Train Dreams

The award-nominated writers of SING SING, Greg Kwedar and Clint Bentley, have now upped their game even more with TRAIN DREAMS, this time with Bentley directing. It has a similar theme of the beauty and unpredictability of humanity and the world itself. Based on a novella by Denis Johnson, this is a character study of Robert Grainier (Joel Edgerton), a logger working on a railroad in 1917. He's stoic, a hard-working man with a wife (Felicity Jones) and daughter to take care of. He's a man of few words, but he's thoughtful, looking for purpose in life. Usually, having a narrator could be seen as a crutch, but it's done so well here, voiced by a smooth but powerful Will Patton. He gives us more insight into Robert and the world around him. The movie touches on discrimination during the "Great War", but its main focus is Robert and how the world changes around him. The process of building a railroad represents both destruction and progress. Chopping down trees, then making the world smaller by building railroads. It also focuses on Robert's workmates, one played by William H. Macy. His role is very small, but this might be the best he's ever been. Speaking of "best he's ever been", freakin Joel Edgerton. This man does so much, with little dialogue. It's an award-worthy performance on top of an already awesome career. Humanity's complicated relationship with nature is another theme here. Overall, this is a poetic meditation of America, about the ups and downs of one life among many. I had the privilege of seeing TRAIN DREAMS in a sold-out theatre, and I can't wait for you to see it when it comes to Netflix on November 21. I know this review is early, I just had to put something out there about it. Put it on a list, make a reminder, don't pass this one by when it finally releases!

I hope that whoever has a high sensitivity will see this movie. I never write reviews, but this movie touched my soul. With hypnotic visuals and a minimalist score, it blends gritty realism and dreamlike fragments. The film's slow-burn tension and raw performances create an intimate portrait of fragile hope.

"Train Dreams" reminded me a lot of "Nomadland," and affected me in the same way. There isn't any one big moment that hit me emotionally. Rather, the film builds up a gradual accumulation of moments that eventually tipped me over the edge, and I spent the last 30 minutes sobbing in the theater.

Also, like "Nomadland," "Train Dreams" really taps into what it's like to coexist with loneliness as a permanent part of the human condition. And it doesn't talk about it -- it makes you feel it. Joel Edgerton is giving an amazing performance. With little dialogue and little even in the way of story, he creates a character we feel we know like someone we've spent years around. There are some lovely performances in smaller roles too, notably William H. Macy and Kerry Condon, both of whom make a big impression with little screen time.

For all its sadness and uncertainty though, "Train Dreams" isn't a downer. Let's all hope we have a moment like Joel Edgerton's character has at the end, where something clicks and we figure out where we fit in the bigger picture.

Grade: A+

The calmness we deserve in today's pacing cinema. Loved it. We should have more of these. It's a whisper when everything else is shouting. A deep, soulful meditation on simple survival, memory, and the vast, quiet beauty of passing time. This one stays with you. It lingers, a quiet, profound ache of humanity.

I think all filmmakers should take the medium seriously, but most don't. It's an artform. I'm not saying make an art film, just be mindful. Take it seriously. Do honest work.

This movie isn't for everyone. There's no antagonist/protagonist face off with a satisfying conclusion. It's just a story.

That's all I'm looking for. A life that isn't mine, in a time and place I'll never know, told by someone mindful of the work they are doing.

Every couple of years, someone does this kind of work and I'm thankful for it.