Jack Strong

Possible that Kukliński was a double agent, of the Soviet GRU, used in an operational game with the CIA. A Polish Minister of Internal Affairs during communist times, Czesław Kiszczak revealed such a theory in a later interview, while a former Soviet military attaché, Yuriy Rylyov, claimed so directly in an interview. Historians, like Paweł Wieczorkiewicz and Franciszek Puchała (a general in the Polish Army during communist times) suggest, that the knowledge Kukliński had was exaggerated, and while he had a lot of information about the Polish Army and the organization of the Warsaw Pact in general, he could not have had detailed information on Soviet plans, since no one in Poland had it. Puchała supported his opinion in official hearings of Kukliński by Polish prosecutors during his revised trial. Revealing plans about the enforcement of martial law in Poland, which would make a Soviet invasion unnecessary, could have been profitable for the Soviet side, ensuring that the USA would not be surprised by martial law and would not undertake unpredictable actions against the Soviets. It is noteworthy, that despite Kukliński's revelations, the USA did not warn Solidarity about martial law. The Soviets took the escape of such an important spy nonchalantly and did not demand any consequences from the Polish politician responsible for intelligence, namely Czesław Kiszczak. Also, the matter of Kukliński's sons' deaths is unclear and they may have been part of a protection program; besides, according to Wieczorkiewicz, such revenge on a defector's family would be quite unusual for Soviet intelligence.

There are so many spy thrillers out there, that screenplays and/or plots are becoming boring. Example Jack Ryan: Shadow recruit, nice story but too many bullets, and unrealistic sub-plots and scenes. It is more for entertainment purposes than to show how the spying is done in real world. Despite low budget of Jack Strong, all is done excellent. We are time traveling into 70's and 80's and all looks like it was in those dark days where Iron Curtain was dividing West from East. Plus very good acting by all, excellent directing and producing. What I really do like is that the roles of Russians are played by the Russian actors, American roles by the American actors and Polish roles are filled by the Polish actors. Something to learn by Hollywood In this concept it makes even much realistic. Nothing is overdone. Also important thing seen in this film is, how the spying is affecting families, co-workers, friendships. If you want to see the real spying world, you must see Jack Strong.

Ryszard Kuklinski is a name practically every person outside of Poland wouldn't recognize today. However, according to the movie Jack Strong, he's one of the most important figures in putting an end to the Cold War--a real hero to his people and the West. It seems that this Polish military officer was a very, very important spy who risked his life to undermine the Soviets who controlled his nation.

The movie begins with a very grisly killing. Fortunately, you don't really get to see very much--and it's the last scene like this in the film. The man who was killed was apparently a Pole who was spying for the West--and his reward when captured was being tossed into a blast furnace! A forewarning of what COULD happen to the leading character in this film.

Now the story jumps ahead a few years to 1968--the year that the Soviets invaded Czechoslovakia to destroy the Czechs' attempt at self-rule. One of the men responsible for this plan, ironically, was Kuklinski (later code named 'Jack Strong'). While he hated the Soviets, he was, at the time, a man who worked closely with them in his capacity with the Polish military. But as the years pass, Kuklinski becomes more and more disenchanted with the system. Like most Poles, he longs for his country to be free of Soviet domination. After a harsh attack on some protesters, Kuklinski finally made up his mind--he'll secretly pass on secrets to the Americans. And, over the next decade, he was instrumental in passing on many important military secrets--including plans for a possible invasion of the West as well as plans to start a nuclear war! Exactly what happens next is vague--and that's the best part of the film. Kuklinski's fate is something the viewer isn't aware of until the very end and the film does a great job of keeping you on the edge of your seat--especially when Kuklinski is discovered and he and his family has to make a run for their lives.

