Caligula: The Ultimate Cut

Difficult to write too much.

I appreciated the final result of long fight for offer the quasi original film. I liked the new scenes , offering some fresh air to a movie representing, including for bitter critics, a legend or a sort of classic.

My curiosity was about the impressions of viewer discovering only this version. Its virtue- the idea of power without limits and its price becomes more clear , familiar frames are almost in new light but the essence is the same and the pornographic scenes are less significant than you imagine seeing the previews version.

Impressive ? No doubts !

Perfect ? Far to hope to become. Maybe provocative but it is its basic virtue . In short, for many reasons, an absolutely must see.

Having looked at the laserdisc R-rated version, the "Imperial" unrated version and the documentary promotional short featuring Guccione and Vidal attempting to explain, I find it very hard to see the "Ultimate Cut" as the new movie it is supposed to be. It does indeed appear to be made of elements previously unseen. This was never a terrible, but an unfortunate movie, born crippled over and over. We may never see the 4 hour masterpiece that (perhaps) could have been. In this version there is much to like, much beauty and humor. Maybe not the best takes, or camera angles, but more story. The whole thing makes more sense. Not subtle, but fun. Happily the actors have loads more screen time. Teresa Ann Savoy isn't just pretty and likable. As Caligula's calculating, patient, loving sister, she helps so much! If you have ever dreamed of being a movie editor because it looks easy, this movie and its difficulties will enhance your respect for the editor's art. Enjoy it some time when the children and the easily offended are not around.

As a huge caligula fan i own all there is to own about my fav roman emperor and so when i heard there is a new extended edition of the beloved 1979 film with around 20 or so new footage scenes i was excited and i immediately bought the new spanish blu ray release.

Sadly things did not went well with this.

This cut has a lot of flaws. In fact all went wrong if u exclude some new deleted scenes.

Those deleted scenes were the only worthy part of the film.

U get to see how caligula orders other people to worship his own statues which replaced those of the gods. This scene was great and there are a few more but the good things end here.

Unfortunately this is NOT the original take of the film and everything was changed.

What i mean is even the voices the way the actors performed was different than the theatrical version and that was not good.

More important the divine music which made the original film so much better was not here.

The music used here was boring and added nothing to the film.

I was tired watching this.

I will only keep this cut cause of the new footage and that's that.

I'm very disappointed of this new extended cut.

So i advise you to stick to the imperial edition of the film and the original 155 minutes long version.

Caligula is a film with a storied history. What began as a sprawling historical epic saw much of the film land on the cutting room floor. In its place, a violent and pornographic cash-grab that bore little resemblance to the script by Gore Vidal. Though a box office success, thanks to the controversy surrounding the film, critics derided it, and the cast disowned it. Now, forty-four years later, Caligula: The Ultimate Cut intends to showcase the film's original vision-a riveting and complex historical drama showcasing the intoxicating allure of sexuality and power. The film runs nearly three hours, is entirely fascinating, and delivers a triumphant expose on how 'absolute power corrupts absolutely.' In an era of director's cuts and alternate versions, Caligula is a magnificent restoration with a triumphant zeal.

Full Review: Geek Vibes Nation.

This is truly a lost opportunity. After a massive search, a film scholar tracked down all of the original film shot by director Tinto Brass, who is still alive, and he wante4d to work with Brass to finally make a director's cut.

Penthouse, which own the rights, changed management and the new management instead turned the footage over to some people with absolutely no background in film restoration. This new team said they wanted to restore the film to the intentions of Gore Vidal's script. The main problem with that is Tinto Brass was not filming Vidal's script as it was written, as he thought it was terrible. He and actor Malcolm McDowell reworked the script into something more of an art film.

The result of this restoration is that the scenes are finally in the right order but put together with with no sense of style or pacing. Tinto Brass envisioned lots of close up and fast editing, and completed about half of the film this way. Instead we get long takes that emphasize the lavish sets and obscure the action. It looks like a rough cut that is waiting for someone to add closeups and quicken the pace. A few individual scenes work much better in the original due to better editing.

Another drawback is the overly modern score, which doesn't reflect musical trends of the 1970s, when the film was shot.

On the plus side, all of the incongruous hardcore scenes shot by Penthouse chief Bob Guccione are gone. A more coherent performance by Malcolm McDowell can be seen, though at times some of the more manic takes might have worked better to emphasize his deteriorating mental state.