Un soldat se présente à la famille Peterson en prétendant être l'ami de leur fils mort au combat. Après l'accueil du jeune homme dans leur demeure, une série de décès accidentels semblent êt... Tout lireUn soldat se présente à la famille Peterson en prétendant être l'ami de leur fils mort au combat. Après l'accueil du jeune homme dans leur demeure, une série de décès accidentels semblent être tous liés à sa présence.Un soldat se présente à la famille Peterson en prétendant être l'ami de leur fils mort au combat. Après l'accueil du jeune homme dans leur demeure, une série de décès accidentels semblent être tous liés à sa présence.
- Prix
- 5 victoires et 13 nominations au total
Brenden Roberts
- Ian
- (as Brenden Wedner)
Matthew Page
- Fireman
- (as Matt Page)
Avis en vedette
The only thing surprising in The Guest is just how straight forward it is in its simple plotting. Everything unfolds in predictable fashion, but this B material is a fantastic showcase of wicked humor and misanthropic violence. Dan Stevens is in excellent form here, as a mysterious soldier who shows up unannounced at a family's home of a fallen soldier he served with. He's all smiles and very polite, but people with a usually negative connection with this family start meeting grisly ends. Like in his previous film You're Next, Adam Wingard approaches plotting you've seen a million times and wittily turns it on its ear without ever being too self aware. It's a shame Picturehouse who acquired the US rights dumped the film in a handful of theaters without trying to capitalize on the strong reviews and never bothered to expand it theatrically. The Guest is a quick fun time that knows exactly what it is and delivers without overstaying its welcome.
I've never watched Downton Abbey, but I'm guessing that Dan Stevens deliberately sought out very different roles after leaving the show. The Guest is the perfect advert for his abilities. He's convincing as the mysterious but charming visitor and equally capable in moments of action, suspense or humour. I hope the right roles come along for him as he's entertaining to watch and has got everything required to become a major star.
The plot unfolds in a fashion that renders a summary both unnecessary and unwanted if you're planning to see this, but after the initial set-up it progresses at a decent pace and with escalating tension.
A special mention is required for the soundtrack. The electronic score is one of the film's major strengths and is perfectly judged.
An entertaining and self-aware mix of action, suspense and dark humour, the Guest has a retro feel without being old fashioned (a quality that is encapsulated by the score), and features decent performances.
The plot unfolds in a fashion that renders a summary both unnecessary and unwanted if you're planning to see this, but after the initial set-up it progresses at a decent pace and with escalating tension.
A special mention is required for the soundtrack. The electronic score is one of the film's major strengths and is perfectly judged.
An entertaining and self-aware mix of action, suspense and dark humour, the Guest has a retro feel without being old fashioned (a quality that is encapsulated by the score), and features decent performances.
So a guy who claims to know your dead son turns up at your house one day. He seems nice and looks like that bloke off of Downton so you let him stay for a while... That is pretty much all I knew about this film before I went to see it. What follows is an enjoyable thriller with laughs aplenty and an excellent central performance from Dan Stevens (more on that later).
The plot, at the end of the day, is fairly nonsensical and there are some troubling loose ends that I found a little unsatisfactory. I can't say that any of the story is particularly surprising or original but what does that matter when everyone making it and everyone in the audience seems to be having so much fun? The cinema I was in was probably around half full and while there was nobody in full-on hysterical laughter, there was a satisfactory amount of appreciative chuckling (me included).
I feel that the majority of my enjoyment of this film should really be credited to Dan Stevens in the main role. His character is charming, pleasant and helpful and yet strangely sinister and unsettling from the outset and he plays it absolutely perfectly. You can't help but like him even though you're not sure that you should. Apart from a smallish role in "The Fifth Estate", I am only familiar with Stevens from Downton Abbey and his role in this couldn't have been more different from both of these. I look forward to seeing how his career progresses but this was an excellent example of his versatility as an actor.
Overall a good Saturday night out at the cinema but I can't imagine it is the kind of classic film I would watch again and again.
The plot, at the end of the day, is fairly nonsensical and there are some troubling loose ends that I found a little unsatisfactory. I can't say that any of the story is particularly surprising or original but what does that matter when everyone making it and everyone in the audience seems to be having so much fun? The cinema I was in was probably around half full and while there was nobody in full-on hysterical laughter, there was a satisfactory amount of appreciative chuckling (me included).
I feel that the majority of my enjoyment of this film should really be credited to Dan Stevens in the main role. His character is charming, pleasant and helpful and yet strangely sinister and unsettling from the outset and he plays it absolutely perfectly. You can't help but like him even though you're not sure that you should. Apart from a smallish role in "The Fifth Estate", I am only familiar with Stevens from Downton Abbey and his role in this couldn't have been more different from both of these. I look forward to seeing how his career progresses but this was an excellent example of his versatility as an actor.
Overall a good Saturday night out at the cinema but I can't imagine it is the kind of classic film I would watch again and again.
Wow! What a gem of a movie. The Guest tells a tale of a mysterious and initially benign-appearing ex-military man who claims to have served with the recently deceased son of the Peterson family. Still grieving their loss, they welcome him with open arms. All is not as it seems however and slowly, despite his psychopathic charm, young Anna Peterson suspects that something is amiss.
