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South Park: Joining the Panderverse

  • Téléfilm
  • 2023
  • TV-MA
  • 48m
ÉVALUATION IMDb
7,8/10
13 k
MA NOTE
South Park: Joining the Panderverse (2023)
ComédieFantaisieAnimationAnimation pour adultesFantastique surnaturelleSatire

Ajouter une intrigue dans votre langueThe end of Cartman's familiar, beloved life is predicted by his incredibly unsettling dreams. As the arrival of AI upends their society, the grownups in South Park are also struggling with t... Tout lireThe end of Cartman's familiar, beloved life is predicted by his incredibly unsettling dreams. As the arrival of AI upends their society, the grownups in South Park are also struggling with their own personal decisions.The end of Cartman's familiar, beloved life is predicted by his incredibly unsettling dreams. As the arrival of AI upends their society, the grownups in South Park are also struggling with their own personal decisions.

  • Director
    • Trey Parker
  • Writers
    • Trey Parker
    • Matt Stone
    • Brian Graden
  • Stars
    • Trey Parker
    • Matt Stone
    • April Stewart
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,8/10
    13 k
    MA NOTE
    • Director
      • Trey Parker
    • Writers
      • Trey Parker
      • Matt Stone
      • Brian Graden
    • Stars
      • Trey Parker
      • Matt Stone
      • April Stewart
    • 43Commentaires d'utilisateurs
    • 4Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 3 nominations au total

    Photos14

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    Rôles principaux14

    Modifier
    Trey Parker
    Trey Parker
    • Stan Marsh
    • (voice)
    • …
    Matt Stone
    Matt Stone
    • Kyle Broflovski
    • (voice)
    • …
    April Stewart
    April Stewart
    • Sharon Marsh
    • (voice)
    • …
    Kimberly Brooks
    Kimberly Brooks
    • Kathleen Kennedy
    • (voice)
    • …
    Mona Marshall
    Mona Marshall
    • Sheila Broflovski
    • (voice)
    Adrien Beard
    • Steve Black
    • (voice)
    Janeshia Adams-Ginyard
    Janeshia Adams-Ginyard
    • Panderverse Eric Cartman
    • (voice)
    Mo Ashley
    Mo Ashley
    • Panderverse Stan Marsh
    • (voice)
    Montana Jacobowitz
    Montana Jacobowitz
    • Panderverse Butters Stotch
    • (voice)
    Diana Lauren Jones
    Diana Lauren Jones
    • Panderverse Kenny McCormick
    • (voice)
    Bibi Mama
    Bibi Mama
    • Panderverse Kyle Broflovski
    • (voice)
    Luis Perez
    Luis Perez
    • Latino Handyman
    • (voice)
    • …
    Alice Ghostlie
      Kathleen Kennedy
      Kathleen Kennedy
      • Self
      • (archive footage)
      • Director
        • Trey Parker
      • Writers
        • Trey Parker
        • Matt Stone
        • Brian Graden
      • Tous les acteurs et membres de l'équipe
      • Production, box office et plus encore chez IMDbPro

      Commentaires des utilisateurs43

      7,813.2K
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      Avis en vedette

      8djurrepower

      A solid episode, and equal to the quality you would expect from a special episode

      South park has had many ups and down the last few years. But the specials were always a moment where south park could go above and beyond.

      And I'm glad to tell you that this special is no different.

      Balancing the tried and true formula with new ideas has always been a tough act. And in this episode they do repeat some storybeats from other recent specials. But not so much where it became boring.

      Overall this episode shows a lot of the qualities post 2020 south park has to offer. And when ranking all the south park specials, this one sits somewhere slightly above the middle. Still the above average quality compared to standard episodes. But not hall of fame worthy.

      Certainly worth a watch.
      TheMecha

      This was Hilarious.

      This was one of the funniest piece of content I've seen in a long time. It was so accurate to the modern landscape.

      • No one likes multiverses...they make the entire plot of most modern superhero movies pointless.


      • The whole part about modern society lacking basic skills to maintain modern living standards without importing people in from foreign countries to keep the US from falling apart was just a great subplot.


      • Didn't know who Kathleen was prior to this, glad to put a face to the crimes Disney commits against cultures they don't even represent. Pillaging and perverting foreign folklore and mythology is unacceptable. We as a society need to hold these bandits to a higher standard. Hopefully then we can get new original content that represents modern society.
      9joonasjjr

      Still manages to amaze

      It is tough for a show that's been running this long to stay relevant, insightful and just the right amount of edgy. The Pandemic Specials and other installations of the newer South Parks have had some visible symptoms of having lost the edge a bit - again understandable - but boy oh boy this one is probably one of the best South Park episodes in a decade.

      It manages to poke fun in multiple directions at the same time and most importantly dishes out some poignant, valid critique at the industry. B-plot was a bit meh and Randy sure has gone a pretty harsh Flanderisation but it's still entertaining enough.

      Sure it's going to anger a lot of people and seems to have already done so but to me that is exactly the point of South Park. These episodes is why I watch this show.
      9Elvis-Del-Valle

      The best criticism and satire towards the social division due to the clash between politics and entertainment

      This special is a witty response to everything that has been resonating on social media about Disney's bad decisions. The biggest defect that this company usually has is that it always seeks to please everyone in any way and the reality is that you cannot do that. You always have to choose one thing or the other and not both because they are so opposite. What has always been judged is the recycling of certain projects as something unoriginal and even lazy. The part of laziness is accompanied by how dependence on technology has caused us to lose the ability to do something manually. It is an allegory of how the use of technology in the world of entertainment is used to give more priority to productions, putting them above good manual writing. Which could have been a factor in the writers' strike over the use of AI, which is what this special also parodies.