A few years back, "Tinker Tailor Soldier Spy" came out and many critics were beside themselves praising this spy thriller. It also received three Oscar nominations. Well, I tried watching it twice--and both times found myself falling asleep. I wasn't all that impressed and I was happy when I talked to others that they, too, found the movie rather dull. However, in the case of "Jack Strong", the film never bored me for a second. Part of this could be because the film is a true story but a lot of the credit goes to the fine acting and excellent direction by Wladyslaw Pasikowski--it is excellent from start to finish. It is so well constructed and interesting that I wouldn't be surprised if this film also is Oscar-nominated. The only question I have is for which category? Although most of the film is in Polish, much is also in English--so I have no idea if it's even eligible for the Best Foreign Language nomination. Additionally, even today, the Poles are deeply divided in their feelings about Kuklinski--and many still consider him a traitor. Because of this, the Poles might not even submit it for the competition even if it is eligible. Regardless, it's well worth seeing--exciting and intelligently made from start to finish.

I have always been an avid reader of spy novels and I was one to never turn down a good cold war era movie. Jack Strong being a polish movie raised some doubts and I was convinced it was some mediocre attempt at a spy thriller with average acting at best. Boy was I in for a surprise. This movie had me at the edge of my seat and kept me guessing to the very end. I am not going to attempt to deconstruct the movie and try to analyze it in depth but if you are fascinated by spy thrillers as I am, this movie is definitely not one you will want to miss. And to the reviewer who gave it one star I think you hold something against the poles especially as you are from Latvia. A cold war era grudge maybe?

During the Cold War, Russia's subjugation of Poland created an incongruous situation for the Polish army, forced in part to comply with Moscow policy. For officers like Ryszard Kuklinski (Marcin Dorocinski) the day-to-day became a battle of conscience in an effort to compromise between raw moral choices with no ideal solutions. Kuklinski, a strategic planner in the Warsaw Pact, feels guilt for his part played in the planning of the Czechoslovakian invasion and for the army handling of the 1970 Polish protests. Looming under the genuine threat of a third world war, he also realises that Poland would become a nuclear wasteland if such a war were ever realised. Kuklinski decides that he can best serve his country only indirectly by undermining the USSR and takes the difficult decision to supply top secret information to the American CIA.

Ever since the second world war, we've had spy movies ranging from the glamour of James Bond, the wild fantasies of The Ipcress Files, to the dogged intricacies of Tinker Tailer Soldier Spy. But stories from the former 'block' nations have the potential to possess dark, suffocating, foreboding qualities, that may not be entirely new to the spy genre in itself, but feel greatly heightened by their personal touch, because they are telling the stories of ordinary men or women, forced to make extraordinary choices. The Lives of Others (Germany 2006) is one such movie that comes to mind, or even Barbara (Germany 2012) (Technically Barbara is a story of defection rather than spying, but it shares similar qualities).

There is a level of detail outlining the way Kuklinski passed over information to, and communicated with, his American counterparts that really brings the spy world to life in this movie. Sure it has some run-of-the-mill thriller clichés and plot devices: close calls while taking clandestine photos; unwanted guests arriving in at awkward moments; equipment failures, etc., but we give the movie liberty knowing that it is but a dramatisation condensed to encapsulate the overarching dangers the real life character would have had to face and endure over those years. The tone, the pacing, the scoring, help create a movie that echoes the genuine moral dilemmas Kuklinski must face, striving to deal with the contradictions that greet him on a daily basis. At the time it really would have been a tug-of-war of the conscience and heart; not wanting to be a traitor to his army, but not wanting to inflict harm to his countrymen, while at the same time unable to ignore the whim and will of Moscow, these conflicting influences tear at the soul of our protagonist – least not to mention how they influence and affect his marriage and family life. The simple but effective score plays like a heartbeat thunderously building in anxiety, mounting to an ever inevitable climax. Strong performances all round help create the paranoid world of the foreboding Cold War.

This is a strong and tight thriller, part enlightening in exposing the complicated relationship between Russia and its satellite states, but most of all it is a personal story of how one man can find himself trapped between circumstance, having no clear or easy choice, only heart, and perseverance in moral direction.