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6,8/10
26 k
MA NOTE
Ajouter une intrigue dans votre langueWhen a poisonous snake slithers onto an Englishman's stomach in India, his associate and a doctor race to save him.When a poisonous snake slithers onto an Englishman's stomach in India, his associate and a doctor race to save him.When a poisonous snake slithers onto an Englishman's stomach in India, his associate and a doctor race to save him.
- Prix
- 1 victoire et 1 nomination au total
Avis en vedette
Netflix for the first time in a long time is finally releasing stuff that I actually like. These four shorts made by Wes Anderson are a small gem in the enormous pile of bad productions available on that streaming platform. The story of "Poison" is not very interesting per se but the narration style is engaging at times, keeping the audience on the verge. The characters are pretty forgettable in my opinion, the cast did not really manage to create any interesting peculiarity. I reckon that Wes is a bit too repetitive. I understand that his storytelling techniques are very specific, but I wish he could make some variations, adding a bit of novelty to this piece. I believe that in short stories such as this one, he should have left a bigger impact, or simply chose better novels to adapt to the small screen. My final mark is 6.
Woods gets home to find his friend Harry lying motionless in bed. He dare not move as there's a highly venomous snake lying on his stomach. After the shock has subsided, Woods calls a local doctor who brings with him the anti-venom. Now, how to move the snake?
Another of Wes Anderson's four-episode short story-series, all adaptations of Roald Dahl stories. The others in the series are The Wonderful Story of Henry Sugar, The Swan and The Rat Catcher.
Wes Anderson adapting a Roald Dahl story seems a perfect combination: the clever innocence of Dahl's writing, Anderson's whimsical, stylised direction. It's been done before, to great effect; 'Fantastic Mr Fox' (2009) was brilliant.
Poison is similar to the other three short films in the series in that it contains narration with the narrator talking in short, bullet-point-like sentences, an engaging story and some quirky backdrops and props. The backdrops are bit less of a factor here, due to this film being set almost entirely in one location.
The other three had a nasty habit of leaving you dangling at the end - setting you up with an engaging, seemingly set up for a powerful ending and then just fizzling out, sans punchline. This one seemed to be heading to buck the trend but, alas, it is more of the same. There is a half-theme around ungraciousness and racism at the end but it really isn't developed well enough to have an impact.
Interesting enough, just don't expect too much of the conclusion.
Another of Wes Anderson's four-episode short story-series, all adaptations of Roald Dahl stories. The others in the series are The Wonderful Story of Henry Sugar, The Swan and The Rat Catcher.
Wes Anderson adapting a Roald Dahl story seems a perfect combination: the clever innocence of Dahl's writing, Anderson's whimsical, stylised direction. It's been done before, to great effect; 'Fantastic Mr Fox' (2009) was brilliant.
Poison is similar to the other three short films in the series in that it contains narration with the narrator talking in short, bullet-point-like sentences, an engaging story and some quirky backdrops and props. The backdrops are bit less of a factor here, due to this film being set almost entirely in one location.
The other three had a nasty habit of leaving you dangling at the end - setting you up with an engaging, seemingly set up for a powerful ending and then just fizzling out, sans punchline. This one seemed to be heading to buck the trend but, alas, it is more of the same. There is a half-theme around ungraciousness and racism at the end but it really isn't developed well enough to have an impact.
Interesting enough, just don't expect too much of the conclusion.
Poison.
When a poisonous snake slithers onto an Englishman's stomach in India, his associate and a doctor race to save him.
Poison is the last short movie that watched from the collection and I can say that it was a beautiful experience to watch the 4 episodes in the same day, I'd love to get more of these Wes style shorts that takes you right into a story with an interesting narration style and more interestingly the beautiful sets and directing.
I can't stop talking about Wes Anderson, so let's talk about Poison, it was unexpectedly thrilling and fun but I don't think it's his best story wise .
When a poisonous snake slithers onto an Englishman's stomach in India, his associate and a doctor race to save him.
Poison is the last short movie that watched from the collection and I can say that it was a beautiful experience to watch the 4 episodes in the same day, I'd love to get more of these Wes style shorts that takes you right into a story with an interesting narration style and more interestingly the beautiful sets and directing.
I can't stop talking about Wes Anderson, so let's talk about Poison, it was unexpectedly thrilling and fun but I don't think it's his best story wise .
Poison is a short film filled with tension pretty much instantaneously, initially feeling like a fun piece of style over substance until its final moments in which it suddenly gets a lot darker with an ending designed to leave a lasting impression.
Fulfilling the promise of Henry Sugar, Benedict Cumberbatch, Dev Patel and Ben Kingsley all get a much welcome second go at playing in the world of Wes. With Cumberbatch mostly restricted to a bed Dev Patel becomes the standout, still perfect with his delivery and mannerisms.
Wes Anderson's direction is always flawless in its visual construction, the sets here remain gorgeous to look at but a lot smaller in scale and the best surprise here is Wes showing that his usual, heightened style actually works really well for crafting tension.
Fulfilling the promise of Henry Sugar, Benedict Cumberbatch, Dev Patel and Ben Kingsley all get a much welcome second go at playing in the world of Wes. With Cumberbatch mostly restricted to a bed Dev Patel becomes the standout, still perfect with his delivery and mannerisms.
Wes Anderson's direction is always flawless in its visual construction, the sets here remain gorgeous to look at but a lot smaller in scale and the best surprise here is Wes showing that his usual, heightened style actually works really well for crafting tension.
This is a very simple story in which we find the protagonist lying in bed and suffering. This tries to be solved by his partner and also by the help of a doctor.
The acting in this Short story is great, Benedict Cumberbatch Manages to perform his character to perfection just by lying in bed and moving his face. I also want to point out the sparks of comedy that this story has, makes me remember that funny Doctor Strange. Together with the other two characters actings, the magic of Wes Anderson and the resources that he uses to sweeten the story and make it Sooooo tense, they create a magic story which is not really that magic.
After watching the other tales, this one shows too much of the story which takes some importance off the narrator.
¡Go watch it by yourself!
The acting in this Short story is great, Benedict Cumberbatch Manages to perform his character to perfection just by lying in bed and moving his face. I also want to point out the sparks of comedy that this story has, makes me remember that funny Doctor Strange. Together with the other two characters actings, the magic of Wes Anderson and the resources that he uses to sweeten the story and make it Sooooo tense, they create a magic story which is not really that magic.
After watching the other tales, this one shows too much of the story which takes some importance off the narrator.
¡Go watch it by yourself!
Le saviez-vous
- AnecdotesHarry is reading the Chinese erotic novel "The Golden Lotus."
- Citations
Timber Woods: I mean, he owes you his life, Doctor.
Dr. Ganderbai: No, he doesn't.
Timber Woods: I'm sorry.
Dr. Ganderbai: You can't be.
- ConnexionsEdited into The Wonderful Story of Henry Sugar and Three More (2024)
- Bandes originalesChants et Danses de la Moisson
Field Recording by Deben Bhattacharia
Courtesy of Arc Music Productions Int. Ltd. on behalf of Deben Bhattacharia Ltd.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Отрута
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 17m
- Couleur
- Rapport de forme
- 16 : 9
- 2.35 : 1
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