As a viewer, it has always bothered me that theater-based directors, screenwriters and actors cannot break away from the theater while making feature films or short films and think that they are on the theater stage.
This is a situation that is frequently encountered in our cinema and around the world.
But Tolga Özdemir has achieved the balance so well that it offers an incredible viewing pleasure.
Incinur Dasdemir and Erdem Senocak are very comfortable and very professional in every sense of the word.
While we watch incredibly good camera movements under Kagan Sahin's cinematography, Ozgürcan Uzunyasa puts his signature on the editing as always.
Before even looking at the title of the film, you say, "The editing definitely belongs to Uzunyasa."
Good luck Tolga Özdemir.
