Zhou chu chu san hai

A twisted comedy thriller, starring Ethan Ruan as gangster who discovers he is only the 3rd most wanted in Taiwan. Well, that's no legacy, so he quickly plans to eliminate his competitors for the crown. Structurally this film is all over the place, but who cares? I can't remember the last time I had so much fun watching a movie. Played 100% straight, the astonishing comedy comes from the premise itself. No matter how brutally intense the film becomes, it's all hanging off the most ridiculous plot - turning the relentlessly violent proceedings into pure hilarity.

Some terrific performances from Gingle Wang, Yi-wen Chen, Lee-zen Lee and the ever wonderful Peggy Tseng. But this is Ethan's film and he's as compelling as always.

This had to be the best Chinese film I watch this year. The chasing fight was intense and brutal , powerful script writing that bring u in character changes. All cast superb in their acting. Bring a lot of memories when it's show the style of classic Hong Kong filming..Too bad this movie not well publize to some Country due to its sensitive content. Taiwan movie really improve year by year , willing to challenge all type of content. Its show to some movie maker u don't have to bring in traffic star or big production to make a good movie. This the only Chinese film I proud to show my foreigner friends in 2023.

The storyline is absolutely unbelievable and unrealistic, Taiwanese or not. But what makes this movie entertaining is the fast edits and well paced story which has a new turn every few minutes.

The cinematography is excellent and the direction seems to be on point as well but the dialogues and delivery are also not the best. Acting is fine but also nothing out of the ordinary.

Some scenes are exceptionally well executed and some are utterly bogus. Movie is long and sometimes, by the end, it felt like a drag.

Overall though, it was very entertaining and enjoyable. Sunday evening and you're looking for something easy, fun, forgettable, and not to intellectual to watch, this movie won't disappoint you.

This extremely entertaining Taiwanese neo-noir works both as a pitch-black comedy and as a slick action thriller.

Lone hitman Chen Kui-lin, the film's protagonist, enters the scene with swaggering charisma, murders a gangster, then proceeds to daringly escape from policemen through buildings and rooftops. All of this shot with plenty of energy and bravado. And that's just the first 15-20 minutes of the film.

Soon he learns he's got stage four lung cancer, news that, understandably, put him in a depressive mood. But then he finds out he's only the third most wanted criminal in Taiwan, so he sets out to eliminate his competition before time runs out.

The premise is promising and lets you know you're in for some premium east Asian fatalism. You know that mix of melancholy and unpredictable, extreme violence that permeated the works of, say, Kim Jee-woon or Park Hoon-jung? Couple that with some twisted humor and you've got a winner.

In fact, I've mentioned those directors because this film has distinct two halves, and the first one resembles A Bittersweet Life or Night in Paradise somewhat. Until the second hour, it's a crime thriller with bursts of solid action, polished to a fault. Then it turns into a contemplative drama that reveals the film's more spiritual, reflective side. But surprises are still in store for the viewer.

I love tonally uneven genre films and this one sure fits the bill. Some might not like how it swerves into so many directions before settling down, but I felt like it only added to its charm. Director Wong Ching-Po isn't new to this type of film (if you've seen Revenge: A Love Story, you'll have some indication about how this one turned out), and his script extracts some great performances from the actors. Ethan Juan, as a homicidal protagonist, and Yi-wen Chen, very memorable as a spiritual leader, are standouts.

In all, this is a technically polished, fantastically shot and scored crime thriller which offers more than just surface-level genre pleasures. It's also got a deeply cynical worldview and an aura of eccentricism that work in its favor. Big recommendation.

To those suggesting the film is from mainland China, it's important to clarify that, although I am from mainland China myself, this movie was entirely produced in Taiwan. The title may draw inspiration from a Chinese fable, but the creation is Taiwanese. It's crucial not to misattribute achievements or claim recognition undeservedly. Acknowledging our current position without misleading ourselves is vital. I've observed a significant increase in the quality of Taiwanese TV series and films recently, which meet international standards and indicate a thriving industry. In comparison, the market in mainland China faces different challenges. I greatly respect and admire the Taiwanese film industry for its distinct path and the quality it has achieved.