ÉVALUATION IMDb
6,0/10
4,1 k
MA NOTE
Ajouter une intrigue dans votre langueA group of teens in the 1980s spend the day theater-hopping.A group of teens in the 1980s spend the day theater-hopping.A group of teens in the 1980s spend the day theater-hopping.
- Prix
- 2 nominations au total
Method Man
- Cookie
- (as Cliff "Method Man" Smith)
Jennifer Schwalbach Smith
- Sister Black Eye
- (as Jennifer Schwalbach)
Ernest O'Donnell
- Detective
- (as Ernie O'Donnell)
Avis en vedette
Couldn't sit through the 2nd half of the movie, except of one joke where a character wishes death upon another was the only moment that made me giggle, other than that everything was so unnatural and cringe, not even guest appearances of Justin Long nor Jason Lee could have saved it. Clerks and Mallrats fans stay away and rather go see Chasing Amy on a loop, this is borderline criminal on pair with his Yoga Hosers attempts at humor. I dont know what the cause behind this trend, age? Times of political correctness? If that's the case I would appreciate more attempts in vein of Tusk and Red State going forward. Stick to horror genre Kevin. Thanks your fan.
It sucks! It doesn't JUST suck, it's actually kinda bad and I LOVE Kevin Smith! Like I get legit excited to see his stuff but Im super disappointed - do without spoilers, the entire first act is essentially talking about sneaking into an theatre, and idk if he's trying to explain a very simple concept to people born after 2000, or it's just 'Chuffa' ( 1. See Kevin I am a fan! I remember your Bruce Willis story when you directed him in Cop Out and 2. Shout out to Bruce Willis, thank you for the years and years of entertainment) - but take that in addition to flagrant attempts at manipulation of human nostalgia (which has become a way to leaned upon crutch after it hit big with Stranger Things) and it comes across as very desperate and simplistic in a very, almost offensive way - and oddly enough it was billed as" Kevins most personal film to date " (well it sure has enough of his friends in it ffs) (who can't act I might add, but it isn't endearing) but yet it's not autobiographical either soooo.... And yes I spoke directly to Kevin earlier cause I know he's gonna read this, I KNOW this because having read the day one reviews here on imdb, I can see that several of them are made from, let's say... 'inside the Smith camp' if u get my drift - and again listen I love the guy and have enormous respect - I WAS 16 in 86 so this has extra meaning to me and I should be susceptible to the nostalgia draw - but it's not enough and I think he knows it - I'm sorry, I expected better from such a genius.
The film starts and ends with a very, very weak "rom com" storyline. In total, this accounts for perhaps 15-20 minutes of the film's total run time. In between that, there's a good hour+ of just pointless, repetitive 80s references and "jokes" related to the future. The base "rom com" storyline isn't really very interesting or engaging, but that's really a minor aspect of the film.
Imagine... You travel back to 1986... and make as many statements that will prove to be inaccurate in 40 years... That's the BULK of this film.
While there's a very weak base story, most of the film is just trying to crack jokes about things that will eventually be proven true after 1986... example "There'll never be another Star Wars. Can you imagine.. they make tv series based on minor characters?!?" Those kind of "jokes". Only POSSIBLY slightly amusing because anyone watching this film would know different. They aren't "jokes" or "funny" in themselves.
The film is a series of repetitive 80s references, using only the most prominent trends of the 80s that were annoying then -- and in EVERY conversation, multiple times -- seems Smith was hard-pressed to write a single line of dialog that wasn't either referencing the 80s or miserably attempting some "joke" based solely on some future truism.
This appears to be a film targeted at 13-15 year olds.. who will miss all the (way overused) 80s references and, once in a blue moon, MIGHT find the statements about the future amusing.. but that's stretching things.
Oddest thing was the reference to needing to be 18 years old to see an R rated film.. That's never been true. It's always been 17, not 18. It states it right in the MPAA rating screen at the beginning of a film. All my life it's been 17.. and I'm the same age as Smith. Really? I mean Smith is in the film industry and he gets this wrong?? Kind of shows how much thought was put into the script.
I didn't find this film funny or even slightly amusing in ANY way... and it wasn't that interesting. This is quite possibly Kevin Smith's worst film ever. I typically love Kevin Smith films. I'll NEVER sit through this one again.
----- Pass ------
Imagine... You travel back to 1986... and make as many statements that will prove to be inaccurate in 40 years... That's the BULK of this film.
While there's a very weak base story, most of the film is just trying to crack jokes about things that will eventually be proven true after 1986... example "There'll never be another Star Wars. Can you imagine.. they make tv series based on minor characters?!?" Those kind of "jokes". Only POSSIBLY slightly amusing because anyone watching this film would know different. They aren't "jokes" or "funny" in themselves.
