Ajouter une intrigue dans votre langueFamed aesthetician Hope Goldman's skincare business faces sabotage when rival Angel Vergara opens a boutique across the street. Aided by friend Jordan, Hope seeks to uncover who's trying to ... Tout lireFamed aesthetician Hope Goldman's skincare business faces sabotage when rival Angel Vergara opens a boutique across the street. Aided by friend Jordan, Hope seeks to uncover who's trying to ruin her reputation.Famed aesthetician Hope Goldman's skincare business faces sabotage when rival Angel Vergara opens a boutique across the street. Aided by friend Jordan, Hope seeks to uncover who's trying to ruin her reputation.
- Director
- Writers
- Stars
- Prix
- 1 nomination au total
Michaela Jaé (MJ) Rodriguez
- Marine
- (as Michaela Jaé Rodriguez)
Avis en vedette
Was this in theaters? It looks and feel like a made-for-streaming movie. Banks looks great in the movie, and... that's about it.
The plot is bland, very predictable, Nothing much to do with skincare, this could have been about fashion, cakes, anything really.
They could have done something smart like having a toxic skincare product or something like that but no.
The villains are a joke and the main character (Banks) is not very smart, or at least not acting like one. The only good trick she pulled is with that TV anchor.
Presumably, based on a true story, but if its linear and boring who cares if its true? Make it interesting at least.
There is nothing at the end of what happened to the real people, so for all intent and purpose this could just as well be made up.
Anyway, if you're into Elizabeth Banks and skin products you might endure this move for 1.5 hrs, but the rest should stay away, seriously not worth your $$ even for streaming.
Exact score: 51 / 100.
The plot is bland, very predictable, Nothing much to do with skincare, this could have been about fashion, cakes, anything really.
They could have done something smart like having a toxic skincare product or something like that but no.
The villains are a joke and the main character (Banks) is not very smart, or at least not acting like one. The only good trick she pulled is with that TV anchor.
Presumably, based on a true story, but if its linear and boring who cares if its true? Make it interesting at least.
There is nothing at the end of what happened to the real people, so for all intent and purpose this could just as well be made up.
Anyway, if you're into Elizabeth Banks and skin products you might endure this move for 1.5 hrs, but the rest should stay away, seriously not worth your $$ even for streaming.
Exact score: 51 / 100.
We went into this movie knowing absolutely nothing, and I recommend that! It's got funny parts, heartfelt parts, and scary parts. There's some violence but not a ton. It's mostly a suspense type of flick where you're wondering what the heck is about to happen- and you think you know who is doing what but you may be wrong. It's just a nice what-the-heck-is-going-on type of dramatic thriller. Elizabeth Banks is amazing in it, and seeing this makes me see her in a new light. She is so good, and I'm embarrassed to say I hadn't noticed her chops before this. It also features Lewis Pullman, the son of my fave Bill Pullman, and Nathan Fillion, against whom the funnier lines of the movie are played.
As a thriller, it needed to be...more thrilling. There really wasn't enough going on to elevate it above being a decent Lifetime movie, an episode of Nip/Tuck, or a concise hour-long rerun of Dateline with Keith Morrison narrating in his patented Canadian way. Or maybe, the other guy...Dennis whats-his-face. You know, the one with the moles and skin tags. Oh hey, he would have been a great choice for the reenactment of this movie.
But that is the problem with Skincare: it is just too safe and by-the-book. Even the lady that inspired the script said that the actual events were even crazier. And the film itself needed more style. Like literally 2020's horror offering The Stylist comes immediately to mind. There needed to be a central underlying metaphor. Something to do with the "ugliness" of the aesthetician profession. Something more than what was presented.
I don't know. It was fine. Just more ridiculousness would have been appreciated.
But that is the problem with Skincare: it is just too safe and by-the-book. Even the lady that inspired the script said that the actual events were even crazier. And the film itself needed more style. Like literally 2020's horror offering The Stylist comes immediately to mind. There needed to be a central underlying metaphor. Something to do with the "ugliness" of the aesthetician profession. Something more than what was presented.
I don't know. It was fine. Just more ridiculousness would have been appreciated.
Greetings again from the darkness. Billed as "a fictional story inspired by true events", the film pretty obviously draws from the 2014 case where aesthetician Dawn DaLouise was accused of plotting the murder of rival Gabriel Suarez. This is the first feature film from music video director Austin Peters, who co-wrote the script with Sam Freilich and Deering Regan (all first-time screenwriters). Although there is some entertainment value here, the inexperience of the filmmakers shines through, leaving us wishing for a bit more heft.
