Soixante minutes

Genre films generally have a very difficult time in German-speaking cinema. And when it comes to action films in particular, German filmmaking lags far behind. I personally can only remember the humorous MMA hit PLAN B (2016) by Ufuk GENC with the superb stuntman Can AYDIN, which at least made people sit up and take notice that this genre is also possible in German-speaking countries. It's a good thing that the global streaming service NETFLIX definitely has a taste for unusual experiments. And lo and behold, successful director Oliver KIENLE (BAD BANKS) lets a remarkably well-trained Emilio SAKRAYA, like Franka POTENTE as Lola, run through Berlin against the merciless passage of time. Why this action occurs plays only a minor role. The only important thing is that Emilio SAKRAYA's Octavio is in a perceived emergency and therefore has to beat up half of the gangster world in the German capital. After all, why does he have his impressive MMA skills?

There's never a dull moment in this stylish, non-stop film, but you won't find any special flashes of inspiration in the script. But that's not a bad thing either. The film is a vehicle through which Emilio SAKRAYA can recommend himself for further roles in international action cinema. In addition to all the fighting, he can also play.

Dennis MOJEN and the internationally booked stunt people Marie MOUROUM and Bruno SALGUEIRO also appear in other roles. Otherwise, the other stunt people probably come mainly from Hungary. Oh yes, a very cute kitten named Onion steals the show from the hardened whipping boy.

Even if the film will certainly not become a classic of the genre, it is definitely good that German filmmakers are finally tackling such genres that are popular with global audiences. Keep it up!

Loved it !

If you enjoyed the famous "Run Lola Run" with Franka Potente then you'll enjoy this one with Emilio Shakraya.

Different actors, of course, different script, different times, but the city is the same : Berlin, and the main man has to get across it meeting all sorts of obstacles in the way in 60 minutes, for the most important fight of his life.

It's epic, It's relentless. It's human. It's poetic.

The Germans sure do love their cross-city epics, and they make them well.

If you want a pure high octane non-stop edge of your seat action, ignore the negative reviews, don't hesitate - book the sofa for the evening and enjoy !

SIXTY MINUTES is a fun little low budget martial arts thriller from Germany. It's made on the cheap but don't hold that against it because this has far more suspense and excitement than many a big budget Hollywood movie, riddled as they are with needless CGI and explosions. This one has a straightforward plot about a top MMA fighter who abandons his latest match in favour of spending time with his daughter, but various match-fixing gangsters are determined to stop him. There are slow spots and overdone emotion amid the action, but the fights come thick and fast and the choreography is always satisfying.

What I loved the most about this film was its homage to early race-against-time types of movies such as Taken and Kidnap, and its plot was centered around a likable protagonist that was relatable to watch. It held me by the neck even from the very start as it progresses into the action-filled chase scenes. These scenes were even tinged with emotional edges into it which made the film more than just an ordinary action flick. The way that the director centered the story around the protagonist and his dilemma (which ironically is a bit problematic because of his questionable abandonment of the fight) was smart because it emphasizes the greater conflict of the story.

Thought I'd try a new throw of review. Am halfway through and really enjoying it. Definitely elements of Old Boy and Victoria here, given the fighting and fk up missing his daughter's birthday premise, and real time unfolding of the story, albeit not one unbroken shot. But the lead guy is fantastic, he's really struggling here, physically and emotionally, and with ever increasing conflict his day is spinning out of control. And it's funny at times, without becoming facile or silly. And the journey through Berlin is accurate, he's just passing my flat now😾Will continue review when finished... It's great! The writers took SAVE THE CAT literally but in a very good way. They avoided most cliches and wrote something really quite lovely, and super entertaining, and you will not stop grimacing at the climax fight sequence, some lovely Korean cinema esque violence. But at its heart, and it has a big one, is the story of one man's mission to do the right thing for a change. And to put the confession scene in the mouth of the father was also clever. I loved this film and to redress one stupid 1 out of 10 review that seems based on racism I'm giving it 10. Bravo.