The film is a series of repetitive 80s references, using only the most prominent trends of the 80s that were annoying then -- and in EVERY conversation, multiple times -- seems Smith was hard-pressed to write a single line of dialog that wasn't either referencing the 80s or miserably attempting some "joke" based solely on some future truism.
This appears to be a film targeted at 13-15 year olds.. who will miss all the (way overused) 80s references and, once in a blue moon, MIGHT find the statements about the future amusing.. but that's stretching things.
Oddest thing was the reference to needing to be 18 years old to see an R rated film.. That's never been true. It's always been 17, not 18. It states it right in the MPAA rating screen at the beginning of a film. All my life it's been 17.. and I'm the same age as Smith. Really? I mean Smith is in the film industry and he gets this wrong?? Kind of shows how much thought was put into the script.
I didn't find this film funny or even slightly amusing in ANY way... and it wasn't that interesting. This is quite possibly Kevin Smith's worst film ever. I typically love Kevin Smith films. I'll NEVER sit through this one again.
----- Pass ------
It seems Kevin is afraid of himself.
Let me explain, we got a bit of the old Kev back in Clerks III, with great dialogs, tons of laughter and an elegance and profoundness to the lines that rivaled his early work.
It wasn't Red State (by far Smith's undefeated Magnum Opus) but at least it looked like he was starting to come back.
And then we get this movie that while cute, it felt like it was afraid of having an edge. 3 or 4 jokes cut through but the rest? Geez...
There's only so much that cameos can do if you don't have anything to say. And Kevin Smith does t seem to have anything important to say... or he's afraid to say anything at all.
Does he think they're going to mock him? Does he think the audience will not "get it"?
He was on his way to be a great writer and a great filmmaker, and for the most part I think he still can be. But he needs to get out of his own way, dig deep and say what he really wants to say.
That or he ran out of things to talk about because he has been podcasting for more than a decade.
Watch the movie for completionism. But that's about it.
Let me explain, we got a bit of the old Kev back in Clerks III, with great dialogs, tons of laughter and an elegance and profoundness to the lines that rivaled his early work.
It wasn't Red State (by far Smith's undefeated Magnum Opus) but at least it looked like he was starting to come back.
And then we get this movie that while cute, it felt like it was afraid of having an edge. 3 or 4 jokes cut through but the rest? Geez...
There's only so much that cameos can do if you don't have anything to say. And Kevin Smith does t seem to have anything important to say... or he's afraid to say anything at all.
Does he think they're going to mock him? Does he think the audience will not "get it"?
He was on his way to be a great writer and a great filmmaker, and for the most part I think he still can be. But he needs to get out of his own way, dig deep and say what he really wants to say.
That or he ran out of things to talk about because he has been podcasting for more than a decade.
Watch the movie for completionism. But that's about it.
A very short movie that is padded with homages for movies from the past that never existed - can you really not play any trailers from real movies from the past you can make fun of? What's with the fake trailers? What was the point? Just to vaguely bring some nostalgia to the table and satirise the quality of the movie scene in the 80s.
And once again, Kevin Smith finds himself to use his movie as a platform to criticise other movies or franchises...basically if a letterboxed user was a director. This is what it would come out. Does anybody have Kevin Smith's user on here?
The actors have their limited charm in this, but they were the correct choices. This is thin and forgettable.
And once again, Kevin Smith finds himself to use his movie as a platform to criticise other movies or franchises...basically if a letterboxed user was a director. This is what it would come out. Does anybody have Kevin Smith's user on here?
The actors have their limited charm in this, but they were the correct choices. This is thin and forgettable.
Le saviez-vous
- AnecdotesKevin Smith intended for the film to be rated PG-13, but it received an R, primarily due to jokes about masturbation. Unlike with many of his other films, he was not successful in getting the film to a lower rating.
- GaffesThe MPAA movie trailer rating screen shown before the trailer for Sister Sugar Walls is the incorrect one, being the one that is currently in use by the MPAA. The one that was used by the MPAA in 1986, when The 4:30 Movie takes place, was a still green frame which just had the sentence: "The Following Preview Has Been Approved For All Audiences by the Motion Picture Association of America."
- Citations
Hot Usher: Most people come to the movies to escape their lives, but people like us, we come here because movies make life make sense. Out here, man, world is full of lies. But in there, they tell the lie that tells the truth. And the truth about you and me is we are filmmakers. We just have not made our film. Yet.
- Générique farfeluAfter the credits roll, there is a montage of outtakes.
- ConnexionsReferenced in Film Junk Podcast: Episode 975: The 4:30 Movie (2025)
- Bandes originalesZ100 Jingle ('The Flame Thrower')
Written by Jon Wolfert (as Jonathan Wolfert)
Performed by JAM Creative Productions, Inc.
Used under license
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Сеанс в 16:30
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 2 385 $ US
- Durée
- 1h 27m(87 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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