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Ajouter une intrigue dans votre langueA newly married couple's relationship and reputation are put at risk when their private video CD is stolen. The story follows their roller coaster journey to recover the CD, navigating a ser... Tout lireA newly married couple's relationship and reputation are put at risk when their private video CD is stolen. The story follows their roller coaster journey to recover the CD, navigating a series of unexpected difficulties along the way.A newly married couple's relationship and reputation are put at risk when their private video CD is stolen. The story follows their roller coaster journey to recover the CD, navigating a series of unexpected difficulties along the way.
- Prix
- 3 victoires et 4 nominations au total
Harish Arya
- BD Costa
- (credit only)
Tracy Ann Chapel
- Old Wife (Goa)
- (as Tracy Ann Williams)
Avis en vedette
Vicky Vidya Ka Woh Wala Video (2024) :
Movie Review -
Raaj Shaandilyaa is definitely losing his touch, and the statement becomes more relevant when you see films like Janhit Mein Jaari, Luv Ki Arrange Marriage, Dream Girl 2, and now Vicky Vidya Ka Woh Wala Video. What must be the reason? The forced comedy remains the constant factor here. Apparently, these films somehow tried to tackle sensitive social issues, which I believe Raaj should stop doing at once. Let's stick to the comedy and make a good comedy; forget the social awareness and family problems. People come to cinemas to enjoy comedies, not to see their sensitive issues getting brutally trolled on the screen. Not everyone can be Rajkumar Hirani, and even a great filmmaker like him has failed recently with Dunki; then Raaj Shandilyaa is way behind.
Set in Rishikesh in 1997, Vicky Vidya Ka Woh Wala Video has a mehndi designer, Vicky (Rajkummar Rao), who is in love with Vidya (Tripti Dimri). By hook or crook, they manage to get married by creating a solid drama that looks very childish on the screen. Instead of Vaishnodevi, they decide to go to Goa for their honeymoon, and there they have this crazy idea of shooting a video of their sexual encounter. After returning home, the CD of their video gets stolen by a thief, and the couple sees trouble calling in the future. To avoid that, they must find the CD, but is it that easy? Find out the answer in the movie.
The film is written by Raaj Shaandilyaa only, so I'll take him responsible for all the goods and bads. First goods: This is an out-and-out comedy right from the beginning scene till the last one. Every single scene has been designed to create comedy and laughter. Now negatives: This is actually a forced comedy and looks very kiddish on many occasions. I personally think that this Western idea of making a honeymoon video was the worst selling point for the film. By calling it 97% parivarik, you are actually keeping 97% of the family audience away because any film with a sexual encounter's reference cannot appeal to the family audiences who like to watch the film together, especially with the kids. Raaj's screenplay is full of cringe scenes and Facebook post jokes that I used to read a decade ago during college days. Many of them became WhatsApp forwards later, but Raaj is too late to take them as the main reference point in the film. The film suffers from a poor plot and weak screenplay.
Rajkummar Rao is one of the finest actors of Bollywood from a young lot (his generation), but movies and roles like these don't do justice to his talent. He was fine in Srikanth this year, but the direction was flawed. He was decent in Stree 2, which wasn't an acting-driven role but survived due to the presence of a better director. Now here, he lacks both. Tripti Dimri can never be considered a good actress with such glamorous and stamp paper roles. I'd like to see her gorgeous face again and again, but not if she is not doing justice to the "actor" in her. For that, she must continue doing Bulbull and Qala. Vijay Raaz brings a few laughs, and Mallika Sherawat looks hot throughout the film, but these two could have been provided with better dialogues and characteristics. Archana Puran Singh and Mukesh Tiwari are loud and annoying; Tiku Talsania saves the day; Ashwini Kalsekar goes wild and over the top; Mast Ali, Kaveri Jha, and the rest of the supporting cast couldn't do anything noticeable. Shehnaaz Gill raises temperature with her cameo in a badly remade song.
