La mort d'une licorne

This movie could work with the strange premise and shoddy CGI. But, it requires characters to be likeable or at least relatable. That's the big issue here. It plays hard into the fame of Jenna Ortega. She's supposed to be the maiden with a pure heart. But, she comes off mores like an angst teenager with a terrible haircut. Paul Rudd is decent enough, but you find yourself getting annoyed with him immediately.

The Rich Family: take your typical evil greedy rich family and that's all you get here. They're ready to make a buck. That's their entire drive. There were hints of depth that were destroyed by misplaced comedy. When the father is standing, the son's immediately reaction was great. Then they went hokey.

In the end, this is a forgettable movie. The premise should carry it better, but the characters ruin it. The CGI is bad. But, you can let it pass if the characters are relatable. This movie fails here.

This is movie that without any high expectations delivers. The actors are familiar, fun to watch, and each has their fun moments. Jenna Ortega does well carrying the center and works well with Rudd, who plays himself basically. Carrigan is totally underutilized, his facial expressions from his character are pretty much many of the best parts, Pouter does well also. That being said, there was only so much to do with the outline. It had to go harder in either direction honestly to level up. I would have liked it to up the crazy and absurdity all around, it's a movie about unicorns in modern life so why hold back, ratchet it up.

The good- pretty cool lore and set up for the unicorns. Promising father-daughter set up, some good satire of the rich and powerful. Will Poulter is the best of the cast.

The bad- The father's character development felt very unearned, most of the movie I was praying for his bloody comeuppance. The rich family was too one-note for the amount of screen time they get. CGI was noticeably mediocre but understandable for a low budget movie.

With a rewrite or two, and some more money for CGI and action sequences, this could have been a sleeper surprise with genuine sequel potential as I really did like what they did with the unicorns. But because most all the characters were one-dimensional, the movie drags in the middle third as you wait for the inevitable. When it does finally happen, it's somewhat entertaining but let down by its poor CGI, so-so action sequences, and clunky plot resolution. The first two are forgivable given its budget, the third is not.

I don't regret watching this movie, I just wish that it had lived up to its potential.

If this movie took itself seriously, I'd give it a low score. But it's so obviously dumb fun mixed with satire, I feel like a low score would miss the point.

If you like dark humor, jump scares, and a bit of gore, I'd recommend it to you. The characters are more caricatures. The satire is not subtle. The humor is low brow. And I say all of this as QUALITIES of the movie.

The level of writing is very much like that of 80s or 90s era sitcoms. The performances are fine - adequate. I left the theater understanding that I saw a "bad" movie by most standards. But I didn't regret spending money on the ticket. To me, it's one of those "so bad, it's good" kind of movies.

If I have the opportunity to see it again, maybe on a streaming service, I will.

I love horror comedies and am ecstatic with the surge of movies we've seen in this subgenre. But most are lacking on the horror side. They're more fun than scary. Death of a Unicorn does the horror side well. There are a few moments that gave me OG Jurassic Park vibes with the tension/suspense.

The comedy side is strong but inconsistent. Some attempts I found hilarious while others fall flat, but not to the point of cringe. I enjoyed the entire cast as well as the visually unique characters.

I do want to point out a couple standouts. One is, to no one's surprise, Jenna Ortega. She has become a full-blown star and has taken the mantle of horror queen like none other. And Will Poulter, once known as the weird eyebrows dude from We're the Millers, continues to impress with vastly differing characters.

I had a fun time with this movie and think most fans of the subgenre will as well.

(1 viewing, opening Thursday Dolby Cinema 3/27/2025)