Baltimore

I will be fair. The only reason I wanted to watch this film was because of Imogen Poots being in it as ive always liked films shes been in and her acting is my favourite that this film has to offer. She plays rose. A former hairess and someone that was married off to a guy when she was young. She never really enjoyed the privolleged life growing up and as result and the rising conflicts in irland it makes her side with them and turn to a rebelious side, the whole resulting in a raid on a mansion that we snippets of throightout. I think if they had done the raid as one piece it would have been better. Its a slow burner but does have something to offer, I just cant as a whole say that I overlly enjoyed this.

I struggled to get through this film. The actors did the best they could with the script, but the screen play seemed to drag and focused on the lead character's mental state too much. I recognize that the movie was about Rose Dugdale, but the film would have been more engaging and enjoyable if it centered on the heist itself. In fact, the movie's title was originally called Baltimore, which was the location of an IRA safe house. Had the story been centered more on Baltimore, and not capturing Rose Dugdales daily life, I may have liked it better. Unfortunately, I found myself bored and uninterested.

Can't anybody make a movie any more that doesn't jump all over the time line dozens of times? You know how to tell if a movie has a good story? One that starts at the beginning, builds its characters in a cohesive timeline and plot and ends at the ending. That's not everything to a good film, but the sure sign of a badly told story is one that jumps time lines 6 times in the first 15 minutes. It's like a newspaper story. Here's the most exciting part and then the 2nd most exciting part to the 3rd and 4th an 5th, no matter how confusing the little bits are, the audience is supposed to figure out what's going on, which means they're not paying attention to what's actually going on because the writers are lazy and instead of telling a good story, they rely on cheap tricks to obscure the fact that they failed at writing. Everybody thinks they're pulp fiction writers, and they're not. Actual pulp fiction, by the way, told linear stories. They didn't jump around like the film did. He did it well and all these copiers since have not. This would have been a good story to tell by someone who knew how to write. Or direct. Or edit. If it could be re-edited to tell the story as it happened, it might be worth a watch, but as it is, it's a jumbled mess not worth the price of 100 minutes of your time. Half an hour in and they've jumped time lines so many times, I haven't a clue what happens when. Even within the same scenes. Lots of music surges, I guess they thought that was more important. Some of the acting is alright, but then there's anachronisms... not surprising, since they haven't a clue what time periods they were filming anyhow. Well, they've fallen into boring conversational messaging that likely falls a good distance from the truth of the story, so who gives a johnny two-shakes what happens after this? Snore.

A great film dramatising real historical events! Imogen Poots is a genius actress and manages to speak English with a perfect French accent, as well as Aristocratic RP, in addition to some Irish Gaelic! We get great cinematography and production design! The story is told in a nice surreal way in a non-chronological order! One might say, this is a great example of modern day British/Irish nouvelle vague if the term can be applied to contemporary cinema. The film explores important topics and is steeped in left wing politics such as socialism, republicanism and feminism. It is delightful and it has minimal violence compared to most contemporary films, especially dealing with the IRA, which is probably the reason why not many people watched it. Adorable! Thank you, Imogen and the team!

Compelled to be presented to the Queen as a debutante in return for an Oxford University education, Rose Dugdale (Imogen Poots) rebels from a fairly early age. Her privileged upbringing - as so often happens - leads her to detest the very hands that fed her in her childhood. Meantime, the troubles in Northern Ireland in the early 1970s are only increasing and after a trip to a training camp in Cuba, she returns a fully capable, bomb-making, terrorist - with a brain and a conscience. A plot is devised to rob a stately home of some valuable Goya, Rubens and Vermeer paintings and hold them as hostage for £500,000 and the freedom of two hunger striking IRA prisoners incarcerated in the UK. What now ensues is a rather weakly constructed speculation as to just how this shrewd plan was executed and of the aftermath. The story is an interesting history - but with the timelines dancing around all over the place and the performance of Poots a bit hit or miss, I found the pace of the film too bitty. We are all too often left dangling when a storyline is being developed and talking of development, there is very little to inform us about who the real Dugdale was. The screenplay doesn't shy away from describing the radicalisation here nor of some of it's concomitant brutality but somehow her vitriolic detestation of the British state is left completely unexplained. This subject could make for a strong political documentary on a woman who was clearly dedicated to her cause, but as a drama - this doesn't ever really engage.