Pedro Páramo

I live in Small city from the north of Mexico and I feel really related to this movie. My grand mother told me a few story's about our ancestries and events that happened time ago on our city. And I can tell you that the people in Mexico it really acted like that. I loved this movie I really recommend to watch!!!. Im going to tell you one of my grandmother story "one time in my city a guy wearing a charro suit was walked around the streets until he find the guy that he was looking for and he just shot him right in the chest and killed him, then he walked away disappearing in the dry river while the police and people were looking for him,but no one never knew who he was or why he kill the guy from my town.

Juan Rulfo might be one of the most influencial Latin American writters of all time, and Pedro Paramo is without a doubt his masterpiece, so having to adapt it into any kind of work (a film, a tv series, a play) is a risk very few screenwriters, directors and producers can afford.

Four times Academy Award® nominee cinematographer - and now director - Rodrigo Prieto knows very well how to use all his resources and talent to create a flawless visually and technical stunning enviroment worthy of praise with the help of Academy Award® winner Eugenio Caballero in charge of the production design, and Academy Award® winner Gustavo Santaolalla in the music score.

The cast is amazing too, especially the supporting performances by Dolores Heredia, Roberto Sosa and Ilse Salas.

Goya® winner Mateo Gil does an impressive work adapting Rulfo's book, keeping in mind the narrative of the book is not lineal and might be difficult to follow, therefore this is a movie that needs to be watched while paying attention.

I'm sure that people giving a low rating, have simply not read the book, and hence not understood this wonderful movie. You don't have to read the book, but if you really want to understand the movie, read the book at some point. You'll be surprised and you'll love both!

Pedro Paramo, the book, reflects sadness and melancholy on every page. This is what made Rulfo great - his narrative was some sort of beautiful sadness. The book's narrative is simple yet beautiful. This movie does a great job of conveying the book's sadness through its dialogues, music, and the environment of Comala.

I'm surprised this is the director's opera prima. The actors, production, and costume design - every department paid a lot of attention to ensure the movie is as accurate as possible. Some of the book's dialogues are retained in the movie, along with the imagery, suffering, and horror - nothing is left aside.

This is undoubtedly a fantastic visual representation of Pedro Paramo, and it's one of those rare movies that can live up to the books they're based on.

Without telling me you know nothing about surrealism...

I understand that this kind of movies are not for everybody, but the scores of 1 or 2 stars just show the ignorance of the viewers.

If you have read the book, or know about surrealism in general or latinamerican magical realism in particular, you will greatly enjoy this movie!

Acting is great, photography is stunning, production is just beautiful and the original material (Juan Rulfo's work) is treated with respect.

The story telling will keep envolving you in this dreamy (or nightmarish?) fable, but If you want to see a hollywood linear blockbuster, better look somewhere else.

Having read the book first, I'm a little torn on which I like better.

Some moments in the story hit better on paper. Overall, however, the movie is easier to follow. It's a very faithful adaptation in terms of what happens in the plot. The visuals & transitions between scenes do a great job of helping the viewer understand the cacophony of characters & the constant jumping around between places in the timeline. Simply being able to see which character's face is talking & how old they look makes it easier to fit all the pieces together-even if some vague aspects are left up to interpretation by the end.

They also do a good job of leaning into the horror elements. They don't simplify the plot to reduce it to a jump-scare thriller. It simply has some nice moments of creepy tension. Tenoch Huerta-Mejía performs well in these scenes.

Similarly, Manuel Garcia-Rulfo performs so believably as Pedro Páramo, being somehow sympathetic (you believe he's having the emotions he shows) despite all the horrible shit he does.

In the end, I have to give the slight edge to the movie. It works better.