Zielona granica

Movies like "Green Border" are tricky. If you're watching it in the first place, you likely already have some awareness of and empathy for the plight of refugees and migrants who are being demonized around the world. If you need to be convinced that they are deserving of empathy, you're probably not ever going to watch this movie. So the onslaught of suffering we are subjected to feels like punishment, like we're being lectured on something we already believe.

I thought I might bail on this movie at about the 30-minute mark. That first half hour is misery porn about a Syrian family trying to make its way across the Belarus/Poland border and the inhumanity they face. I felt for them, but didn't want to watch a movie that was just going to throw in my face misery that I already feel bad about. But veteran director Agnieska Holland had something more varied in mind for this film, and the perspective switches multiple times to show events from the perspective of a Polish border guard, a group of activists trying to help the refugees, and a psychotherapist who turns her outrage into action and joins the cause.

"Green Border" is a well made movie, and it's pretty engrossing. But there's something a little too narratively slick about it. I've seen documentaries about the refugee crisis, and though it tries, this movie doesn't capture the visceral, life or death desperation of those films. Maybe it's not fair to ask it to, but it's hard to feel completely satisfied by this movie's fictional version of what's happening in the world when the real thing is being documented and made available. If this had been my first exposure to the refugee crisis, I might have found it to be more searing than I did. And there's something a little naive about it too. It's very simple in its ideology. All of the refugees and anyone on their side is good, anyone working against the refugees is bad, and there's no nuance or attempt to address the complicated social impact of large masses of people entering countries without the resources to support them. In this movie's version, if we all just open our borders and welcome whoever wants to come in, we'll all live together in a utopian society and won't that be wonderful. But that's not the way the world works. I'm one of the first to wish it did, but I'm more realistic than that. I wish this movie had been more realistic about it too.

But all that aside, it is still a very effective movie, and I found myself more enraged than depressed by it. I'm afraid I might be one of the ineffectual liberals criticized in the movie, people who feel bad about what's happening but don't actually do anything about it. To be fair to myself, I'm not sure exactly what it is I'm supposed to be doing, but still, movies like this make me want to just go out in the world and help someone, anyone, so I guess this film serves a valuable purpose in that regard.

Grade: A.

Even before the premiere of this movie, there was a lot of drama going on already. Everyone was reviewing it even though all they saw was a tiny bit of trailer. Sometimes, not even that. Even polish government started to make their own propaganda to make people believe it was anti-polish movie and all of that just so they could gain more voters before election that will happen soon. In some cities, it's even banned to be played in cinemas. That's how current government's world works and will work if they win again. No free speech, full censorship of anything that may be offensive towards government and many many more. But it's not about it.

Movie itself is build on politics, so it's hard to not talk about them. Though, I don't think that Holland wanted to attack the army itself, as some of the people think she did, but rather the corruption and how government overused their power. How they forced people to act like there was no human rights, like those people on the other side of the fence were nothing. This movie isn't about letting illegal migrants into the country, but about respect and right treating. We're all humans after all, but what was happening on the border was really wrong.

It's not a documentary, but a lot of things that happened in the movie had place in real life. There was a lot of videos, photos and even articles saying about those horrible things happening. And all of it just because of the government, who wants to make their own people scare and be afraid of other nationalities. Movie was also about our own feelings, how we see the world that surrounds us. It's always hard to say about things, that are uncomfortable, but true. But they have to be said and we can't just let those high positioned people get away with it without any consequences. That's not how this world should work.

I was following the news back then and I'm really glad that such movie was made and is showing somehow the reality of what was happening on the border. But the truth is, what media were allowed to show us and what is the real truth of how it really looked like, is two different things and for people, who are open-minded those two things should matter to draw your own conclusions and based on that make your own opinion.

Polish director Agnieszka Holland's impassioned examination of the European refugee crisis from her nation's perspective. Holland's film, which she also co-wrote, is a sprawling work which begins by following a family of Syrians who are trying to the EU through Russian dominated Belarus. From there, the movie weaves it way to the Border Guards and, eventually, ia small band of mostly female Aid workers who give medical and legal assistance to the immigrants.

The structure is a bit daunting even though there are loose connections binding it all together. Cinematographer Tomasz Naumiuk shoots in an austere Black and White with Frédéric Vercheval's brooding score as accompaniment. The large cast is quite good with Maja Ostarszewska a standout as the, perhaps a bit naive Julia, one of the Polish volunteers. Behi Djanati Atai is memorable as a defiant Afghan woman who crosses the border with the Syrians. What knits it together is Holland's vision, which becomes clearer and clearer as the various strands are brought together - while simulataneously being torn assunder.

Holland never flinches from the painful and graphic details of the refugees' plight. They are literal political footballs booted from one side of the border to the other. There are times when the structure doesn't completely work and the filmmaker does dwell a bit on some seemingly extraneous details, but, there is no questioning Holland's fervor - much of it directed at Poland's leadership. It's been a highly controversial film within the nation and its government, and throughout much of Europe.

Unsurprisingly, it was NOT Poland's official submission to this past year's Academy Awards.

At 75, Holland (an Oscar nominee for EUROPA EUROPA) has made a daring - some would say angry - film. A stunning work of art that demands to be seen.

Very complicated topic treated in a masterful way. Committed film, so much so, that many purely political comments and ratings have appeared probably from ¨reviewers¨ who I doubt have even seen the film (calling it boring is simply absurd, giving 1 point in 10 is absurd).

It is difficult not to respond emotionally to the harshness of what is presented to us. Self-security, fear, comfort in the face of the insecurity and suffering of others. Some heroes without hesitation align themselves with those who suffer, others not so much out of comfort or risk and others are simply bad people who take advantage of every situation to bring out the worst in themselves. Whether they are Poles, Belarusians or Muslims is simply circumstantial. Poor people used as cannon food, this is happening in our true world and we are lucky to have people who reflect this with their artwork.

The actors are very good, the script, photography and direction are very good. It is, above all, a very complete film that keeps the viewer in tension and takes them out of their comfort zone.

Agnieszka Holland's *Green Border* (*Zielona granica*) is a powerful and unflinching portrayal of the humanitarian crisis at the Polish-Belarusian border. Through the intersecting stories of a Syrian refugee family, an Afghan English teacher, and a conflicted border guard, the film sheds light on the harrowing realities faced by those caught in the no-man's-land of geopolitical conflict.

Jalal Altawil delivers a heart-wrenching performance as the father of the Syrian family, embodying both resilience and despair. Maja Ostaszewska portrays the Afghan teacher with a quiet strength that anchors her story, while Behi Djanati Atai adds nuance to the role of a border guard torn between duty and conscience. Together, their narratives create a tapestry of human suffering, hope, and moral ambiguity.

Holland's direction is both compassionate and unrelenting, refusing to shy away from the brutality of the situation. The stark, desolate visuals of the borderlands, captured with haunting beauty, underscore the desperation of those trapped in this liminal space. The screenplay, co-written by Holland, Maciej Pisuk, and Gabriela Lazarkiewicz, navigates complex themes of humanity, politics, and survival without resorting to simplifications or clichés.

At 2 hours and 32 minutes, the film's runtime allows for a thorough exploration of its characters and their plights, though some viewers may find the pacing demanding. Nevertheless, the emotional impact and urgent relevance of *Green Border* make it a vital watch.

This is a film for those who seek stories that challenge and provoke, offering no easy answers but demanding empathy and reflection. *Green Border* is a haunting reminder of the human cost of political indifference.

Rating: 8/10 - A deeply moving and essential portrayal of a modern humanitarian crisis.