      The multiverse has become a means to justify the expansion of franchises and physical changes in characters. The reality is that in the multiverse everything is valid without exceptions and even though the change of sex or race in a character is not to the liking of many, it is just as valid. The problem comes when, when reimagining something, you don't show enough commitment or effort to turn it into something worthy of praise. Since in the multiverse everything is valid, these types of errors are allowed, but more correct things are also allowed, such as the case of Miles Morales in Spiderverse as Kyle mentioned. Simply, the possibilities of making a successful or unsuccessful imagination or recreation are open, since in the multiverse everything is valid.

      When the time comes to use that as a means to raise awareness in society, the problem begins that has created a great cleavage between the public and the film industry. What is seen in this special is an alternate universe where there is an absence of white people and it is a clear criticism of how wanting to give enough priority to other races in a project causes the white race to end up absent, generating an imbalance. When you want to talk and equality, it is always necessary that all races in general be present to maintain the correct balance. Furthermore, it is worth mentioning that when talking about these projects, the media gives more priority to insignificant things than to the projects themselves. This was the case with the kiss in Lightyear, the false news of a romance in Strange World or the modified blue fairy in Pinocchio. Ironically, the enormous negative reaction that resorted to hate showed that in part Disney was always right regarding a sector of the public and that there is enormous paranoia that suggests that there is indoctrination involved and that anything that touches on leftist themes is bad. The rejection of The Little Mermaid and Ruby Gillman's hasty adoration for her character Chelsea show that Disney was always right when saying that The Little Mermaid haters were discriminatory, but when the topic of Hey Cousins came up later, Disney fell into the same prejudice as the public. This is where the fundamental message of this South Park special comes in.

      What needs to be understood, and it is something that only intelligent people can understand, is that hatred towards Disney is something incompetent that will continue to drive it to produce more products in response to intolerance. It's true that, as this special shows, Disney's profits are declining. But this company has always been involved in politics since its founding. For the world of politics it is convenient to create social division and the controversies of Disney products have also been essential for this. By responding to the supposed controversies aggressively, this shows that Disney is right about intolerance and gives it more reason to produce products that continue to generate noise. The bad thing is that due to the high priority that the media gives to inclusions, when questioning the quality of the product or judging it only by the inclusions it has, companies can no longer differentiate those who are judging the product in a constructive way. Of the one who only judges it by its inclusions. For this reason, both end up being put under the same label of discriminatory person. It is a mistake that many left-wing users make and even right-wing users themselves when someone comes to give a positive opinion of something that has inclusion, but they approved it only because they judge the product itself. This division is a clear consequence of the controversies that are not good for the world of cinema, but are quite beneficial for the world of politics. It's something that people on the left and people on the right will never understand why they always fight to see who is right. The reality is that both lack true intelligence and are therefore very easy to manipulate. When they look for someone to blame for a failure, they put the blame on people on the right and when they look for someone to blame for a poorly executed product, they put the blame on people on the left.

      It is completely correct and just what is special about South Park suggests because Disney's inclusions do not contribute anything to social movements and do not help to improve their projects, but the hatred towards Disney is not going to stop what it does and will only encourage it more to continue making the same wrong decision. That is the moral of this episode of South Park and only those of us who are really intelligent can agree with that moral. Although there are some holes that should have been filled, there is no doubt that Joining The Panderverse is another ingenious and fun South Park story that makes us think about how very decadent society and humanity are and how they influence the world of entertainment. My final rating for this installment of South Park is a 9/10.
      10orcanimal

      Once again, South Park hits the nail on the head

      The ability of these writers, led by Park and Stone, to highlight the very thing that's been plauging Hollywood for years now, something every studio underling is terrified to utter, is admirable.

      It's ironic how the reasons for so many of Disney's failiures in recent years are so blatantly obvious to their unenthused audience, yet somehow remains a complete "mystery" to the big mouse's top brass... Luckily, South Park, alongisde Disney's disasterous performance and onslought of lazily written shows & movies, have hopefully pulled the wool over people's eyes.

      Now we can only hope they try to actually prioritizing good storytelling (regardless of the ethnicity or sexual orientation of the characters).

      This could be a turning point for Diseny.

      But it probably won't be.

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      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        At 34:52 you can hear the background music parody that of Terminator 2: Le jugement dernier (1991) and Kathleen Kennedy runs like the T-1000 after Eric Cartman.
      • Gaffes
        At 34:30 Cartman is standing at an intersection and spots Kathleen Kennedy, who is chasing him. He starts running away from the intersection as she crosses the street. The next overhead shot shows him running to the intersection with Kennedy nowhere in sight.
      • Citations

        Kathleen Kennedy (Alternate): Put a chick in it and make her lame and gay!

      • Générique farfelu
        The opening title card is in the artwork and style of the 1990 Walt Disney Pictures logo.
      • Connexions
        Featured in Friday Night Tights: Snow White DELAYED! South Park ROASTS Disney! Hollywood Strike DEADLINE Woke Friday Night Tights 273 (2023)
      • Bandes originales
        I've Got Some Apples
        Written by Trey Parker

        Performed by Montana Jacobowitz

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      Détails

      Modifier
      • Date de sortie
        • 27 octobre 2023 (Canada)
      • Pays d’origine
        • United States
      • Langue
        • English
      • Aussi connu sous le nom de
        • Південний Парк: Подорож до Потур-світу
      • sociétés de production
        • Kids At Play
        • Comedy Partners
        • Important Films
      • Consultez plus de crédits d'entreprise sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        48 minutes
      • Couleur
        • Color
      • Mixage
        • Dolby Digital
        • Dolby Atmos
      • Rapport de forme
        • 1080i (HDTV)
        • 16:9 HD

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