The very talented Elizabeth Banks stars as Hope Goldman. It's 2013 Los Angeles, and after a year of treating the stars to facials, Hope is on the verge of rolling out her own line of facial products. Her financial backer has recently deserted her, causing stress ... but nothing like the stress Hope is about to experience.
A lot happens very fast. Hope tapes a segment for a local TV talk show hosted by Nathan Fillion. Angel (Luis Gerardo Mendez) opens an anti-aging salon directly across from Hope's shop. One of her clients introduces her to Jordan (Lewis Pullman), a Life Coach who has just moved to town. Hope's assistant, Marine (Michaela Jae Rodriguez), acts as her assistant and 'publicity manager', and reacts as strongly as Hope when a vicious online hack attack goes beyond the business and into the realm of personal, jeopardizing the business and Hope's reputation.
The supporting cast includes John Billingsley, Wendie Malick, Ella Balinska, and Jesse Salor, and we can't help but notice the too-frequent segments featuring over-the-top acting ... perhaps in an effort to spice up the messy story. There is a definite 1980's cable movie vibe to this one, exacerbated by the overbearing music employed to heighten tension. We recognize the themes here with Ms. Banks' character frantically grasping for fame, protecting her reputation, and fearing her dreams may be shattered - all while believing a rival is sabotaging her. Of course, we know early on what's happening, and it's frustrating when a smart businesswoman is so oblivious. There is enough to watch here, but it certainly needed more to be the thriller it wants to be.
Opening in theaters August 16, 2024.
The very talented Elizabeth Banks stars as Hope Goldman. It's 2013 Los Angeles, and after a year of treating the stars to facials, Hope is on the verge of rolling out her own line of facial products. Her financial backer has recently deserted her, causing stress ... but nothing like the stress Hope is about to experience.
A lot happens very fast. Hope tapes a segment for a local TV talk show hosted by Nathan Fillion. Angel (Luis Gerardo Mendez) opens an anti-aging salon directly across from Hope's shop. One of her clients introduces her to Jordan (Lewis Pullman), a Life Coach who has just moved to town. Hope's assistant, Marine (Michaela Jae Rodriguez), acts as her assistant and 'publicity manager', and reacts as strongly as Hope when a vicious online hack attack goes beyond the business and into the realm of personal, jeopardizing the business and Hope's reputation.
The supporting cast includes John Billingsley, Wendie Malick, Ella Balinska, and Jesse Salor, and we can't help but notice the too-frequent segments featuring over-the-top acting ... perhaps in an effort to spice up the messy story. There is a definite 1980's cable movie vibe to this one, exacerbated by the overbearing music employed to heighten tension. We recognize the themes here with Ms. Banks' character frantically grasping for fame, protecting her reputation, and fearing her dreams may be shattered - all while believing a rival is sabotaging her. Of course, we know early on what's happening, and it's frustrating when a smart businesswoman is so oblivious. There is enough to watch here, but it certainly needed more to be the thriller it wants to be.
Opening in theaters August 16, 2024.
So the trailer peaked my curiosity and I downloaded to watch and it really started off ok. Elizabeth Banks has a beauty salon providing exquisite skincare service for her customers, ready to launch her own product line, when the competition shows up next door and coincidentally a loaded group email goes out to everyone she knows smearing her character, hurting the reputation of her business and the fallout of who's behind it begins. Everything leading up to her launch now spirals completely downward and her naive mindset has her looking in the wrong direction of who's trying to destroy her reputation. For a dark comedy it failed to deliver the way Drop Dead Gorgeous did with the late Kristie Alley o so well. Skincare was watchable but extremely forgettable popcorn.
Le saviez-vous
- AnecdotesThis is Elizabeth Banks and Nathan Fillion's first collaboration since Incisions (2006).
- GaffesHope claims her beauty products are copyrighted. An ingredient lists or recipe cannot be copyrighted. It could be patented if it involved a novel chemical or production method.
- Bandes originalesYou Think I Ain't Worth a Dollar, But I Feel Like a Millionaire
Performed by Queens of the Stone Age
Written by Josh Homme (as Joshua Homme), Nick Oliveri, Mario Lalli
Courtesy of Interscope Records under license from Universal Music Enterprises
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Détails
Box-office
- Brut – États-Unis et Canada
- 456 590 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 323 856 $ US
- 18 août 2024
- Brut – à l'échelle mondiale
- 456 590 $ US
- Durée1 heure 36 minutes
- Couleur
- Rapport de forme
- 2.39:1
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