What follows is a slick and stylish thriller with fluid action scenes that simmers at first before leading us to an explosive finale. The acting is solid throughout, especially from the two leads Dan Stevens and Maika Monroe who share a nice chemistry. The story, whilst simplistic and sometimes cheesy, is tight and the terse dialogue fits well. Character motivations are deliberately left vague and the film remains focused on the fact it is a thriller and doesn't overburden us with ridiculous a back-story; what back-story there is merely serves as a plot device to set-up the finale. And what a finale! Without giving spoilers, it is one of the most stylish final movie set-pieces I've seen in a long time, interjected with just the right amount of tongue-in-cheek quips. Just shows what can be done with the right set, some nerves and a smoke machine; who needs CGI!
A special mention must be given to the excellent soundtrack which really enhances the tension in some of the key scenes. At times I swore the bass beats were synced with my heart-rate!
Highly enjoyable and highly recommended!
What follows is a slick and stylish thriller with fluid action scenes that simmers at first before leading us to an explosive finale. The acting is solid throughout, especially from the two leads Dan Stevens and Maika Monroe who share a nice chemistry. The story, whilst simplistic and sometimes cheesy, is tight and the terse dialogue fits well. Character motivations are deliberately left vague and the film remains focused on the fact it is a thriller and doesn't overburden us with ridiculous a back-story; what back-story there is merely serves as a plot device to set-up the finale. And what a finale! Without giving spoilers, it is one of the most stylish final movie set-pieces I've seen in a long time, interjected with just the right amount of tongue-in-cheek quips. Just shows what can be done with the right set, some nerves and a smoke machine; who needs CGI!
A special mention must be given to the excellent soundtrack which really enhances the tension in some of the key scenes. At times I swore the bass beats were synced with my heart-rate!
Highly enjoyable and highly recommended!
THE GUEST is a fun, if derivative, little movie from Adam Wingard, the guy who also brought us the familiar-yet-entertaining YOU'RE NEXT. It's a belated addition to that whole psycho-thriller sub-genre of the 1990s in which ordinary families were menaced by mysterious forces, and it achieves plenty on what is clearly a tight budget.
There are shades of THE TERMINATOR and the BOURNE trilogy here and it has to be said that the story is simplistic and straightforward. The denouement will surprise nobody, for example. However, like DRIVE before it, THE GUEST is all about the execution. It looks cool, it looks stylish, and it sounds cool too thanks to that thumping soundtrack. Dan Stevens is excellent as the suave and sophisticated guy who turns up to make a few waves, and Maika Monroe shows some of the promise that she displayed in IT FOLLOWS. Plus we get Lance Reddick, being exceptionally good again after his turn in JOHN WICK.
In fact, THE GUEST has quite a lot in common with IT FOLLOWS, especially the horror-style unfolding of the plot. These films share likable young cast members and a fresh feel despite the familiarities of the situations in which the characters find themselves. Certainly nothing about THE GUEST is original, yet it's thoroughly entertaining at the same time. And that's all I need from a movie.
There are shades of THE TERMINATOR and the BOURNE trilogy here and it has to be said that the story is simplistic and straightforward. The denouement will surprise nobody, for example. However, like DRIVE before it, THE GUEST is all about the execution. It looks cool, it looks stylish, and it sounds cool too thanks to that thumping soundtrack. Dan Stevens is excellent as the suave and sophisticated guy who turns up to make a few waves, and Maika Monroe shows some of the promise that she displayed in IT FOLLOWS. Plus we get Lance Reddick, being exceptionally good again after his turn in JOHN WICK.
In fact, THE GUEST has quite a lot in common with IT FOLLOWS, especially the horror-style unfolding of the plot. These films share likable young cast members and a fresh feel despite the familiarities of the situations in which the characters find themselves. Certainly nothing about THE GUEST is original, yet it's thoroughly entertaining at the same time. And that's all I need from a movie.
Le saviez-vous
- AnecdotesWhen David and Anna are at the Halloween party a guest can be seen wearing the Fox mask worn by one of the home invaders in Adam Wingard and Simon Barrett's previous feature: Tu es le prochain (2011). The party guest is played by Steve Moore, who composed the score for the film.
- GaffesThe "Witness Elite 9mm" pistol is not a 9mm or a EAA Witness Elite - it's a Colt .45 ACP, both in appearance and construction.
- ConnexionsFeatured in Projector: The Guest (2014)
- Bandes originalesThe Magician
Written by Johnny Jewel, Nat Walker, and Michael Simonetti
Performed by Michael Simonetti (as Mike Simonetti)
Published by Mike Simonetti (BMI)
and Italians Do It Better (BMI)
administered by Kobalt Music Publishing America, Inc.
Courtesy of Italians Do It Better, Inc.
c/o Echo Park Records
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Détails
Box-office
- Budget
- 5 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 332 890 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 84 527 $ US
- 21 sept. 2014
- Brut – à l'échelle mondiale
- 2 700 051 $ US
- Durée
- 1h 40m(100 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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