VVKWWV has technical flaws as well, but I think it hardly matters in genres like comedy. The cinematography was decent, the editing was below average as it couldn't hold me for two and a half hours, the background score was too typical, like a TV sitcom, and the production design was fairly decent. The music doesn't help here except that the songs are visually appealing. It lacks a chartbuster for sure. A few dialogues are very funny, while the rest of them look forced and artificial. "Baat baat pe maarti hai, shaadi karke biwi laya hun ya Ajay Devgn"-these kinds of dialogue would definitely make you laugh. However, the forced humor and screenplay will annoy you. What was the need of Stree's spoof? Was there any need for chaotic mess in the ending? The film could have been wrapped within two hours, but this extra half an hour is what caused its downfall. Raaj Shandilyaa should start writing original jokes now because the internet has made these standup comedies, one-liners, and WhatsApp/Facebook forwards much more viral in today's time than they were before the pandemic. And most importantly, stop forcing comedy and PJs in every single scene. It looks tiresome in an hour or so. In short, Vicky Vidya Ka Woh Wala Video is low on substance and high on childish jokes.
RATING - 3/10*
Raaj Shaandilyaa is definitely losing his touch, and the statement becomes more relevant when you see films like Janhit Mein Jaari, Luv Ki Arrange Marriage, Dream Girl 2, and now Vicky Vidya Ka Woh Wala Video. What must be the reason? The forced comedy remains the constant factor here. Apparently, these films somehow tried to tackle sensitive social issues, which I believe Raaj should stop doing at once. Let's stick to the comedy and make a good comedy; forget the social awareness and family problems. People come to cinemas to enjoy comedies, not to see their sensitive issues getting brutally trolled on the screen. Not everyone can be Rajkumar Hirani, and even a great filmmaker like him has failed recently with Dunki; then Raaj Shandilyaa is way behind.
Set in Rishikesh in 1997, Vicky Vidya Ka Woh Wala Video has a mehndi designer, Vicky (Rajkummar Rao), who is in love with Vidya (Tripti Dimri). By hook or crook, they manage to get married by creating a solid drama that looks very childish on the screen. Instead of Vaishnodevi, they decide to go to Goa for their honeymoon, and there they have this crazy idea of shooting a video of their sexual encounter. After returning home, the CD of their video gets stolen by a thief, and the couple sees trouble calling in the future. To avoid that, they must find the CD, but is it that easy? Find out the answer in the movie.
The film is written by Raaj Shaandilyaa only, so I'll take him responsible for all the goods and bads. First goods: This is an out-and-out comedy right from the beginning scene till the last one. Every single scene has been designed to create comedy and laughter. Now negatives: This is actually a forced comedy and looks very kiddish on many occasions. I personally think that this Western idea of making a honeymoon video was the worst selling point for the film. By calling it 97% parivarik, you are actually keeping 97% of the family audience away because any film with a sexual encounter's reference cannot appeal to the family audiences who like to watch the film together, especially with the kids. Raaj's screenplay is full of cringe scenes and Facebook post jokes that I used to read a decade ago during college days. Many of them became WhatsApp forwards later, but Raaj is too late to take them as the main reference point in the film. The film suffers from a poor plot and weak screenplay.
Rajkummar Rao is one of the finest actors of Bollywood from a young lot (his generation), but movies and roles like these don't do justice to his talent. He was fine in Srikanth this year, but the direction was flawed. He was decent in Stree 2, which wasn't an acting-driven role but survived due to the presence of a better director. Now here, he lacks both. Tripti Dimri can never be considered a good actress with such glamorous and stamp paper roles. I'd like to see her gorgeous face again and again, but not if she is not doing justice to the "actor" in her. For that, she must continue doing Bulbull and Qala. Vijay Raaz brings a few laughs, and Mallika Sherawat looks hot throughout the film, but these two could have been provided with better dialogues and characteristics. Archana Puran Singh and Mukesh Tiwari are loud and annoying; Tiku Talsania saves the day; Ashwini Kalsekar goes wild and over the top; Mast Ali, Kaveri Jha, and the rest of the supporting cast couldn't do anything noticeable. Shehnaaz Gill raises temperature with her cameo in a badly remade song.
