Dheeran

Rating - 3.25/5

A fun slapstick humour story blending the performances of the veterans and young gang of Malayalam.

The story revolves around the title character Dheeran and how he regains his lost regards from his near and dear ones through a ride of chaos and confusions forms the nutshell of the story.

Devadath has narrated the story of Dheeran and his relatives with peculiar character shades mixing humourous moments and subtle dialogue delivery giving ample laughter moments. Hats off to the team for bringing the ensemble cast on screen with their versatile performances and humour timings. The filmmaker has given a decent entertainer to enjoy on screen but has left a vaccum inside showing some minor flaws in the screenplay with nothing to take along or recollect other than few funny sequences, rushing to conclude the story leaving the audience monotonous in few areas.

Good performances from Jagadeesh,Manoj K Jayan,Rajesh Madhavan & Shabareesh & Sankar Dayal. Ashokan,Vineeth,Sudheesh & Aswathy gave incredible performances through their gestures, quirkiness and dialogues.

Good shots by Harikrishnan with nice BGM's by Mujeeb Majeed and good sound design by Vignesh & Rajakrishnan.

A simple one time fun to watch humourous entertainer with some progressive and old school thoughts.

The movie blends humour and relationship drama, presenting a grounded story that reflects the nuances of modern-day love and companionship. Audience engaged with its relatable themes, lighthearted moments, and decently written characters.

Dhreeran is a one-time-watch film that offers moderate entertainment. It's neither a masterpiece nor a complete letdown. The film succeeds in portraying slices of real-life relationships and adds a touch of humour to keep things light. While it may not leave a lasting impact, it's still a relatable, feel-good watch for those who enjoy simple, everyday storytelling.

"Dheeran (2025)" isn't a film about a single hero, but rather a journey of collective folly and redemption, told with a distinctly rustic charm. Director Devadath Shaji has crafted a cinematic equivalent of a bumpy road trip through the Malayattoor countryside, where every character is a delightful, slightly-off-kilter signpost on the way to a destination that nobody fully understands.

The film's true strength lies not in its plot, which is as winding as the roads its characters travel, but in its ensemble. This isn't a star vehicle, but a finely-tuned engine of veteran actors and fresh faces, each contributing a unique, humorous rattle to the vehicle. Rajesh Madhavan as Eldhose, the titular "Dheeran," is less a central figure and more of a ghost in the machine, his legend shaping the journey of others while he remains an enigma. It's an interesting subversion of the hero archetype.

The real show is stolen by the motley crew tasked with his bizarre retrieval. Jagadish, Manoj K. Jayan, and Sudheesh, in particular, deliver performances that feel less like acting and more like a comfortable, long-standing conversation between old friends. Their comedic timing is a gentle ebb and flow, not a series of punchlines, making the humor feel organic to the setting. The film understands the quiet, often absurd, humor of village life-the gossip that becomes fact, the grudges that fuel a journey, and the misplaced priorities that make a simple task a sprawling adventure.

Where "Dheeran" truly sets itself apart is in its quiet moments. The film normalizes what other narratives might condemn, offering a refreshingly non-judgmental look at modern relationships within a traditional setting. This subtle social commentary, woven into the fabric of a lighthearted road comedy, is a testament to the director's nuanced vision.

While the film may meander at times, and some of its setups are a little too visible, "Dheeran" remains a charming and deeply watchable experience. It's a film that asks you to sit back and enjoy the ride, even with its occasional bumps and detours. It's not about the destination, but the wonderful, chaotic people you meet along the way.

Dheeran starts off on a confusing note. The film jumps into emotional scenes without properly introducing the main character, which leaves us feeling a bit disconnected. In the first 30 minutes itself, there are several different plot lines, making it feel like a puzzle we're forced to solve.

Each character seems to have their own story to tell, which is interesting but also adds to the confusion early on. However, the movie manages to connect all the dots by the end of the first half. Surprisingly, the second half begins with a fresh storyline, giving a new direction to the film.

Some of the situational comedy moments do land well and add a bit of fun to the mix. But at the same time, many of the emotional scenes feel flat - they try to touch the heart but don't quite succeed.

This is not your typical realistic Malayalam film. It blends fantasy with realism, which may not work for everyone. What really helps the movie stay engaging is the chemistry between senior actors like Ashokan, Jagadeesh, Manoj K. Jayan, and Sudheesh. Their scenes bring a sense of familiarity and charm.

The villain's character was meant to be dangerous and powerful, but the actor couldn't quite pull it off convincingly.

Overall, Dheeran is a fantasy-realism mix that doesn't always hit the mark. If you're bored and looking for something different, it might be worth a watch - but don't expect a typical emotional or realistic Malayalam movie experience.

I enjoyed this movie, and some scenes were genuinely hilarious. Moreover, the creators have worked really hard for this one, and this is easily noticeable from this movie.

The core plot was fine and the actors were living on the screen. Casting is the main highlight of this film. The film is happening in a village in Ernakulam district, and I'm not sure everyone realised that- kudos to Devadath for setting up the film in a location like Panichayam, which was an apt location for this movie.

The second half also went beyond my expectations. The comedy timings of the actors were perfect and it's good to see actors like Manoj K Jayan, Ashokan getting a role where they can bring out their true calibre.

Once again, good job, Devadath.