Ajouter une intrigue dans votre langueA group of teens in the 1980s spend the day theater-hopping.A group of teens in the 1980s spend the day theater-hopping.A group of teens in the 1980s spend the day theater-hopping.
- Prix
- 2 nominations au total
Method Man
- Cookie
- (as Cliff "Method Man" Smith)
Jennifer Schwalbach Smith
- Sister Black Eye
- (as Jennifer Schwalbach)
Ernest O'Donnell
- Detective
- (as Ernie O'Donnell)
Avis en vedette
A very short movie that is padded with homages for movies from the past that never existed - can you really not play any trailers from real movies from the past you can make fun of? What's with the fake trailers? What was the point? Just to vaguely bring some nostalgia to the table and satirise the quality of the movie scene in the 80s.
And once again, Kevin Smith finds himself to use his movie as a platform to criticise other movies or franchises...basically if a letterboxed user was a director. This is what it would come out. Does anybody have Kevin Smith's user on here?
The actors have their limited charm in this, but they were the correct choices. This is thin and forgettable.
And once again, Kevin Smith finds himself to use his movie as a platform to criticise other movies or franchises...basically if a letterboxed user was a director. This is what it would come out. Does anybody have Kevin Smith's user on here?
The actors have their limited charm in this, but they were the correct choices. This is thin and forgettable.
It seems Kevin is afraid of himself.
Let me explain, we got a bit of the old Kev back in Clerks III, with great dialogs, tons of laughter and an elegance and profoundness to the lines that rivaled his early work.
It wasn't Red State (by far Smith's undefeated Magnum Opus) but at least it looked like he was starting to come back.
And then we get this movie that while cute, it felt like it was afraid of having an edge. 3 or 4 jokes cut through but the rest? Geez...
There's only so much that cameos can do if you don't have anything to say. And Kevin Smith does t seem to have anything important to say... or he's afraid to say anything at all.
Does he think they're going to mock him? Does he think the audience will not "get it"?
He was on his way to be a great writer and a great filmmaker, and for the most part I think he still can be. But he needs to get out of his own way, dig deep and say what he really wants to say.
That or he ran out of things to talk about because he has been podcasting for more than a decade.
Watch the movie for completionism. But that's about it.
Let me explain, we got a bit of the old Kev back in Clerks III, with great dialogs, tons of laughter and an elegance and profoundness to the lines that rivaled his early work.
It wasn't Red State (by far Smith's undefeated Magnum Opus) but at least it looked like he was starting to come back.
And then we get this movie that while cute, it felt like it was afraid of having an edge. 3 or 4 jokes cut through but the rest? Geez...
There's only so much that cameos can do if you don't have anything to say. And Kevin Smith does t seem to have anything important to say... or he's afraid to say anything at all.
Does he think they're going to mock him? Does he think the audience will not "get it"?
He was on his way to be a great writer and a great filmmaker, and for the most part I think he still can be. But he needs to get out of his own way, dig deep and say what he really wants to say.
That or he ran out of things to talk about because he has been podcasting for more than a decade.
Watch the movie for completionism. But that's about it.
It sucks! It doesn't JUST suck, it's actually kinda bad and I LOVE Kevin Smith! Like I get legit excited to see his stuff but Im super disappointed - do without spoilers, the entire first act is essentially talking about sneaking into an theatre, and idk if he's trying to explain a very simple concept to people born after 2000, or it's just 'Chuffa' ( 1. See Kevin I am a fan! I remember your Bruce Willis story when you directed him in Cop Out and 2. Shout out to Bruce Willis, thank you for the years and years of entertainment) - but take that in addition to flagrant attempts at manipulation of human nostalgia (which has become a way to leaned upon crutch after it hit big with Stranger Things) and it comes across as very desperate and simplistic in a very, almost offensive way - and oddly enough it was billed as" Kevins most personal film to date " (well it sure has enough of his friends in it ffs) (who can't act I might add, but it isn't endearing) but yet it's not autobiographical either soooo.... And yes I spoke directly to Kevin earlier cause I know he's gonna read this, I KNOW this because having read the day one reviews here on imdb, I can see that several of them are made from, let's say... 'inside the Smith camp' if u get my drift - and again listen I love the guy and have enormous respect - I WAS 16 in 86 so this has extra meaning to me and I should be susceptible to the nostalgia draw - but it's not enough and I think he knows it - I'm sorry, I expected better from such a genius.
I really enjoyed this movie. The cast is a mix of unexpectedly good newcomers and funny cameos from regulars in Kevin's movies. There is a sweet side to the story that we haven't seen from Kevin since Jersey Girl and it works.
Austin Zajur gives a performance way above what you would expect and the cast has great chemistry.
I was lucky enough to get to watch this movie with Kevin at his place and it was an amazing evening. I'm going to see it again this weekend on the big screen.
The movie isn't drawn out or heavy and it is a great time. Highly recommended for anyone who grew up in that era or wished they did.
Austin Zajur gives a performance way above what you would expect and the cast has great chemistry.
I was lucky enough to get to watch this movie with Kevin at his place and it was an amazing evening. I'm going to see it again this weekend on the big screen.
The movie isn't drawn out or heavy and it is a great time. Highly recommended for anyone who grew up in that era or wished they did.
Iconic writer / director Kevin Smith's '80s-based autobiographical "The 4:30 Movie" (prequelling his "Clerks" trilogy) spans a pivotal day in teen Austin Zajur's life that doesn't run smooth after he planned spending it with buds Reed Northrup & Nicholas Cirillo (and crush Siena Agundong) at douche Ken Jeong's cinema. Its light dramedy is laced with ample movie-nerd references, fun fake film trailers, and cameos from Smith faves like Justin Long, Rosario Dawson, Jason Lee, Jason Mewes, Jason Biggs, & Harley Quinn Smith (his daughter). While not matching the similarly themed "I Like Movies", Smith fans (including all fellow cinephiles, right?) will for sure adore it.
Le saviez-vous
- AnecdotesKevin Smith intended for the film to be rated PG-13, but it received an R, primarily due to jokes about masturbation. Unlike with many of his other films, he was not successful in getting the film to a lower rating.
- GaffesThe MPAA movie trailer rating screen shown before the trailer for Sister Sugar Walls is the incorrect one, being the one that is currently in use by the MPAA. The one that was used by the MPAA in 1986, when The 4:30 Movie takes place, was a still green frame which just had the sentence: "The Following Preview Has Been Approved For All Audiences by the Motion Picture Association of America."
- Citations
Hot Usher: Most people come to the movies to escape their lives, but people like us, we come here because movies make life make sense. Out here, man, world is full of lies. But in there, they tell the lie that tells the truth. And the truth about you and me is we are filmmakers. We just have not made our film. Yet.
- Générique farfeluAfter the credits roll, there is a montage of outtakes.
- ConnexionsReferenced in Film Junk Podcast: Episode 975: The 4:30 Movie (2025)
- Bandes originalesZ100 Jingle ('The Flame Thrower')
Written by Jon Wolfert (as Jonathan Wolfert)
Performed by JAM Creative Productions, Inc.
Used under license
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- How long is The 4:30 Movie?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Сеанс в 16:30
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 2 385 $ US
- Durée1 heure 27 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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