VVKWWV has technical flaws as well, but I think it hardly matters in genres like comedy. The cinematography was decent, the editing was below average as it couldn't hold me for two and a half hours, the background score was too typical, like a TV sitcom, and the production design was fairly decent. The music doesn't help here except that the songs are visually appealing. It lacks a chartbuster for sure. A few dialogues are very funny, while the rest of them look forced and artificial. "Baat baat pe maarti hai, shaadi karke biwi laya hun ya Ajay Devgn"-these kinds of dialogue would definitely make you laugh. However, the forced humor and screenplay will annoy you. What was the need of Stree's spoof? Was there any need for chaotic mess in the ending? The film could have been wrapped within two hours, but this extra half an hour is what caused its downfall. Raaj Shandilyaa should start writing original jokes now because the internet has made these standup comedies, one-liners, and WhatsApp/Facebook forwards much more viral in today's time than they were before the pandemic. And most importantly, stop forcing comedy and PJs in every single scene. It looks tiresome in an hour or so. In short, Vicky Vidya Ka Woh Wala Video is low on substance and high on childish jokes.
RATING - 3/10*
Overview:
The type of movie that Hindi Cinema should have left behind in this day and age. Full of implausible scenarios, overacting, and no real attention paid to plot.
Plot: Set in 1997, the story is interesting enough with Vicky and Vidya a young couple looking to recover the CD on which they filmed an adult video of themselves. They get themselves into completely ridiculous scenarios. The main issue plot wise is that random things keep happening that were not mentioned before. For example, the main villain does not appear until 2/3 the way through, and we don't know the context for which they are there. Also there is an element of horror which totally doesn't fit the rest of the plot and just seems to be there for some random multiverse situation.
Acting: The acting is fine with decent performances by both Rajkummar Rao and Tripti Dimri. The script was terrible so not much that they could do with it. The rest of the cast is fine as well nothing much to report on.
Music: Music is ok with one very good song Mere Mehboob playing during the credits as an item number.
Conclusion: Not even worth a watch on OTT platforms. Give this one a miss.
Plot: Set in 1997, the story is interesting enough with Vicky and Vidya a young couple looking to recover the CD on which they filmed an adult video of themselves. They get themselves into completely ridiculous scenarios. The main issue plot wise is that random things keep happening that were not mentioned before. For example, the main villain does not appear until 2/3 the way through, and we don't know the context for which they are there. Also there is an element of horror which totally doesn't fit the rest of the plot and just seems to be there for some random multiverse situation.
Acting: The acting is fine with decent performances by both Rajkummar Rao and Tripti Dimri. The script was terrible so not much that they could do with it. The rest of the cast is fine as well nothing much to report on.
Music: Music is ok with one very good song Mere Mehboob playing during the credits as an item number.
Conclusion: Not even worth a watch on OTT platforms. Give this one a miss.
A very nice and light headed movie that can be watched with family. I don't know how is it reviewed so low. Great acting by Rajkumar Rao, Tripti Dimri, Mallika sherawat, vijay raaz, tiku talsania and almost everyone in the movie. The movie has a good direction and witty dialogues and keeps the audience engaged throughout the movie. First half of the movie is better filled with humour. Some depth could have been added to Triptii's character which would have enhanced the chemistry between Rajkumar Rao and Triptii Dimri. But overall a good to watch movie with family, friends, colleagues or anyone.
Raaj Shaandilyaa did it again. Just like Dream Girl This movie is also filled with so much laughs. Funny Dialouges are Fresh, Unique, non repeated, never heard before... but movie is no where near Hungama, Dream Girl...
Rajkumar Rao Isn't good actor at all. No idea why everyone likes it. He does bad facial expression, Over acting. Has no talent at all.
Ayushman would have been much better choice for this movie...
Story is ok. Editing is bad. Some funny scenes not synced with its related sound. Movie has enough things to keep audience engaged. Short time length was good decision...
Ayushman and Good editing would have made movie much better...
Rajkumar Rao Isn't good actor at all. No idea why everyone likes it. He does bad facial expression, Over acting. Has no talent at all.
Ayushman would have been much better choice for this movie...
