoughtfulness in casting. Both are adept actors that play their parts memorably, but, like Adkins, serve the ensemble. Weakness in portrayal of either of these roles could have jeopardized the final product. Fortunately, the opposite was true; they elevate the film entirely.

Ernesto Díaz Espinoza, the seasoned Chilean filmmaker, whose martial arts homage, Fist of the Condor (2023), brought him to the attention of wider American martial arts audiences, has masterfully woven the elements of this film together into one of the most exciting and watchable films I have seen in years. His long standing relationship with Marko Zaror, certainly, benefitted this production. It is also a testament to his skills as a filmmaker that he was able to get the most out of his collaboration with Adkins and Zaror, not just as actors, but as Producers, writers, and fight choreographers. Sometimes the outcome of too many talents in one film production is destructive; that is not the case in Diablo.

While this movie could have been told as an action film, or a drama, it is, at its core, a high level and riveting martial arts action film. The thoughtful fight choreography is well designed, well executed, well filmed, and well edited. While still telling a great story, the film packs considerable action and fighting into its tight run time. We start with a great martial arts scene and the fighting does not let up. There are no throwaway fights in Diablo; they are all exciting to watch. Adkins and Zaror, respectively, have long histories of fight scene filmographies, yet their approach to this one is bold and unique and highly watchable. They capture gritty combat without the use of the dreaded "shaky cam" and the audience feels every punch and every kick. This is what martial arts film fighting should look like, but rarely does.

The three (3) filmmakers here all have a great knowledge of martial arts film history. Adkins is encyclopediac in this regards. That love and knowledge of martial arts films is felt in this one. There is no way to watch these two and not harken back to the climactic fight scene between Chuck Norris and Bruce Lee in Way of the Dragon (1972). This film's fight scenes will surely be rebroadcast of highlight reels for year's to come.

Diablo is the best action and martial arts film I have seen this year, and one of the best in a long time.

The film is violent and brutal in parts.

I highly recommend Diablo.

When I stumbled upon the 2025 action thriller "Diablo" and seeing that Scott Adkins was starring in it, of course I needed no persuasion to watch the movie. Sure, I had never even heard about the movie, so I didn't actually know anything about it, aside from it being an action thriller. But Scott Adkins usually tends to deliver fair enough action movies, so I had some expectations to the movie at least.

Writers Mat Sansom, Scott Adkins, Marko Zaror and Ernesto Díaz Espinoza put together an entertaining and good storyline and script. The movie proved to be enjoyable, as it had both a well-written storyline, but also a good amount of action sequences. So thumbs up to the writers for that accomplishment.

Of the entire cast ensemble in "Diablo", I was only familiar with leading actor Scott Adkins. I will say that the acting performances were good, and Marko Zaror definitely also put on a good performance as El Corvo.

With "Diablo" being an action movie, of course having good action sequences is a must. And "Diablo" has a lot of nicely choreographed and executed action sequences, which added to the overall enjoyment of the movie.

I was genuinely entertained throughout the course of the entire 91 minutes that the movie played for. And if you enjoy action thrillers, then "Diablo" is certainly a movie that I warmly recommend.

My rating of director Ernesto Díaz Espinoza's 2025 movie "Diablo" lands on a six out of ten stars.

I decided to this watch this one because I like Scott Adkins and action movies. Both Adkins and Marko Zaror were also in one of my favorite movies, John Wick 4

The movie isn't a masterpiece. There are a ton of cliches. The premise is a little shaky. The film could've offered more about the background of Scott Adkins' character. The girl Elisa is adorable at times, but her acting is quite bad at certain points, particularly when her character has to be distressed. While Adkins and Zaror steal the show, the Vincenzo character is a weak link

That said - the movie has some A+ action scenes. The fights between Adkins and Zaror, in particular, are right there with the best of them. Adkins' character is likable and easy to get behind.

It's a great popcorn movie

6.5/10.