40 Acres

Doesn't give apocalypse nor scifi. Acting was amateur. The violence was accurate, the deuss ex machina scene was not believable. We didn't care enough for the characters from their poor development. Would not recommend not cause acting was laughable nor for the underwhelming climax of it all, but because loosely connected stories coupled by a deplorably written script gave a childish almost annoying vibe that makes a enjoyable movie going experience feel like torture . Had hopes by the rating of the film, so I had to leave a review to anyone thinking they might want to see this. DON'T. Your wasting your time.

I saw a preview for this movie a couple of months ago and made a point of making sure I saw it when it released. I'm so glad I did because this movie is easily one of the best Canadian productions I've ever seen.

R. T. Thorne really nailed this one, and left me leaving the theatre with a sense of pride that a Canadian filmmaker, and an almost all Canadian cast could make something so entertaining.

The casting was excellent! Everyone brought their own touches to an already excellent script. It was easy to care for every member of the family. Danielle Deadwyler is quickly becoming one of my favorite actresses and she nails it here as the overprotective Mom.

The cinematography was great, the title cards between the different sections of the film was a nice touch. All in all, this movie is worth the price of admission.

Bravo to everyone in the cast. I can't wait to see more from each and every one of them.

Screen Unseen for June 16th was 40 Acres, and AMC advertised this film for Juneteenth. I was debating whether I wanted to see it or not, and then I received the open time frame to watch this movie.

The engagement was compelling enough to keep my attention. Still, my reason for engagement was trying to understand the world-building and consequential behaviors through the protagonist continued to be mind-blowing. In her motherly role, she should have soft elements, especially with the exposition of history in the flashback scenes. By the time we view the ending scenes, the emotional finale did not leave a heart-warming impact or a specific message of family.

40 Acres is advanced in how it treats familial, racial, and interpersonal traumas. One could look at this film as an allegorical reflection on the devastation ravaged by North American colonists towards multiple communities (i.e. Indigenous Canadians and enslaved Africans) and, while this is necessary to feel the full weight of these survivors' journeys, the genre bending and fast-paced sequences are so well-tailored that the thrills alone can carry the film.

These are survivors in the truest sense of the word, and it's not killing or laboring in the fields that gives them a hard time, it's learning how to build the trust to let others in.

In a time of famine, a cynical veteran isolates herself and her family from the rest of the world. Abiding by strict rules, the family prospers, while others succumb to the famine or are targeted by cannibals. While she is okay with their way of life, her son is not and decides to test the limits of the rules, leaving the family fighting for survival.

This is not a typical end-of-the-world scenario. It does not involve zombies, a nuclear war, or an alien invasion. Like many end-of-the-world stories, it explores morality and human depravity. The family's race and history set the story apart from others. There is a good amount of well-choreographed action throughout, but some dialogue scenes are over-the-top and unnecessary. The story is predictable, even with a few unique aspects, making the one-hour and fifty-three-minute runtime feel long. This is definitely worth a stream when available.