Story is ok. Editing is bad. Some funny scenes not synced with its related sound. Movie has enough things to keep audience engaged. Short time length was good decision...
Ayushman and Good editing would have made movie much better...
Vicky Vidya Ka Woh Wala Video is a film that starts with promise but fizzles out due to weak storytelling and direction. It tries to be a complete fun entertainer but falls short of delivering a consistently entertaining experience. While it starts off on a high note with funny dialogues and one-liners, the film suffers from a lack of story and a sloppy screenplay, making it a tale of two halves-one that entertains and one that irritates. The makers' attempt to include horror-comedy scenes, especially the homage to the hit film "Stree," was a major letdown. What should have been a clever nod turned out to be a sequence that didn't quite fit and left the audience disappointed.
Writer-director Raj Shandilya, who made a name for himself with comedy hits like "Dream Girl" and "Dream Girl 2," demonstrates his knack for humor in the first half of this film. The opening half is a riot-every joke lands, the punchlines hit the mark. The dialogue is sharp, and the chemistry between the lead characters is fun to watch. However, the fun doesn't last long. As soon as the second half begins, the film loses its charm. The plot centers around the search for 'that CD,' but after a while, this chase becomes repetitive and boring. The film could have easily been cut by 15 minutes with some tighter editing.
Rajkummar Rao shines in the comic sequences, his impeccable timing elevating the humor. Triptii Dimri supports him well, but her character feels underdeveloped. She had the potential for more, but the script fails to give her enough depth. One of the brighter spots in the film is Mallika Sherawat, making a brilliant comeback. Vijay Raaz and Tiku Talsania, did their best to inject life into their roles and bringing genuine laughs. Rakesh Bedi and Archana Patel are terrific in their respective roles. It's a treat to see Mast Ali, famous for his Hyderabadi comedy films, in a Hindi movie. He adds a unique flavor to the comedy. However, even all these strong performance can't save the film from its weak narrative.
Direction 2.5/5 Acting 3/5 Dialogues 3/5 Story 2/5 Screenplay 2/5.
Writer-director Raj Shandilya, who made a name for himself with comedy hits like "Dream Girl" and "Dream Girl 2," demonstrates his knack for humor in the first half of this film. The opening half is a riot-every joke lands, the punchlines hit the mark. The dialogue is sharp, and the chemistry between the lead characters is fun to watch. However, the fun doesn't last long. As soon as the second half begins, the film loses its charm. The plot centers around the search for 'that CD,' but after a while, this chase becomes repetitive and boring. The film could have easily been cut by 15 minutes with some tighter editing.
Rajkummar Rao shines in the comic sequences, his impeccable timing elevating the humor. Triptii Dimri supports him well, but her character feels underdeveloped. She had the potential for more, but the script fails to give her enough depth. One of the brighter spots in the film is Mallika Sherawat, making a brilliant comeback. Vijay Raaz and Tiku Talsania, did their best to inject life into their roles and bringing genuine laughs. Rakesh Bedi and Archana Patel are terrific in their respective roles. It's a treat to see Mast Ali, famous for his Hyderabadi comedy films, in a Hindi movie. He adds a unique flavor to the comedy. However, even all these strong performance can't save the film from its weak narrative.
Direction 2.5/5 Acting 3/5 Dialogues 3/5 Story 2/5 Screenplay 2/5.
Le saviez-vous
- AnecdotesUpon its theatrical release, the film featured a scene where a ghost character from the movie franchise Stree makes an appearance. This inclusion led to the director, Raaj Shaandilyaa, having to issue an apology to the creators of Stree for the unauthorised use of the character. Furthermore the scene was deleted for the home video release of the film.
- GaffesEvents in the movie occur during 1997/98. However some of the songs used in background are from movies released in the 2000s. For example the song Ishq Samundar is from Kaante (2002) and Khoobsurat's (1999) song Mein Chaand Hoga is playing in the wedding scene.
- ConnexionsReferenced in Bigg Boss: Entertainment Ki Barsaat (2024)
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Détails
Box-office
- Brut – à l'échelle mondiale
- 437 493 $ US
- Durée2 heures 32 minutes
- Couleur
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